LOG(What's new?) 2015-2017

LOG (What's new?)

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◆ 2015-2017

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2017

2017 JAHS Eastern Division General Meeting

The JAHS Eastern Division will hold the following symposium in conjunction with the Kanagawa Prefectural Kanazawa-Bunko Museum. No prior application required for attendance.
Chairman: SHIMAO Arata
Symposium:	A New Vision of Karamono
Date/time:	December 10, 2017 (Sun.), 13:00 – 16:00 (exhibition open 9:00 – 16:30)
Location:	Great Lecture Hall, Kanagawa Prefectural Kanazawa-Bunko Museum Access: See maps at http://www.planet.pref.kanagawa.jp/city/bunko/riyouannai.html Accessible via Kanazawa Bunko Station and Umi no Koen Minamiguchi Station
Audience:	Limited to 100 visitors
Organized by:	JAHS and Kanagawa Prefectural Kanazawa-Bunko Museum
Program:
	Reception opens at 12:30, symposium begins at 13:00 Symposium Overview “Issues in the Study of Karamono” SHIMAO Arata (Gakushuin University) Report 1 “The Reception of Karamono in the Kamakura Region” UMEZAWA Megumi (Kanagawa Prefectural Kanazawa-Bunko Museum) Report 2 “The Reception of Chinese Patriarch Portraits during the Kamakura Period and Song Dynasty Style Buddhist Rituals” NISHITANI Isao (Treasure Hall of Sennyûji) Report 3 “Interpreting the Môko Shûrai Ekotoba via the Items Excavated from the Takashima Sea Underwater Archaeological Sites SASAKI Randy (Kyushu National Museum) Report 4 “The Reception of Chinese Ceramics in the Kamakura Period and its Background” ARAKAWA Masaaki (Gakushuin University)
How to attend the symposium:
	If you would like to attend the symposium, the reception desk will open at 12:30. Please bring your symposium announcement with you. Admission will be on a first-come, first-served basis, with admission closed when the attendance limit is reached.
How to view the exhibition:
	Thanks to the generosity of the Kanagawa Prefectural Kanazawa-Bunko Museum, JAHS members will be admitted to the concurrent Karamono exhibition at the Museum from 9:00 to 16:30 on the day of the symposium. Please submit your symposium announcement to the exhibition reception desk.
For details, please see:
	https://www.planet.pref.kanagawa.jp/city/bunko/tenji.html

(20/11/2017 update)

○　2017 JAHS Eastern Division Meeting

Chair: SUGA Miho
Date/time:	November 25 (Sat.), 2017, starts at 14:00
Location:	Lecture Room 2, Main Bldg 1F, Fine Arts Division, Tokyo University of the Arts Access: http://www.geidai.ac.jp/english/access#UenoCampus
Research Reports(presented in Japanese):
	“Pagan Statuary in Late Antiquity: Legislation, Textual Evidence and New Urban Settings”
		TAKIMOTO Miwa (University of Tsukuba, Research Fellow of Japan Society for the Promotion of Science)
	“Tradition and Innovation in the Late Manuscripts of the Livre de la chasse de Gaston Fébus: Focusing on the Manuscrit français 169 in the Bibliothèque de Genève”
		TAKAGI Makiko (Tokyo University of the Arts)

(25/10/2017 update)

○　2017 JAHS Western Division Meeting

Chairs: KÔNO Michifusa and KYOTANI Yoshinori
Date/time:	November 18, 2017 (Sat.), starts at 13:30
Location:	Lecture Classroom RY303, 3rd Floor, Ryoshinkan, Imadegawa Campus, Doshisha University, Kyoto Access: See map

Research Reports(presented in Japanese):

	“A Consideration of the Ban Dainagon emaki Production Context”
		TOMANA Yu (Kyoto University)
	“Reexamining the Kanshinji Portrait Statue of a Priest in Terms of Tang Dynasty Chan Buddhism History”
		MATSUBARA Mizue (Doshisha University)

(13/10/2017 update)

○　2017 JAHS Eastern Division Meeting

Chair: NAITO Masato
Date/time:	September 30, 2017 (Sat.), starts at 14:00
Location:	Classroom 447, South School Bldg. No. 1, Mita Campus, Keio University Access: https://www.keio.ac.jp/en/maps/mita.html
Research Reports(presented in Japanese):
	“A Study of Nicolas Poussin’s Landscape with Orpheus and Eurydice”
		TAKI Ryosuke (The University of Tokyo)
	“Aesacus and Hesperie by J. M. W. Turner: Evoking Thoughts of The Seasons”
		IZUHA Takashi (Utsunomiya University)

(28/8/2017 update)

○　2017 JAHS Western Division Meeting

Chairs:HIRAKAWA Kayo and NAGAI Takanori
Date/time:	September 16, 2017 (Sat.), starts at 13:30
Location:	Lecture Hall 3, Faculty of Letters Main Building, Yoshida Main Campus, Kyoto University Access: http://www.kyoto-u.ac.jp/en/access/ Campus Map: http://www.kyoto-u.ac.jp/en/access/yoshida/main.html

Research Reports(presented in Japanese):

	“Frank Stella’s Irregular Polygons Series: A Reconsideration of Drawing and Replication”
		TAGI Yusuke (Kobe University)
	“Watanabe Gentai’s Shômu Hermitage Handscroll”
		NAKAMURA Manami (Osaka University and Japan Society for the Promotion of Science Research Fellowship for Young Scientists)

(28/8/2017 update)

○　2017 JAHS Eastern Division Meeting

Chair: ARAKAWA Masaaki
Date/time:	July 22, 2017 (Sat.), starts at 14:00
Location:	Classroom 308, North Bldg. No. 1, Gakushuin University Access: http://www.gakushuin.ac.jp/ad/kikaku/english/school/campus/mejiro.html Campus Map: http://www.gakushuin.ac.jp/ad/kikaku/english/school/campus/mejiro.html
Research Reports(presented in Japanese):
	“The Traditions and Evolution of Ancient Chinese Vases”
		LI Han (Gakushuin University)
	“Daimyô Family Use of Kanô Works and Their Appointment of Kanô Painters: As Seen in the Hosokawa Family of Kumamoto””
		MIYAKE Hidekazu (Gunma Prefectural Women’s University)

(27/6/2017 update)

○　2017 JAHS Western Division Meeting

Chairs:　 NAKATANI Nobuo and FUKAYA Noriko
Date/time:	July 15, 2017 (Sat.), starts at 13:30
Location:	5th Floor AV-A Classroom, Bldg. 3, Section 1, Senriyama Campus, Kansai University Access: https://www.kansai-u.ac.jp/English/about_ku/location.html Campus Map: https://www.kansai-u.ac.jp/English/about_ku/senri_map.html

Research Reports(presented in Japanese):

	“Early Tang Dynasty Pictorial Representations of Maitreya’s Pure Lands in the Dunhuang Mogao Grottoes”
		ORIYAMA Keiko (Kyoto University)
	“The Activities and Significance of the Former Nihon Nangain: Focusing on Its Influence on Contemporary Ink Painting”
		MURATA Takashi (Osaka International University)

(27/6/2017 update)

○　The 70th JAHS General Assembly

Date/time:	Dates: May 19 (Fri.)–21 (Sun.), 2017
Location:	Kwansei Gakuin University Access: http://www.kwansei.ac.jp/s_humanities/s_humanities_m_002859.html

Program　(Japanese only):

Click Here　　【　Day 1　　Day 2　　Day 3　Print Version】
( All presentations will be in Japanese only.)

○　2017 JAHS Western Division Meeting

Chairs: IDE Seinosuke and NAGAI Takanori
Date/time:	March 18, 2017 (Sat), starts at 13:30
Location:	Classroom K101, First Floor, East 3 Building (Formerly Notre Dame Building), Matsugasaki Campus, Kyoto Institute of Technology Access:See maps at https://www.kit.ac.jp/en/location/ https://www.kit.ac.jp/en/location/campus_map/

Research Reports(presented in Japanese):

	“A Study of the Song Edition, Fuguo Chanshi Wenshu zhinan tuzan (Laudatory Verses by Chan Master Fuguo [Weibo] on Pictures of Manjushri's Teachings)”
		MORI Sakika
	“An Iconological Study on Yoshino Screen Paintings: Cherry Blossoms with Waterfalls, Mountain Streams and Rocks”
		IDO Misato (Kyoto Institute of Technology)

(21/2/2017 update)

○　2017 JAHS Eastern Division Meeting

Chair: ITAKURA Masaaki
Date/time:	March 25, 2017 (Sat), starts at 14:00
Location:	Large Classroom 2, Faculty of Law & Letters Bldg. 2, Hongo Campus, University of Tokyo Access: http://www.u-tokyo.ac.jp/content/400020133.pdf See building labeled 31 on this map: http://www.u-tokyo.ac.jp/content/400020145.pdf
Research Reports(presented in Japanese):
	“Giacomo Cozzarelli nella bottega di Francesco di Giorgio: Processo della formazione dello stile individuale osservabile su i quattro Compianti di Cristo morto”
		Fujisaki Yuko (Matsumoto Yuko) (Keio University)
	“Portraits of Wuxue Zuyuan (Mugaku Sogen) and Tokuho Myoki owned by Enichi-ji Temple, Hyogo”
		KUNIGO Hideaki (Tokyo National Museum)
	“A Study of Genji-e by Iwasa Matabei and his School”
		HIROMI Nobuhiko (Idemitsu Museum of Arts)

(21/2/2017 update)

○　Lecture organized by the Museum Committee

“Museum Sustainability: Focusing on the Financial Analysis of Japan’s National Museum of Nature and Science, the National Art Museum and the National Institutes for Cultural Heritage” —OZU Chikako (Associate Professor, Department of International Economy and Business, Faculty of Economics, Kyushu University)
Date/time:	March 4 (Sat.), 2017, 14:00-16:00 (doors open at 13:30)
Location:	Lecture Hall, East Research Building, Mita Campus, Keio University Access: See maps at https://www.keio.ac.jp/en/maps/mita.html
With the support of:	The Japanese Council of Art Museums, Japan Association for Arts Management, and The Association for the Study of Cultural Resources * This lecture is open to the general public, not just JAHS members.
Program:	Opening Remarks: TOYAMA Koichi (JAHS Chairman) Lecture Overview: Museum Committee Member Lecture: “Museum Sustainability: Focusing on the Financial Analysis of Japan’s National Museum of Nature and Science, the National Art Museum and the National Institutes for Cultural Heritage” OZU Chikako (Associate Professor, Department of International Economy and Business, Faculty of Economics, Kyushu University) Closing Remarks
Lecture Overview:	Museum performance evaluation has been subject to accounting methods that resemble business accounting methods since their transformation into Independent Administrative Institutions. And this has meant an increased provision of information to taxpayers. In this lecture, I will analyze the financial data of the National Museum of Nature and Science, the National Art Museum and the National Institutes for Cultural Heritage, and examine their current status as seen from their financial situation. Can the general feeling that their finances are becoming increasingly more difficult be explained objectively? Why were they transformed into Independent Administrative Institutions and what changes were brought about by this transformation? Based on the analysis, I will then discuss prospects for how to make museums sustainable on an ongoing basis. Note: The museums to be discussed in this lecture are national institutions only. Museum revenue sources differ based on whether they are operated by a prefectural or local government, public interest incorporated association or foundation, business or university, thus the issues involved and outlooks for the future of such institutions differ from those included in this analysis. This lecture focuses on national museums.
For further information, please contact:	JAHS Office, University Co-operative Association Tel: 03-5307-1175 FAX: 03-5307-1196 E-mail: jahs@univcoop.or.jp

(8/2/2017 update)

○　General Meeting of the Western Division of the Japan Art History Society

Symposium:

Reconsidering Hakubyô: Its Meaning in the History of Japanese Painting, in conjunction with The Museum Yamato Bunkakan’s Special Exhibition “The Monochrome Paintings”

Date/time:

February 19, 2017 (Sun.), 11:00 – 16:30 (reception opens at 10:30)
Exhibition open from 10:00 to 17:00

Location:

Lecture Hall, The Museum Yamato Bunkakan
Address: Gakuenmae 1-11-6, Nara
Access:http://www.kintetsu-g-hd.co.jp/culture/yamato/foreign/english.html

How to attend the symposium:

On the day of the symposium, presentation of the symposium announcement at the museum’s reception desk will allow free admission to the museum and the exhibition. For those who also want to attend the symposium, please present your symposium announcement at the Ticket Desk, enter the museum and gather at the Lecture Hall. The symposium is open to the general public, not just JAHS members. Entrance to the Lecture Hall will be on a first-come, first-served basis, and doors will be shut when the maximum attendance of 150 is reached.

*No prior registration required, the program will be conducted in Japanese only.
*Audience limited to 150 attendees

Program :

11:00 – 11:10	Symposium Overview and Director’s Message
11:10 – 11:55	Keynote Address	“The Reception and Formation of Hakubyô Narrative Paintings: Focusing on Ko-e" SANO Midori (Gakushuin University)
Lunch Break
13:30 – 14:35	Report 1	“Iconography’s Position in Medieval Hakubyô Paintings: Its Relationship with Yamato-e Hakubyô Paintings” FURUKAWA Shoichi (The Museum Yamato Bunkakan)
13:30 – 14:35	Report 2	“A Reexamination of Hakubyô Kasen-e: The Origins of Kasen-e and Various Issues Regarding Nise-e” TSUCHIYA Takahiro (Tokyo National Museum)
14:45 – 15:50	Report 3	“The Development of Hakubyô Paintings in the Edo Period: Focusing on the Sumiyoshi School and Revivalist Yamato-e School” MIYAZAKI Momo (The Museum Yamato Bunkakan)
14:45 – 15:50	Report 4	“Various Aspects of Modern Hakubyô Paintings: The Demise of Hakubyô Painting” SHIINO Akifumi (Fukui Fine Arts Museum)
16:00 – 16:30	Discussion and Q & A Session Moderator: KAWADA Masayuki (Kubosô Memorial Museum of Arts, Izumi)

Organizers:

Japan Art History Society and The Museum Yamato Bunkakan
With the support of KAKEN Grants-in-Aid for Young Scientists (B) “The Position of Buddhist Iconography in Medieval Japanese Paintings” and “Comprehensive Study of the Sumiyoshi School”

For further information, please contact either:
JAHS Western Division Office
gakkaiwest@gmail.com
Kôno Research Office, Aesthetics Department, Faculty of Letters, Doshisha University, Imadagawa-dori, Karasuma Higashi iri, Kamikyô-ku, Kyoto 602-8580
or
The Museum Yamato Bunkakan
Gakuenmae 1-11-6, Nara 631-0034, Tel. 0742-45-0544

(8/2/2017 update)

○　2017 JAHS Western Division Meeting

Chairs: USHIROSHOJI Masahiro and ECHIZEN Toshiya
Date/time:	January 21, 2017 (Sat.), starts at 13:30
Location:	Conference Room, 4th Floor, School of Letters, Hakozaki Campus, Kyusyu University Access: https://www.kyushu-u.ac.jp/en/campus/hakozaki
Research Reports(presented in Japanese):
	“A Reconsideration of the Tsuchigumo Sôshi Emaki’s Production Date and Artist”
		SOUTOME Harue (The University of Kitakyushu)
	“Reconsidering Zhao Mengfu’s Position in the History of Chinese Calligraphy: Analyzing the Character Form and Line Qualities in Xuan miao guan chong xiu san men ji juan”
		NEGORO Takaaki (Doshisha University)

(10/1/2017 update)

○　2017 JAHS Eastern Division Meeting

Chair: UCHIDA Keiichi
Date/time:	January 28, 2017 (Sat.), starts at 14:00
Location:	Classroom 681, Building No. 36, Toyama Campus, Waseda University Access: http://www.waseda.jp/top/assets/uploads/2014/08/edb11e6c82861fa22b605950bcfdee00.pdf
Research Reports(presented in Japanese):
	“A Study of Christian Girl Asazuma with Cherry Blossoms by Kurihara Gyokuy”
		TADOKORO Tai (Tokyo National Research Institute for Cultural Properties)
	“The Ascension and the Theophany: An Image of Episcopal Authority in the Basilica of San Pietro in Tuscania”
		ITO Rei (Waseda University)

(25/12/2016 update)

2016

○　2016 JAHS Eastern Division Meeting

Chair:NAITO Masato
Date/time:	November 26, 2016 (Sat.), starts at 14:00
Location:	Classroom 443, 4th Floor, South School Building Mita Campus, Keio University Access: See: https://www.keio.ac.jp/en/maps/mita.html
Research Reports(presented in Japanese):
	“Soga Shôhaku and Hanabusa Itchô”
		MABUCHI Miho (Kobe City University of Foreign Studies)
	“From Craft to Art: The Urushi Lacquer Artist Takahashi Setsuro’s Works in the 1950s-1960s Utilizing the Sgraffito Technique”
		MINAMI Yuriko (Yanagi Sori Design Memorial, Kanazawa College of Art)
	“Paysage avec une femme se lavant les pieds de Nicolas Poussin (Ottawa): Vertumne au Vélabre”
		FUKUDA Kyoko (Keio University)

(21/11/2016 update)

○　2016 JAHS Western Division Meeting

Chairs: KONO Michifusa and HIRAKAWA Kayo
Date/time:	September 17 (Sat.), 2016, starts at 13:30
Location:	RY408, 4th Floor, Ryoshinkan, Imadegawa Campus, Doshisha University Access: https://www.doshisha.ac.jp/en/information/campus/access/imadegawa.html
Research Reports(presented in Japanese):
	“Landscapes in India Ink by Takeuchi Seiho in His Later Years: His Innovation of ‘Suiboku Sansui’ and His Subjective Expression Using the ‘Hatuboku’ Technique”
		FUJIKI Akiko (Kyoto City University of Arts)
	“Rethinking Monet and ‘Decoration’： Focusing on an Analysis of Changing Values”
		KAMEDA Kosuke (Kobe University)

(21/11/2016 update)

○　2016 JAHS Eastern Division Meeting

Chair:SUGA Miho
Date/time:	October 1 (Sat.) 2016, starts at 14:00
Location:	Section 1: Classroom 3, Central Building, Faculty of Fine Art Section 2: Classroom 4, Central Building, Faculty of Fine Art Ueno Campus, Tokyo University of the Arts Access: See: http://www.geidai.ac.jp/access/ueno
Research Reports(presented in Japanese):
Section 1　Chair: SUGA Miho (Tokyo University of the Arts)
	“A Reconsideration of Night Attack on the Sanjô Palace, from the Illustrated Scrolls of the Events of the Heiji Era”
		KANAI Hiroko (Special Exhibition Planning, Curatorial Research Department, Tokyo National Museum)
	“Ogata Korin’s Time in Edo and Changes in His Brushwork—Focusing on A Budding Plum Tree by Ogata Korin in the Freer Gallery of Art”
		EMURA Tomoko (National Research Institute for Cultural Properties, Tokyo)
Section 2　Chair: KOSHIKAWA Michiaki (Tokyo University of the Arts)
	“The Garden of the Medici Villa at Castello under the Reign of Cosimo I de’Medici: The Fountain of Hercules and Antaeus and Its Interpretation”
		TOMOOKA Maho (Tokyo University of the Arts)
	“Accademia del Disegno and Artist Portraits:A Study on Three Paintings in the Cappella dei Pittori”
		FURUKAWA Moe (JSPS Postdoctoral Fellow, Tokyo University of the Arts)

(13/9/2016 update)

○　2016 JAHS Western Division Meeting

Chairs: FUJIOKA Yutaka and SUGAWARA Mayumi
Date/time:	September 17 (Sat.), 2016, starts at 13:30
Location:	Assembly Hall, Osaka University Hall, Toyonaka Campus, Osaka University Access: http://www.osaka-u.ac.jp/en/access/toyonaka
Research Reports(presented in Japanese):
	“Hamada Shôji’s Stylistic Changes and Korean Ceramics: Focusing on the Sugarcane Motif”
		BAE Sujung (Japan Society for the Promotion of Science and Graduate School, Kansai University)
	“Lee Uiyang’s Paintings After Tani Bunchô—Using a Note by Tani Bunchô to Consider How Relationships between Japan and Joseon were Built through Writing and Painting”
		KATAYAMA Mariko (Ph.D. Candidate, Kyoto Institute of Technology)

(9/4/2016 update)

○　2016 JAHS Western Division Meeting

Chairs: Nakamura Toshiharu, Fukaya Michiko
Date/time:	July 16, 2016 (Sat.), starts at 13:30
Location:	LLecture Room 4, 4th Floor, Campus Plaza Kyoto, The Consortium of Universities in Kyoto Access: http://www.consortium.or.jp/about-cp-kyoto/access
Research Reports(presented in Japanese):
	Egon Schiele’s Seated Male Nude (Self-Portrait): A Reconsideration of its Relationship to Secessionist Tradition
		Shimouchi Akira (Graduate School of Letters, Kyoto University)
	“The Development of Nagasawa Rôsetsu’s Painting Style before and after Studying under Maruyama Ôkyo: Focusing on Two Newly Discovered Works Signed “Ushu”
		Okada Hideyuki (Miho Museum)

(6/16/2016 update)

○　2016 JAHS Eastern Division Meeting

Chair:Aizawa Masahiko
Date/time:	July 23, 2016 (Sat.), starts at 14:00
Location:	Classroom 321, 2nd Floor, University Building No. 3, Seijo University Access: See: http://www.seijo.ac.jp/en/about/contact/access.html and campus map at: http://www.seijo.ac.jp/en/about/contact/campus.html
Research Reports(presented in Japanese):
	“A Stylistic Analysis of The Illustrated Scroll of Illnesses”
		Yamamoto Satomi (Kyoritsu Women’s University)
	“The Creation of Ippen Hijiri-e and the Ritsu Sect in the Medieval Era”
		Seya Ai (Tokyo National Museum)

(13/2/2016 update)

○　Sahoko Tsuji Memorial Lecture Series ―Forth Lecture

Die Kunst des Hieronymus Bosch und die Kuntgeschichte —Nils Büttner (Staatliche Akademie der Bildenden Künste Stuttgart) Fragen an Johannes Vermeer —Gregor J. M. Weber (Rijksmuseum Amsterdam) *Lectures are delivered in German with consecutive interpretation into Japanese.
Date/Time:	24 September 2016 (Sat.), 13:00 – 17:00 (doors open at 12:30)
Location:	First Floor Lecture Hall, National Museum of Modern Art, Kyoto Access: http://www.momak.go.jp/English/directions.html
Organizer：	Japan Art History Society
Further information, please contact: Japan Art History Society University Co-operative Association Wada 3-30-22, Suginami-ku, Tokyo 166-8532 Tel: 03-5307-1175 E-mail: jahs@univcoop.or.jp

(6/4/2016 update)

○　Joint Symposium of the East and West Division Museum Committees
“Beyond Boundaries: For the Curators of the Future”

Date:	16 April 2016 (Sat.), 10:30 – 16:30 (doors open at 10:00)
Location:	Lecture Hall, National Museum of Art, Osaka Access: For directions see: http://www.nmao.go.jp/en/info/access.html
Organizer：	JAHS and the National Museum of Art, Osaka
With the support of：
	the Japanese Council of Art Museums, Japan Association for Arts Management and the Association for the Study of Cultural Resources
Symposium Overview:
	Amidst the challenging environment confronting museums today, we must focus on the activities of curators. They will need to see new possibilities, overcome many constraints and difficulties. We will investigate their role and the issues they face as we look towards the future form of museums. 　The situation confronting museums includes harsh economic realities along with the diverse needs of the local population, and the limitations of the existing methodologies for museum operations. In these circumstances we must discover and make connections beyond existing frameworks and viewpoints. 　This symposium focuses on the individuals and institutions that can expand the potential of museums and work amidst various restrictions, as they permeate local society and adapt to a more flexible network. The presentations will explore both the potential and issues facing museums today, such as Kusumoto (Tsunagi Art Museum) and Kushino on continuing activities that link with local society and take a unique vantage point in spite of being small-scale museums hampered by inadequate budgets or staff numbers; Inaniwa (Tokyo Metropolitan Museum) on creating a new image of museums through active educational outreach and linking with regional museums; Kudô (Aomori Museum of Art) on searching for new links between regional public art museums, and Yamauchi (Rias Ark Museum of Art) on showing a museum’s commitment to regional society through the display of how disaster effects are an important element of regional culture.
Program :
10:00	Registration Opens
10:30	Organizer’s Message: Suzuki Hiroyuki (representing JAHS) Organizer’s Message: Yamanashi Toshio (Director, National Museum of Art, Osaka)
10:45 – 11:00	Symposium Overview: Ushiroshôji Masahiro
11:00 – 11:30	Presentation 1: Kusumoto Tomoo (Tsunagi Art Museum)
11:30 – 12:00	Presentation 2: Kushino Nobumasa (Curator/formerly of the Tomonotsu Museum)
12:00 – 13:00	Break
13:00 – 13:30	Presentation 3: Inaniwa Sawako (Tokyo Metropolitan Art Museum)
13:30 – 14:00	Presentation 4: Kudô Takeshi (Aomori Museum of Art)
14:00 – 14:30	Presentation 5: Yamauchi Hiroyasu (Rias Ark Museum of Art)
14:30 – 14:50	Break
14:50 – 16:30	Discussion and Questions Moderator: Kawanami Chizuru
Handout: Here
Further information, please contact: Japan Art History Society (JAHS) University Co-operative Association Wada 3-30-22, Suginami-ku, Tokyo 166-8532 Tel: 03-5307-1175 E-mail: jahs@univcoop.or.jp E-mail: jahs@univcoop.or.jp

(3/11/2016 update)

○　Sahoko Tsuji Memorial Lecture Series ―Third Lecture

Paintings and Inscriptions in Cappadocia as a Source on the Audience Catrine Jolivet-Lévy (Paris University I).
Date:	March 27 (Sun.), 2016
Location:	Classroom 581, Building 36, Toyama Campus, Waseda University Access: https://www.waseda.jp/top/en/access/toyama-campus Campus Map: http://www.waseda.jp/top/assets/uploads/2014/08/edb11e6c82861fa22b605950bcfdee00.pdf
Catherine Jolivet-Lévy (Paris University I), the premier scholar on the history of the art of Cappadocia. 　This lecture is given in conjunction with the symposium “Byzantine Cappadocia,” funded by the Sahoko Tsuji Memorial Fund for the Promotion of Art Historical Study.
Organizer：	Japan Art History Society
Co-organizer：	Japan Association for Byzantine Studies
With the support of：
	Research Institute for Letters, Arts and Sciences, Waseda University
Program :
10:00～10:30	Sahoko Tsuji . From the Early Christian Art to Cappadocia
10:40～11:10	Painting Techniques and Vandalism of the Wall Paintings of Üzümlü Church (Chapel of Niketas the Stylite) in Red Valley, Cappadocia 　　Yoko TANIGUCHI (Tsukuba University)
11:20～11:50	On the Compositions of the Dormition of the Virgin in Church Decorations in Cappadocia 　　Kazuhumi TAKEDA (Waseda University)
11:50～13:00	Break
13:00～13:30	A Preliminary Essay of the Fresco Program Emphasizing "the Crucifixion” in Cappadocia 　　Saeko II (Tokai University)
13:40～14:10	Can the Identical Iconography Connote Different Meanings? : Examples of Fresco Decoration in Cappadocian Churches 　　Mika TAKIGUCHI (Meiji University)
14:30～15:00	Çarıklı Kilise Reconsidered: Its Iconographic Program and Liturgy 　　Hirohumi SUGAWARA (Kanazawa University)
15:10～15:40	Christ and the Twelve Apostles in the Cappadocian Church Decoration 　　　Tomoyuki MASUDA (Waseda University)
16:00～17:00	Special Lecture(presented in English) Paintings and Inscriptions in Cappadocia as a Source on the Audience 　　Catherine Jolivet-Lévy (Paris University I)
17:00～18:00	Discussion
18:00～20:00	Reception
Further information, please contact: Japan Art History Society University Co-operative Association Wada 3-30-22, Suginami-ku, Tokyo 166-8532 Tel: 03-5307-1175 E-mail: jahs@univcoop.or.jp

(2/26/2016 update)

○　2016 JAHS Western Division Meeting

Chairs: INAMOTO Yasuo and NAMIKI Seishi
Date/time:	March 19 (Sat), 2016, starts at 13:30
Location:	Lecture Hall, The Museum Yamato Bunkakan, 1-11-6 Gakuenminami, Nara-shi 631-0034 Access: http://www.kintetsu.jp/yamato/access/index.html
Research Reports(presented in Japanese):
	A Reappraisal of the Nirvana of the Buddha by lù xìn zhōng, Focusing on Iconographical Origins and the way to use
		TAKASHI　Midori　（Osaka University）
	*Identification the painter of the portrait "Mohri Motokane”; from comparing the portrait “Rei hime*” painted by KANO Hogai
		SEKINE Kaori　(Shimonoseki City Art Museum)

(2/26/2016 update)

○　2016 JAHS Eastern Division Meeting

Chair:Yasuhiro SATÔ
Date/time:	April 2 (Sat.), 2016, starts at 14:00
Location:	Large Lecture Hall No. 1, 2nd Floor, Faculty of Law & Letters Bldg. 2, Hongô Campus, University of Tokyo Access: Campus map PDF in English here
Research Reports(presented in Japanese):
	Illustrated Scrolls of the Tale of Genji in the Mohri Museum Collection
		Aya RYUSAWA (Kinjo Gakuin University)
	A Study of the Model Paintings by Kanô Tan’yû and His Followers: Kanô Tan’yû’s Studies of the Ancient Masters Albums
		Asami NODA (Shizuoka Prefectural Museum of Art)

(13/2/2016 update)

○　General Meeting of the　Western Division of the Japan Art History Society

Chair: IKEDA Yûko
Title:	“Textiles and Art: Their Borderless Potential”
Date/time:	February 6, 2016 (Sat.) 13:30 – 17:00 (venue opens at 13:00)
Location:	First Floor Lecture Hall, National Museum of Modern Art, Kyoto Access：http://www.momak.go.jp/English/directions.htm
Limited to：	100 participants (first come, first in, no prior reservations taken) *Please exchange symposium announcement postcard for a complementary entrance ticket at the 1st Floor Information Desk (valid only on the day of the symposium)
Program Summary:	Textiles are one of the essential “objects” in human life. People have always protected themselves and their daily lives through the acts of spinning, weaving and dyeing. In Europe there has been a recent succession of openings of new museums dedicated to textiles and re-designed displays, with various exhibitions featuring textiles as their central theme. These exhibitions have gone beyond the usual simple introduction of textiles as “objects”, providing stimulating experiments in evoking a higher social position for the medium by displaying textiles alongside other forms of art works and historical materials and indicating how closely linked the principles of textile creation are to the creation of art works in general. This symposium will consider the current state of textile exhibitions in Japan and their related issues and how they can be improved in the future. Through the panelists’ reports, let’s consider how to present textiles, and indeed decorative arts in general, from all the more appealing vantage points.
Program (In Japanese Only):
13:30	Opening Remarks
13:40 – 14:10	Panel 1	“Textile History Research that Leads to Exhibitions” YAMAKAWA Aki (Kyoto National Museum)
14:10 – 14:40	Panel 2	“Modern Textile Materials and Display – Activity in Yûzen Dyeing and Development of its Models” FUJIMOTO Keiko (Kyoto Prefectural Library and Archives)
14:40 – 15:10	Panel 3	“Where the Thread Leads –"Beyond the Thread" and "Katagami and A Universe of Flowers” TAKEGUCHI Koji (Fukuoka Prefectural Museum of Art)
15:10 – 15:40	Panel 4	“Fashion as Exhibition. Then, Mannequins…” HAMADA Kunio (Kobe Fashion Museum)
15:40 – 16:00	Break
16:00 – 17:00	Discussion	Moderator: IKEDA Yûko (National Museum of Modern Art, Kyoto)
Notes:	Current exhibitions at MOMAK 3rd Floor: Shimura Fukumi http://www.momak.go.jp/English/exhibitionArchive/2015/411.html 4th Floor: 5th Collection Gallery Exhibition 2015-16, with displays related to the Symposium.
Further information, please contact　the JAHS Western Division Office at gakkaiwest@gmail.com

(25/1/2016 update)

○　2016 JAHS Eastern Division Meeting

Chair: Yasujirô ÔTAKA
Date/time:	January 23 (Sat.), 2016, starts at 14:00
Location:	Classroom 2219 (Art History Practice Room), 2nd Floor, Building 39, Toyama Campus, Wasada University Access: Campus map PDF in English here
Research Reports(presented in Japanese):
	Kay Sage’s Eggs -- From Her Relationship with Her Mother
		Takashi NAGAO (Seijo University)
	Viewer Participation in Jackson Pollock’s Art: The Reception of Dewey’s Aesthetics
		Mizuki KISHI (Waseda University)

(27/12/2015 update)

○　2016 JAHS Western Division Meeting

Chairs: Ushirokoji Masahiro and Fujioka Yutaka
Date/time:	January 23 (Sat.), 2016, starts at 13:30
Location:	4th Floor Conference Room, School of Letters 4th Floor, Faculty of Humanities District, Hakozaki Campus, Kyushu University, Kyoto Access: http://www.kyushu-u.ac.jp/english/university/location/map.php
Research Reports(presented in Japanese):
	The Reception of Western Painting as Seen in Hyong-nok Yi’s Chaekkado ― Focusing on Perspective and Chiarascuro
		Miyeon PARK (Doshisha University)
	Liu Jintang’s Qixitu and Taiwan Yimintu: An East Asian Perspective
		Jessica Tsaiji LYU-HADA (Kyushu University/Fukuoka University)

(2/11/2015 update)

2015

○　2015 JAHS Eastern Division Meeting

Chair: Naito Masatoi
Date/time:	November 28, 2015 (Sat.), starts at 14:00
Location:	Classroom 446, South Classroom Building, Mita Campus, Keio University Access: http://www.keio.ac.jp/en/maps/mita.html
Research Reports(presented in Japanese):
	L’iconographie historique de la Restauration: L’entrée de Louis XVIII à Paris et La statue équestre d’Henri IV
		AZUCHI Kanako (Nihon University)
	Les paysages au Salon de 1824: Autour d’œuvres de Constable
		SUZUKI Issei (Seijo University)

(2/11/2015 update)

○　2015 JAHS Western Division Meeting

Chairs: Echizen Toshiya and Kôno Michifusa
Date/time:	November 21 (Sat.), 2015, starts at 13:30
Location:	Classroom K46, Kofukan 4th Floor, Imadegawa Campus, Doshisha University, Kyoto Access: https://www.doshisha.ac.jp/en/information/campus/imadegawa/imadegawa.html#campusmap l
Research Reports(presented in Japanese):
	A Study of "Japanese Cypress Trees and I-R0-HA Uta" by Konoe Nobutada
		HAMANO Mayumi (Osaka University)
	Tanaka Atsuko and Kanayama Akira in the mid-1950s
		KATO Mizuho (Museum of Osaka University)

(2/11/2015 update)

○　General Meeting of the Eastern Division of the Japan Art History Society

The Shunga exhibition held from October 3, 2013 through January 5, 2014 at the British Museum, London, was a huge success, attracting a total of 87,893 visitors. Immediately after that exhibition, efforts began to hold a shunga exhibition in Japan, with the result that the Eisei Bunko Museum in Tokyo’s Mejiro district is currently holding a shunga exhibition running from September 19 through December 23, 2015. While there has been an increased inclusion of shunga sections in recent exhibitions -- such as several held at the Mori Art Museum, the 90th anniversary exhibition held in 2013 at the Tôyô Bunko, the Kyôsai exhibition held in 2015 at the Mitsubishi Ichigokan Museum, and the ukiyo-e painting exhibition held in 2015 at the Fukuoka Art Museum -- the Eisei Bunko is groundbreaking as the first exhibition in Japan bearing the shunga title.
The Eisei Bunko exhibition is characterized by its clear overview of the history of shunga from the Kamakura–Muromachi periods through the end of the Edo period within the overall flow of art history. While the study of shunga as part of art history has been carried out over the last 30 years, and this is the first time that JAHS has had an opportunity to hold a symposium examining various aspects of shunga. Thus the 2015 Eastern Division’s General Meeting will take a retrospective look at shunga research to date and consider the positioning of shunga and shunga research from various angles.

Chair: Itakura Masaaki
Symposium:	The Positioning of Shunga in the Study of Art History, and a Special Members Viewing of the Shunga Exhibition
Date/time:	Symposium: “The Positioning of Shunga in Art History” November 9 (Mon.), 2015, 13:00 – 15:00 Shunga Exhibition Special Viewing (Limited to JAHS members. Event will be held when the museum is closed) November 9 (Mon.), 2015, 16:00 – 18:00
Location:	Symposium: Ono Memorial Lecture Hall, Waseda University Access: http://www.wasedabunka.jp/about/access Exhibition Special Viewing: Eisei Bunko Museum Access：http://www.eiseibunko.com/traffic.html
Principal Organizers：	Japan Art History Society, Eisei Bunko Museum, Research Institute for Letters, Arts and Sciences of Waseda University
Co-Organizers：	Eisei Bunko Museum, Research Institute for Letters, Arts and Sciences of Waseda University
Program:	Moderator: Higuchi Kazutaka (Associate Professor, Jumonji University) 13:00 Opening Remarks Miyake Hidekazu (Chief Curator, Eisei Bunko Museum) 13:10 – 13:40 “My Recollections of Shunga Research in Art History” Tsuji Nobuo (Director, Miho Museum) 13:40 – 13:50 Break 13:50 – 14:20 “The Evaluation and Display of Shunga in the Modern and Later Eras” Ishigami Aki (Assistant Professor, International Research Center for Japanese Studies) 14:20 – 14:50 “The Position of Shunga in Ukiyo-e” Naito Masato (Professor, Keio University) 14:50 – 15:00 Concluding Remarks Higuchi Kazutaka (Associate Professor, Jumonji University)
Note:	For those attending the special viewing – Please present the envelope for your invitation to the Eastern Division General Meeting to the reception desk at the Symposium. In exchange, you will receive the ticket needed for entry to the exhibition. Participation in both parts of the event are required, solely attending the special viewing is not permitted. The fee for an exhibition only viewing ticket is 1,500 yen.
For further information, please contact:	Japan Art History Society Office at the Academic Society Assistance Center E-mail: jahs@univcoop.or.jp Tel: 03-5307-1175 Fax: 03-5307-1196

(29/10/2015 update)

○　2015 JAHS Eastern Division Meeting

Chair: Itakura Masaaki
Date/time:	July 25 (Sat.), 2015, starts at 14:00
Location:	No. 1 Large Classroom 2F, Faculty of Law & Letters Bldg 2, Hongo Campus, University of Tokyo Access: http://www.u-tokyo.ac.jp/content/400020145.pdf
Research Reports(presented in Japanese):
	A Study of “Landscapes” Attributed to Gion Nankai in the Tokyo National Museum
		YASUNAGA Takuyo (National Research Institute for Cultural Properties, Tokyo)
	Acting as Maruyama Ôkyo’s Patrons/Collecting Maruyama Ôkyo: Works by Ôkyo Formerly in Mitsui Family Collections
		HIGUCHI Kazutaka (Jumonji University)

(4/7/2015 update)

○　2015 JAHS Western Division Meeting

Chairs: Okada Atsushi and Namiki Seishi
Date/time:	July 18 (Sat.), 2015, starts at 13:30
Location:	Basement Large Lecture Hall B23, Graduate School of Human and Environmental Studies Bldg., Yoshida Campus, Kyoto University Access:　http://www.kyoto-u.ac.jp/en/access/yoshida/south.html
Research Reports(presented in Japanese):
	A New Study about “The Views in Front of Kitano-sha” in the Style of Takanobu
		KUNO Yukako (Doshisha University)
	Musings on the Production Context of “Shigisan Engi Emaki” ―Emperor Nijō’s participation―
		Musings on the Production Context of “Shigisan Engi Emaki” ―Emperor Nijō’s participation―

(4/7/2015 update)

○　The 68th JAHS General Assembly

Date/time:	May 22 (Fri.) – May 24 (Sun.), 2015
Location:	Tsushima Campus, Okayama University Access: http://www.okayama-u.ac.jp/en/tp/access/access_4.htm
Program(Japanese only):
	Click Here　　　【　Day 1　　　Day 2　　　Day 3　　　Print Version (A4 two-fold)　】 ( All presentations will be in Japanese only.)

(28/4/2015 update)

○　2015 JAHS Eastern Division Meeting

Chair: NAKAMACHI Keiko
Date/time:	April 25 (Sat.), 2015, starts at 14:00
Location:	Classroom 403, Shibuya Campus, Jissen Women’s University (NOTE: Actual room number subject to change) Access: http://www.jissen.ac.jp/access_guide/index.html (map for Shibuya Campus in Japanese only) On Roppongi-dori near Shibuya 2-chome crossing, 10-minute walk from Shibuya JR Station. Campus address: 1-1-11 Higashi-ku, Shibuya, Tokyo 150-0011, Japan
Research Reports(presented in Japanese):
	The Onna-e Domain: The Use of the Term Onna-e in the Heian Period
		MITO Nobue (Yamatane Museum of Art)
	The Independence of Japanese Female Artists during the Modern Period－Focusing on Noguchi Shōhin
		YAMAMORI Yayoi (Jissen Women’s Educational Kosetsu Memorial Museum)

(10/4/2015 update)

○　Joint Symposium of the East and West Division Museum Committees
“Shattered Lives, Severed Memories – Art/ Museums Linking Fukushima”

Date/time:	March 29, 2015 (Sun.) 10:30 – 16:00
Location:	Lecture Hall, Fukushima Prefectural Museum of Art http://www.art-museum.fks.ed.jp/menu_j.html
Organizers:	JAHS and the Fukushima Prefectural Museum of Art
With the support of:	Japanese Council of Art Museums, Association for the Study of Cultural Resources, and Japan Association for Arts Management
Participant Numbers:	Limited to 240 participants (open to JAHS members and non-JAHS members, free of charge, no prior registration necessary)
Symposium Overview:
	The Fukushima Daiichi I nuclear plant accident, set off by the March 11, 2011 earthquake and tsunami, continues to exert a massive influence on people both physically and psychologically. Two years ago JAHS held a symposium in Sendai titled, “Great East Japan earthquake and Museum” and discussed the rescue work and reconstruction support operations for the disaster-affected cultural properties and related facilities. And now, this symposium, being held four years after the March 2011 events, will discuss not only the rescue operations conducted for things with physical form, but also discuss, in the ground zero prefecture of Fukushima, how art and museums are related to the recovery of “intangibles,” namely the everyday lives torn asunder and interrupted memories set off by the events of March 2011. It is a fact that the Fukushima Daiichi accident is one of the direct causes of the various as yet unresolved problems in Fukushima. And yet, for example, the continued customs and stored memories of the people who were unavoidably separated from their natural community by these incidents may, in fact, have already been headed towards extinction even prior to the earthquake, tsunami and nuclear plant accident. It goes without saying that the first impetus for artistic expression is inseparable from people’s daily lives, their memories, and their psychological state. And museums, places utilized for the preservation of tangible cultural properties such as artworks, are also expected to collect and organize intangible information. Further, in what way should art face and interact with the various hard to visualize, hard to materialize things whose very existence we could be in danger of forgetting? Isn’t it time for those of us involved with art history to now come together and begin a meaningful discussion that goes beyond the narrow definition of “disaster and recovery” and reconsiders these fundamental and indeed universal issues.
Program (In Japanese Only): Program Chair: TERAKADO Rintarō (Tsukuba University)
10:30	Opening Address SUZUKI Hiroyuki (JAHS Representative, Tokyo Gakugei University)
10:40	Symposium Aims TERAKADO Rintarō
Session 1: Reports “From Fukushima” (10:45 – 12:00) Moderator: USHIROSHŌJI Masahiro (Kyushu University)
10:45 – 11:10	Report 1 “Report on Activities at the Fukushima Prefectural Museum of Art,” ITŌ Tadashi (Chief Curator, Fukushima Prefectural Museum of Art)
11:10 – 11:35	Report 2 “Special Exhibition Operations for Museums in Disaster Zones: The Case of the Iwaki City Art Museum,” HIRANO Akihiko (Vice Director, Iwaki City Art Museum)
11:35 – 12:00	Report 3 “Recovery Operations in Fukushima through Culture: Focusing on Art Projects,” KAWANOBE Yasunao (Special Curator, Fukushima Prefectural Museum of Art)
Lunch Break
Session 2: Crosstalk “To Fukushima” (13:00 – 14:30) Moderator: KAWANOBE Yasunao “Spinning Memories Post-Disaster --Producing Art in Fukushima and Related Issues” FUJII Hikaru (Film director and artist) OZAWA Tsuyoshi (Artist) KURAYA Mika (Chief Curator, National Museum of Modern Art, Tokyo)
Break
General Discussion: Art/Museum Linking Fukushima (14:45 – 16:00) Moderator: KOKATSU Reiko (Tochigi Prefectural Museum of Fine Arts) Discussant: USHIROSHŌJI Masahiro ITŌ Tadashi + HIRANO Akihiko + KAWANOBE Yasunao + FUJII Hikaru + OZAWA Tsuyoshi + KURAYA Mika
16:00	End
Immediately after the symposium, participants can view the Fukushima Prefectural Museum of Art special exhibition “Enku's Buddhas: Sculptures from Senkoji Temple and the Hida Region.”
Further information, please contact: Department of Philosophy, Faculty of Letters, Gakushuin University (Ph: 03-5992-1094) Fukushima Prefectural Museum of Art (Ph: 024-531-5511)

○　2015 JAHS Western Division Meeting

Chairs: NAKABE Yoshitaka and MASUKI Ryusuke
Date/time:	March 21 (Sat.), 2015, starts at 13:30
Location:	Lecture Hall, The Museum Yamato Bunkakan, 1-11-6 Gakuenminami, Nara-shi 631-0034 Access: http://www.kintetsu.jp/yamato/access/index.html
Research Reports(presented in Japanese):
	A study of Sui Dynasty Mural Arts
		TABAYASHI Kei (Hakutsuru Fine Art Museum)
	The “Closed Garden” Imagery Trend in Ming Dynasty Suzhou
		UEMATSU Mizuki (The Museum Yamato Bunkakan

○　General Meeting of the Western Division of the Japan Art History Society
This year’s General Meeting of the Western Division will be held as described below. We look forward to welcoming your participation in this event.

Chair: NAGASHIMA Meiko
Title:	“What I’d Like to Say Now: Talking about Our Experiences of New Construction and Renovations at Art Museums and Museums”
Date/time:	March 8, 2015 (Sun.), 13:00- 15:45 (Lecture Hall reception desk opens at 13:30, Museum open at 9:30 am)
Location:	Lecture Hall, B1 Floor, Heisei Chishinkan Wing, 527 Chaya-cho, Higashiyama-ku, Kyoto, Japan 605-0931 Access：http://www.kyohaku.go.jp/eng/riyou/access/index.html
Limited to：	204 participants (first come, first in, no prior reservations taken)
Admission fee:	Museum admission fee is waived for those showing the meeting’s postcard announcement to the admissions desk at the Museum’s South Gate
Program Summary:
	New constructions projects and renovations in museums are events that happen about once every 30 to 50 years. Even for those who have had all manner of experience in such things, rarely is major museum construction or renovation something they will experience a second time. After all that effort, thought and reflection, it would be a great shame if that knowledge were not utilized in the next such project by someone else. With these thoughts in mind, this event will present talks by specialists involved in art museum and museum construction, as an opportunity for them to share their real-life, on-site experiences with JAHS members. Through lectures and panel discussions we hope to envision the best possible future architecture and architectural improvements for the preservation and display of artworks.
Program (In Japanese Only):
13:00	Opening Remarks
13:05	Keynote Lecture 1 “The Building of the Old Kyoto Imperial Museum” TOYA Nobuhiro, Lecturer, Tachibana University, Kyoto
13:35	Keynote Lecture 2 “Art Museums and Museums as Public Architecture” (proposed title) NAKAGAWA Osamu, Professor, Kyoto Institute of Technology
14:05	Break
14:20	Panel Discussion Panelist 1: IWAI Shunpei, Curator, Ryukoku Museum Panelist 2: YONEYA Masaru, Vice Director, Abeno Harukas Art Museum Panelist 3: AKAO Eikei, Senior Researcher, Kyoto National Museum (The panel will also include the two Keynote speakers)
15:40	Closing Remarks
15:45	End of Meeting
Further information, please contact: Western Division Office, JAHS email: gakkaiwest@gmail.com

(5/3/2015 update)

○　2015 JAHS Eastern Division Meeting

Chair: MATSUDA Seiichirō
Date/time:	January 24 (Sat.), 2015, starts at 14:00
Location:	Lecture Room 3, 2nd Floor, Central Buidling, Art History Division, Ueno Campus, Tokyo University of the Arts Access: http://www.geidai.ac.jp/english/access
Research Reports(presented in Japanese):
	The Production Process Used on the Seated Dainichi Nyorai of Enjôji – A Point of Contact between Kôkei and Unkei
		FUJIMAGARI Takaya (Tokyo University of the Arts)
	The Production Process Used on the Standing Bishamonten by Tankei at Sekkeiji: How Unkei’s Style was Handed On and Transformed in Guardian Figures
		NAKAMURA Shino (Tokyo University of the Arts)

(20/1/2015 update)

○　2015 JAHS Western Division Meeting

Chairs:USHIROSHŌJI Masahiro and KYŌTANI Yoshinori
Date/time:	January 24 (Sat.), 2015, starts at 13:30
Location:	School of Letters Lecture Hall, 4th Floor, School of Letters, Hakozaki Campus Faculty of Humanities District, Kyushu University Access: http://www.kyushu-u.ac.jp/english/university/location/map.php
Research Reports(presented in Japanese):
	A Reexamination of the Seated Five Great Akasagarbha Bodhisattvas (Godai kokuzo bosatsu) at Jingoji
		SASAKI Moritoshi (Okayama University)
	Introducing Rediscovered Works by AOKI Shigeru: A set of Karuta Cards with Japanese Poems and a set of Karuta Cards with Chinese Poems
		UENO Kenzô (Fukuoka University)

(20/1/2015 update)

○ Sahoko Tsuji Art History Scholarship Fund – Second Lecture

Speaker：	Filip Vermeylen (Associate Professor, Erasmus University, Rotterdam)
Lecture Title：	Art and Economics in the Age of Bruegel The Antwerp Art Market in the Sixteenth Century
Date/Time：	January 10 (Sat.), 2015, 14:00-16:30 (reception opens at 13:30)
Location：	Lecture Hall, National Museum of Art, Osaka (Nakanoshima-4-2-55, Kita-ku, Osaka, 530-0005) Access： http://www.nmao.go.jp/en/info/access.html
Organizer：	Japan Art History Society, National Museum of Art, Osaka
Program：	・Message from a JAHS representative ・Lecture: Art and Economics in the Age of Bruegel: The Antwerp Art Market in the Sixteenth Century ・Questions Period
Speaker：	A social gathering is planned for after the program. Filip Vermeylen, Born in 1966 in Antwerp. He received his Ph.D. from Columbia University for his dissertation on the 16th century Antwerp art market. Associate Professor, Erasmus University, Antwerp. Specializing in research on the art market in the Netherlands in the 16th and 17th centuries. http://filipvermeylen.com/
Discussants：	OKUNISHI Takashi (Professor, Economics Department, Kobe University, Specialist in Economic History of Medieval and Pre-Modern Netherlands) KAWAUCHI Hanako (Assistant Professor, Literature Department, Osaka University, Specialist in 16th Century Flemish Art)

(24/12/2014 update)

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