| 196 Vol.73,No.2 (March 2024) |
Résumé |
| Articles: |
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| KUDO, Yuji. |
PDF |
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The Features of the Temple Guardian Deity Zhang Dadi: the Connection with
Guizong Temple on Mt. Lu
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|
| HASEGAWA, Takanobu. |
PDF |
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The Subject and Composition of Hasegawa Tohaku’s Landscape Fusuma-e at Rinka’in: Focusing on the Subject of the North Panels and their Relationship to Totō-tenjin Worship
|
|
| NABARA, Hiroaki. |
PDF |
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The Virgin of the Immaculate Conception by Alonso Cano in the Cathedral of
Granada: The Relationship to the Lectern
|
|
| KUSUNE, Keiko. |
PDF |
|
Andrea Sacchi’s The Three Magdalenes: The Representation of Magdalena
Hayashida, Martyr of Arima
|
|
| WU, Mengru. |
PDF |
|
A Study of Female Portraits by Guan Zilan, Modern Chinese Oil Painter, in the
Context of the Photography Studio
|
|
| MOCHIZUKI, Noriko. |
PDF |
|
Les Sept œuvres de miséricorde de Sébastien Bourdon : Le protestantisme et la peinture religieuse française du XVIIe siècle. |
|
| SANUI, Misaki. |
PDF |
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Reception of Kōetsu Tea Bowls in the Mid-Edo Period: Modes of Value Establishment through the Senke School Network |
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| |
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| News and Activities of the Society ： |
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Report on Activities of the Japan Art History Society in 2023 |
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| |
Summaries of papers read at meetings held in 2023 |
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| Notes for Contributors |
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| 195 Vol.73,No1 (October 2023) |
Résumé |
| Articles: |
|
| CHEN, Ying. |
PDF |
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Tadashi Sekino’s “Yünkang and Lungmen” in the Context of Overseas Propaganda:
Regarding its Publication in the Magazine CANTON |
|
| TAKENAKA, Tetsuya. |
PDF |
|
The Reception History of Johannes Vermeer, Focusing on Japan from the 1920s
to 1950
|
|
| TAGI, Yusuke. |
PDF |
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Willem de Kooning’s Principles of Painting in the Montauk Series: Shifting of Images and Continuity between Abstraction and Representation |
|
| TAKEZAKI, Hiroki. |
PDF |
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Maruyama Ōkyo’s Pastimes of the Four Seasonsin the Capital: A Turning Point in His Career and Patronage |
|
| CHEN, Syue-jhen. |
PDF |
| |
The Certificate of Ordination of Priest Kōjō by Emperor Saga and Imperial Calligraphy of the Tang Dynasty: Standardization
and Circulation of Wang Xizhi’s Style during the Early and High Tang Periods |
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| |
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| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2022: Results and Evaluations
of the Selection Committee |
|
|
Report on the 76th General Assembly |
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Summaries of papers read at the 76th General Assembly |
|
|
List of 2023 Committee Members |
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| Notes for Contributors |
|
| 194 Vol.72,No.2 (March 2023) |
Résumé |
| Articles: |
|
| OH, Youngsam. |
PDF |
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Painting of Grasses and Insects at the Koryo Museum in Kyoto |
|
| SUGIYAMA, Akane. |
PDF |
|
Eine Betrachtung über Caspar David Friedrichs Pendants «Frau die Treppe
hinabsteigend» und «Frau zum Licht hinaufsteigend»
|
|
| KANNO, Ryoma. |
PDF |
|
An Analysis of the Iconography and Production Background of the Aizen Myōō
(Rāgarāja) Sculpture at Tokyo National Museum |
|
| YAMAMASU, Aoi. |
PDF |
|
“Series for Hunters”: Another Portrait of Gustave Courbet |
|
| YAN, Zhixiang. |
PDF |
|
The Reception of Tang Sculptural Style in the Daian-ji Temple Jūichimen
Kannon Sculpture: A Comparison with The Jūichimen Kannon at Shinpuku-ji Temple
|
|
| OGUMA, Natsumi. |
PDF |
|
An Unnoted Mediator Between Titian and Raphael: The Immaculate Conception
in the Gozzi Altarpiece and the Madonna of Foligno |
|
| LEE, I-Jan. |
PDF |
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Yintuoluo’s Guanyin: An Intersection Between the Jian, Chan, and Lu Buddhist Sects |
|
| TAKI, Ryōsuke. |
PDF |
|
The Subject of Poussin’s Landscape with a Man Pursued by a Snake and its Source |
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| |
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| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2022 |
|
| |
Summaries of papers read at meetings held in 2022 |
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| Notes for Contributors |
|
| 193 Vol.72,No.1 (October 2022) |
Résumé |
| Articles: |
|
| HIROYA, Himeka. |
PDF |
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Reconsidering the Production Date of Shokkō Red Silk Brocades from Hōryū-ji Temple: Based on Comparison with Eastern
Eurasian Textiles. |
|
| TENNOJIYA, Chihiro. |
PDF |
|
A Study of Gustave Courbet’s Young Ladies on the Banks of the Seine(Summer) |
|
| JOSHIMA, Satoshi. |
PDF |
|
The Production and Consecration of the Genroku Era “Genzu Mandara“ in the Collection of Tō-ji Temple |
|
| YAMAGATA, Miyuki. |
PDF |
|
Hans Memling’s Diptych of Jan du Cellier: The Crossbow Guild of St. George in a Chivalric Context |
|
| TSUGAMI,Akira. |
PDF |
| |
Une étude iconographique et iconologique du sujet saint Sébastien soigné
par Irène : autour de George de La Tour |
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| |
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| News and Activities of the Society ： |
|
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Award of the Japan Art History Society for 2021: Results and Evaluations of the Selection Committee |
|
|
Report on the 75th General Assembly |
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Summaries of papers read at the 75th General Assembly |
|
|
List of 2022 Committee Members |
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| Notes for Contributors |
|
| 192 Vol.71,No.2 (March 2022) |
Résumé |
| Articles: |
|
| OKAZAKI, Yuki. |
PDF |
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A Study of Kasuga Shrine Mandala in Nezu Museum |
|
| HORI, Sakiko. |
PDF |
|
The Activities of art Dealer Felix Tikotin in the Netherlands Before and During the Second World War: Focusing on Exhibition Records and Involvement with the Society for Japanese Art |
|
| ITO, Takuma. |
PDF |
|
The Young Raphael and Perugino’s Fano Altarpiece |
|
| OCHIAI, Momoko. |
PDF |
|
From the World of Gods to the World of Heroes: The Frescoes of the Glyptothek
by Peter von Cornelius |
|
| HARADA, Kaori. |
PDF |
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La Vie, peinture décorative de Victor Prouvé dans la mairie d’Issy-les-Moulineaux: significations sociales de la figure allégorique de la Charité et de l’image paradisiaque |
|
| HIMINO, Natsuko. |
PDF |
|
The Garden Frescoes in the “House of the Golden Bracelet” in Pompeii:Workshop
and Iconography |
|
| ITO, Rika. |
PDF |
|
Le motif du bouc dans La présentation de Jésus au temple de Simon Vouet |
|
| MIKI, Haruka. |
PDF |
|
Ernest Fenollosa’s 1890 Lectures on Aesthetics: From the Perspective of the Reception History of John Ruskin in Modern Japan |
|
| KUROKI, Ayaka. |
PDF |
|
A Study of The Twelve Zodiac Signs by Yamamoto Hosui: A Comparison with Ukiyo-e Paintings of the Twelve Zodiac
Signs |
|
| NAKAMURA, Minori. |
PDF |
|
Cover Image Modifications of Le Japon artistique: The Reception of Ukiyo-e in France around 1890 |
|
| KAWAMOTO, Mayu. |
PDF |
|
The Martyrdom of St. James by Navarrete el Mudo ― Painted Tears and the Sacristy in Royal Monastery
of San Lorenzo de El Escorial |
|
| YANG, Ya-pei. |
PDF |
|
The Style and Creative Intent of Daoist Immortals’ Iconographies in the
Ming Dynasty Court: Focusing on Chen Nan Sailing over the Waves, Ge Xuan and Portrait of Dongfang Shuo with (Purported) Inscriptions by Liu Jun |
|
| SHIMADA, Nodoka. |
PDF |
|
A Consideration of the Standing Sculptures of Shukongōjin and Jinja Daishō
by Kaikei at Kongō-in Temple, Kyoto: Forming the Composition of the Sculptures |
|
| |
|
| News and Activities of the Society ： |
|
|
Summaries of papers read at the 73th General Assembly |
|
| |
Report on Activities of the Japan Art History Society in 2020 |
|
|
Summaries of papers read at meetings held in 2020 |
|
| Notes for Contributors |
|
| 191 Vol.71,No.1 (October 2021) |
Résumé |
| Articles: |
|
| WANG, Wenlei. |
PDF |
|
Reconsidering Autumn Scenery by the Lake in Mist Attributed to Zhao Lingrang: Examining Northern Song Dynasty Depictions of Actual Scenery. |
|
| SHEN,Honglin. |
PDF |
|
A New Identification of the Shidafu Figure as Tudi like Zhangdadi in the Ten Kings of Hell Painted by the Workshop of Lu Xinzhong |
|
| TOBITA,Yuki. |
PDF |
|
The Imitation Consciousness and the Southern and Northern Schools Theory
in Dong Qichang’s “Eight Views of Autumn Moods” |
|
| KUBO, Yuma. |
PDF |
|
Paris Bordone ad Augusta; Ricostruzione del Soggiorno in Baviera all’Alba della Controriforma. |
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| |
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| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2020: Results and Evaluations
of the Selection Committee |
|
|
Report on the 73th General Assembly |
|
|
Summaries of papers read at the 74th General Assembly |
|
|
List of 2021 Committee Members |
|
| Notes for Contributors |
|
| 190 Vol.70,No.2 (March 2021) |
Résumé |
| Articles: |
|
| HAYAKAWA, Mei. |
PDF |
|
Reconsideration of the Contemporary Significance of Sadko in the Underwater Kingdom by Ilya Repin. |
|
| KATSUTANI, Yuko. |
PDF |
|
La peinture murale de l’église du Chastel de Saint-Floret. Une proposition d’attribution et de datation. |
|
| KAKIZAWA, Kaho. |
PDF |
|
An Investigation of Hakuin Ekaku’s Dainichi Nyorai-zu: Focusing on its Relationship with Shin’ei-zu of Shōrinji Temple. |
|
| YAMADA, Nozomi. |
PDF |
|
The Allegory of Wisdom at the Torre de la Parada: Hunting Paintings by Pieter Snayers and the Portraits of Philosophers by Diego Velázquez. |
|
|
|
| News and Activities of the Society ： |
|
|
Summaries of papers read at the 73th General Assembly |
|
| |
Report on Activities of the Japan Art History Society in 2020 |
|
|
Summaries of papers read at meetings held in 2020 |
|
| Notes for Contributors |
|
| 189 Vol.70,No.1 (October 2020) |
Résumé |
| Articles: |
|
| KOMATSU, Makoto. |
PDF |
|
Zur Statuengruppe von Achill und Aias beim Brettspiel: Eine Unter- suchung
zur Statuengruppe anhand der Weihkultur auf der Akropolis von Athen |
|
| URAKI, Kenji. |
PDF |
|
Changes in Landscape and Signs of Formalization in Early Tōshō-Daigongen Images (Portraits of the Deified Tokugawa Ieyasu) |
|
| MORI, Yui. |
PDF |
|
Il ciclo degli affreschi nella cappella di San Brizio, Duomo di Orvieto
(1447-1504) : il contesto politico del coinvolgimento della famiglia Piccolomini
e della famiglia Monaldeschi nel governo municipale e nel progetto del
ciclo di affreschi. |
|
| YOSHIDA, Yuri. |
PDF |
|
Barnett Newman’s Bird’s-Eye View of His Contemporaries: An Analysis of
Several November 1959 Drafts |
|
| TANAKA INAGAKI, Riho. |
PDF |
|
The Influence of Socles Created by Kichizo Inagaki on the Acceptance of
African Objects as “Art”: A Study of the Barnes Collection |
|
| KANAZAWA, Fumio. |
PDF |
|
A Study of Bernardo Bellotto’s Political Allegories: The Court Art of the Polish-Saxon Union in the Eighteenth Century |
|
| GOTO, Ryoko. |
PDF |
|
A study of the art history by Omura Seigai and the change of his perception
of Chinese painting |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2018: Results and Evaluations
of the Selection Committee |
|
|
Report on the 72th General Assembly |
|
|
Summaries of papers read at the 72th General Assembly |
|
|
List of 2019 Committee Members |
|
| Notes for Contributors |
|
| 188 Vol.69,No.2 (March 2020) |
Résumé |
| Articles: |
|
| JOSHIMA, Satoshi. |
PDF |
|
Two Paintings of Shakyamuni and the Sixteen Guardians by MARUYAMA Ōkyo and HARA Zaichū |
|
| Oh, Youngsam. |
PDF |
|
“Dragon and Tiger” by I Jeong in Koryo Art Museum, and I Ching Divination |
|
| TABAYASHI, Kei. |
PDF |
|
A Study of the Sui Dynasty Mural Tomb in Shui Village, Tongguan County: Focus on the Relationship Between the Painting (Mural and Line Engraving of the Coffin) and the System of Dress and Palanquin |
|
| TAKEMOTO, Mei. |
PDF |
|
Réflexion sur la tenture de l’Histoire de Diane d’après Toussaint Dubreuil |
|
| IGUCHI, Shun. |
PDF |
|
La réception de l’Olympia d’Édouard Manet au Salon de 1865 : autour de l’institution, de la critique
d’art et de la représentation du corps. |
|
| ISOTANI, Yusuke. |
PDF |
|
Multiple Aspects of Photography in Mid-1930s France: A Study on Arts et métiers graphiques . |
|
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2019 |
|
|
Summaries of papers read at meetings held in 2019 |
|
| Notes for Contributors |
|
| 187 Vol.69,No.1 (October 2019) |
Résumé |
| Articles: |
|
| TSURUOKA, Akemi. |
PDF |
|
A Study of Miyagino shūshōen ki by Nanzan Koryō and Tani Buncho |
|
| SASAKI, Chihiro. |
PDF |
|
Material and Technical Innovation in Sanuki Lacquer Art: A Study of Joshin
Isoi’s Artworks Presented in Japanese Government Exhibitions |
|
| OTA, Tomoko. |
PDF |
|
Iconologia delle decorazioni interne della Villa di Poggio Imperiale a Firenze |
|
| YURIKUSA, Mariko. |
PDF |
|
A Reconsideration of Raphael’s Sistine Madonna, with Reference to the Wall and Ceiling Paintings in the Church of San
Sisto in Piacenza |
|
| HANAZAWA, Ayumi. |
PDF |
|
Wooden Buddhist Sculptures from the First Half of the Heian Period at Seisui-ji
Temple in Matsushiro-machi, Nagano City |
|
| TAMAI, Aya. |
PDF |
|
The Art Historical Status of the Bugaku Ryōtō Costume Lampas with Peony Arabesque Pattern owned by Tōyama Memorial Museum: Production Dates of Textile and Costume
|
|
| HARUKI, Shoko. |
PDF |
|
The Intention behind Soga Shōhaku’s Immortals: The Jōshi and Tanabata Seasonal Festivals |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2018: Results and Evaluations
of the Selection Committee |
|
|
Report on the 72th General Assembly |
|
|
Summaries of papers read at the 72th General Assembly |
|
|
List of 2019 Committee Members |
|
| Notes for Contributors |
|
| 186 Vol.68,No.2 (March 2019) |
Résumé |
| Articles: |
|
| HIGUCHI, Atsuko. |
PDF |
|
Modernity in “Genroku Design” of the Late Meiji Period |
|
| UCHIYAMA, Naoko. |
PDF |
|
A View of the Anti-Lynching Movement: Sculptural Modernism and Racial Representation
in Isamu Noguchi’s Death (Lynched Figure) |
|
| YAMADA, Maria. |
PDF |
|
Study of The Skeleton Meditating On Waves (Hajō Hakkotsu Zazen-zu) by Maruyama Ōkyo |
|
| HIRAI, Ayaka. |
PDF |
|
Sandro Botticelli’s Mystic Nativity: The Meaning of the ‘Embrace’ of Angels and Men |
|
| SAKAMOTO, Ryuta. |
PDF |
|
The Symbolic Significance of the Column in Zurbarán’s Saint Bruno and Pope Urban II |
|
| TOMANA, Yu. |
PDF |
|
Consideration on the Painter Myōjitsu and the Circumstance of Execution
of Jōan Version of Gosannen Kassen Emaki |
|
| FUJITA, Saki. |
PDF |
|
An Essay on Icon Depiction in the Context of Producing The Tale of Nayotake |
|
| TAGI, Yusuke. |
PDF |
|
Frank Stella’s Interest in Gravitational Forces around 1966: Focusing on
the Irregular Polygons Series |
|
| SAKAMOTO, Atsushi. |
PDF |
|
Aodo Denzen’s Reception of European Graphic Art |
|
| ITO, Rika. |
PDF |
|
Quelques remarques sur l’Arc de triomphe dans La présentation de Jésus au temple de Simon Vouet — À la recherche de l’image source et de son sens symbolique |
|
| FUJIWARA, Kanta. |
PDF |
| |
A Study of Elegant Gathering in the Western Garden by Nagasawa Rosetsu: Focusing on Its Relation with the Literary Authority
of the Subject |
|
| TAKAOKA, Chikako. |
PDF |
| |
The Activity of Clovis Sagot and Its Significance: A Relationship with Pablo Picasso |
|
| HARUKI, Shoko. |
PDF |
| |
The Ishūretsuzō Depictions of Ainu Chieftains and Sun and Moon Screens: The Significance of Multiple Portraits |
|
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2018 |
|
|
Summaries of papers read at meetings held in 2018 |
|
| Notes for Contributors |
|
| 185 Vol.68,No.1 (October 2018) |
Résumé |
| Articles: |
|
| ORIYAMA, Keiko. |
PDF |
|
Pictorial Representations of Maitreya’s Pure Land at the Mogao Grottoes
of Dunhuang during the Early Tang Period |
|
| KŌYAMA-HAYASHI, Rie. |
PDF |
|
The Role of the 1886 Kazoku Hereditary Property Law in the Protection of
Cultural Property |
|
| NAKAMURA, Manami. |
PDF |
|
Tani Bunchō’s Tōkaidō Shōkei in The Eisei Bunko Collection |
|
| KOISHI, Emi. |
PDF |
|
The Origin of the Ancient Greek Griffin: A Reconsideration of Iconographical
Development |
|
| FUJIKI, Akiko. |
PDF |
|
TAKEUCHI Seihō’s Later Ink Landscape Paintings: His Innovation of Suiboku Sansui and Subjective Expression Using the Hatsuboku Technique |
|
| TANIGUCHI, Eri. |
PDF |
|
Hasegawa Saburō and the Internalized Photograph: Thoughts on His Work and
Discourses from 1936 to 1940 |
|
| SHIOTA, Shiyakuyuu. |
PDF |
|
A Study on Maeda Seison’s Mikoshiburi: The Modern Renaissance of Handscrolls (Emaki) |
|
| TADOKORO, Tai. |
PDF |
| |
A Study of The Christian Woman Asazuma with Cherry Blossoms by Kurihara Gyokuyō: The Intent Behind its Creation |
|
| TOKUNAGA, Yuki. |
PDF |
| |
The Thirteenth-century Reconstruction of the Abbey Church of St-Denis:
The Transept’s Reference to Heavenly Jerusalem |
|
| PARK, Ju-heon. |
PDF |
| |
The Adoption of Western Painting Techniques in Lee Hyong-nok’s Chaekkado: Examining Linear Perspective and Chiaroscuro |
|
| KATANO, Michiko. |
PDF |
| |
Triptych of the Apocalypse by Léonard Foujita |
|
| HISANO, Kaho. |
PDF |
| |
Shizuoka Prefecture Designated Cultural Property Fuji Sengen Mandara-zu (Fuji Sankei Mandara) from an Interpretation of Artistic Design Perspective |
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| |
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|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2017: Results and Evaluations
of the Selection Committee |
|
|
Report on the 71th General Assembly |
|
|
Summaries of papers read at the 71th General Assembly |
|
|
List of 2018 Committee Members |
|
| Notes for Contributors |
|
| 184 Vol.67,No.2 (March 2018) |
Résumé |
| Articles: |
|
| KATO, Shino. |
PDF |
|
Kūkai’s Zattaisho, the Establishment and Inheritance of "Kūkai Style" |
|
| WATANABE, Yumi. |
PDF |
|
Filippo Lippi’s Spoleto Frescoes: Focusing on the Sandglass in the Annunciation fresco |
|
| YASHIRO, Kyoko. |
PDF |
|
The Production of The Monument of the Twenty-six Martyrs of Japan by Yasutake Funakoshi: Historical Context and Stylistic Sources |
|
| FUKUDA, Kyoko. |
PDF |
|
Le Paysage avec une femme se lavant les pieds de Nicolas Poussin (Ottawa) et Michel Passart : un paysage du Vélabre
de la Rome antique |
|
| TAKAHASHI, Sho. |
PDF |
|
The Protective Sculptures of the Goddess Hera in the Geneleos Group: Considerations on the Votive Statue and the Cult of the Goddess at Samos in the Archaic Period |
|
| OSAKI, Toshiko. |
PDF |
|
Gustav Klimts "Porträt von Friederike Maria Beer": Ein Beitrag
zum Verständnis der chinesischen Kampfszene im Hintergrund |
|
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|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2017 |
|
|
Summaries of papers read at meetings held in 2017 |
|
| Notes for Contributors |
|
| 183 Vol.67,No.1 (October 2017) |
Résumé |
| Articles: |
|
| KATŌ, Mizuho. |
PDF |
|
Kanayama Akira’s painting using machines, and its significance to Gutai |
|
| TSUKAMOTO, Sonoko. |
PDF |
|
Consideration of an active phase and a landscape print by Shōtei Hokuju:
Focusing on the genealogy of the Western-style expression |
|
| TAKEDA, Shinichi. |
PDF |
|
Concerning Idols in the Bible moralisée (Oxford-Paris-London Manuscript): The Representations of Idols as “Nothing”
(nihil) |
|
| YOSHIDA, Yuri. |
PDF |
|
Barnett Newman’s Self-Historicization: Analysis of Late 1960s Letters on
Deposit at the Barnett Newman Foundation |
|
| TSUGITA, Yoshiharu. |
PDF |
|
Analysis of Nagamachi Chikuseki’s Biography and Artistic Collections |
|
| INOOKA, Moena. |
PDF |
|
Expressional Awareness in the Hitachi Meishozu Byōbu |
|
| UKETA, Yoshito. |
PDF |
|
Atelier of Casting from Life by Edouard Dantan: Between Creation and Mechanical Technique |
|
| SUZUKI, Issei. |
PDF |
| |
La vérité dans les paysages au Salon de 1824 : autour de la réception de John Constable |
|
| HASEYAMA, Shōko. |
PDF |
| |
Birds and Animals painting by Soga Shōhaku and literature |
|
| SHIMOUCHI, Akira. |
PDF |
| |
Egon Schiele’s Seated Male Nude (Self Portrait): A Reconsideration of its Relationship to “Secessionist Tradition” |
|
| YOSHIDA, Akiko. |
PDF |
| |
Eliminated Hand: Still Life Paintings by KISHIDA Ryūsei of 1918 |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2016: Results and Evaluations
of the Selection Committee |
|
|
Report on the 70th General Assembly |
|
|
Summaries of papers read at the 70th General Assembly |
|
|
List of 2017 Committee Members |
|
| Notes for Contributors |
|
| 182 Vol.66,No.2 (March 2017) |
Résumé |
| Articles: |
|
| MATSUI, Hiromi. |
PDF |
|
Impulsive Expression of the Human Body in the Works of Raymond Duchamp-Villon: The Dialogue between Abstract and Concrete, Motion and Emotion, Music and Dance, 1910–1913 |
|
| HAMANO, Mayumi. |
PDF |
|
Hibara Iroha Poetry Screens by Konoe Nobutada |
|
| KUWABARA, Natsuko. |
PDF |
|
The Iconographic Study of the Last Days of the Virgin along the Northern Wall of the Church of Santa Maria ad Cryptas in Fossa (L’Aquila) |
|
| PARK, Seong Hee. |
PDF |
|
Historical Significance of Elegant Gathering at Kenkadō Hall by Kimura Kenkadō: Representation of Japanese Literati in Japan and Korea in the Late-eighteenth Century |
|
| OKASAKA, Sakurako. |
PDF |
|
«Provinces et villes de France», série de tapisseries conçue par Gustave
Geffroy: analyse centrée sur «Salut à Paris », d’après Adolphe Willette |
|
| NAKAMURA, Kayoh. |
PDF |
|
A Study of the Genzu Mandala: Four Buddha Figures on the Crown of the Buddha Vairocana in Shiin-e |
|
| NOMURA, Yūko. |
PDF |
|
Die van Gogh-Rezeption von Saneatsu Mushanokoji in der Shirakaba-Zeit durch Julius Meier-Graefes Vincent van Gogh |
|
| NAGAI, Hiroko |
PDF |
|
Florentine Artistic Cultural Influence in Three Tondo Paintings Pinturicchio |
|
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|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2016 |
|
|
Summaries of papers read at meetings held in 2016 |
|
| Notes for Contributors |
|
| 181 Vol.66,No.1 (October 2016) |
Résumé |
| Articles: |
|
| UCHIYAMA, Jun’ichi. |
PDF |
|
Falconry Folding Screens by Kusumi Morikage, with a Focus on the Relationship to the Kaga Family |
|
| YOKOTA, Kayo. |
PDF |
|
Yazaki Chiyoji and Japanese Pastel: The Reception of Pastel in Modern Japan |
|
| HAYASHI, Michiko. |
PDF |
|
Japanese National Treasures at the 1910 Japan-British Exhibition, and the
Japanese Temples and Their Treasures |
|
| YABUTA, Junko. |
PDF |
|
Narration und religiöse Andacht: Albrecht Altdorfers “Flucht nach Ägypten” |
|
| YAMAGUCHI, Megumi. |
PDF |
|
Étude des peintures représentant du linge séchant, de Gustave Caillebotte |
|
| KURAMOCHI Miki. |
PDF |
|
The Adoration of the Shepherds by Poussin (London, National Gallery): A Consideration from the Viewpoint of the Work Made for Giovan Carlo de’Medici |
|
| ISHIKAWA, Atsuko. |
PDF |
|
A Reconsideration of the Subject Matter and Production Context of the Hell and Pure Land Screens Owned by the Konkaikōmyōji Temple |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2015: Results and Evaluations
of the Selection Committee |
|
|
Report on the 69th General Assembly |
|
|
Summaries of papers read at the 69th General Assembly |
|
|
List of 2016 Committee Members |
|
| Notes for Contributors |
|
| 180 Vol.65,No.2 (March 2016) |
|
| Articles: |
|
| YAMAMOTO, Itsuki. |
Résumé |
|
Gli affreschi dei Carracci nella Casa Sampieri-Talon a Bologna: a proposito
del programma iconografico |
|
| SHIMIZU, Tomomi. |
Résumé |
|
The Intention Behind Seiki Kuroda’s The Fields |
|
| HIRAYOSHI, Yukihiro. |
Résumé |
|
Duchamp by Tono Yoshiaki / Duchamp by Nakahara Yusuke |
|
| MURASE, Kana. |
Résumé |
|
Circumstances of Production for Katsukawa Shunshō’s Beauties Admiring Paintings, Highlighting Its Visual Source and the Location Depicted |
|
| FUKUMOTO, Yuzuko. |
Résumé |
|
The Transition of the Toridasuki Pattern as Seen in Textiles Excavated from Liao-dynasty Ruins |
|
| INAMI, Rintaro. |
Résumé |
|
The Art Historical Status of the Gaki Zōshi (Illustrated Stories of Hungry Ghosts) Owned by Kyoto National Museum
in Light of the Influence of Southern Song on Japan from the End of the
Heian Period to Early Kamakura |
|
| FURUKAWA, Moe. |
Résumé |
|
Giorgio Vasari and the Cappella dei Pittori: The Statues’ Gaze and Commemoration
of the Deceased |
|
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2015 |
|
|
Summaries of papers read at meetings held in 2015 |
|
| Notes for Contributors |
|
| 179 Vol.65,No.1 (October 2015) |
|
| Articles: |
|
| KANNO, Chiaki. |
Résumé |
|
Zhongguo wenzi yu shufa by Chen Binhe as a Translation Work: Fine Art, Sho-Calligraphy, and Japan
in the Context of the “Restructuring of Cultural Heritage”
Movement in Modern China |
|
| TATENO, Marimi. |
Résumé |
|
Figural Representation in the Screen of Okuni Performing Kabuki |
|
| ŌTA, Izumi Florence. |
Résumé |
|
A Study on the Libretto, a Portable French Royal Reliquary. |
|
| KOMATUBARA, Aya. |
Résumé |
|
Riconsiderazione della “Camera degli Sposi” di Mantegna: riflessioni sulle
influenze dell’arte medicea nella concezione dell’opera di Mantegna. |
|
| EGUCHI, Minami. |
Résumé |
|
Strategies for the Display of Nihonga Overseas: Cultural Politics and the Ausstellung von Werken Lebender Japanischer Maler in Berlin, 1931 |
|
| MUKASA, Yuiko. |
Résumé |
|
“The Motifs of the ‘Eye’ and the ‘Hero’ in Pictographs by Adolph Gottlieb:
An Analysis Focusing on His Discussions with Art Critics” |
|
| SOMEYA, Miho. |
Résumé |
|
The Ukiyo-e Artist Chōbunsai Eishi’s Bijin-ga (Beauty Prints): The Establishment
of His Individual Style and An Exploration of His Creative Expression |
|
| ECHIZEN, Toshiya. |
Résumé |
| |
Reconsidering Isamu Noguchi’s Hiroshima Memorial to the Dead |
|
| SHIRAKI, Nahoko. |
Résumé |
| |
The Five hundred arhats by Henmi Kazunobu and the revival movement of Buddhist
Precepts in the late Edo period |
|
| LEE, Ji-Young. |
Résumé |
| |
Analysis of Tibetan Style Elements in 15th Century Joseon Buddhist Paintings. The Reception of Ming Buddhist Culture through Queen Sohye |
|
| NAKAYAMA, Ryuichi. |
Résumé |
|
Diego Rivera’s Pan-Americanism as His Gambit and Artistic Ideal: The Marriage of the Artistic Expression of the North and of the South on. This Continent (1940) |
|
| KEZUKA, Mieko. |
Résumé |
| |
The Search for the Program of the Illustrations in the León Bible of 960
- with special Focus on the Four Portraits of the Pauline Epistles. |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2014: Results and Evaluations
of the Selection Committee |
|
|
Report on the 68th General Assembly |
|
|
Summaries of papers read at the 68th General Assembly |
|
|
List of 2015 Committee Members |
|
| Notes for Contributors |
|
| 178 Vol.64,No.2 (March 2015) |
|
| Articles: |
|
| SATŌ, Akira. |
Résumé |
|
A Reconsideration of the Kasuga Shrine Mandala in the Collection of the Residents’ Association of Minamiichi-chō: The Date and Context of its Production |
|
| TANABE, Tadashi. |
Résumé |
|
The Worship of Buddha Reliquaries and Stupas by Nāga Kings in Ancient Indian
Art, Focusing on the Cult of Buddha Relics at Rāmagrāma |
|
| NOGUCHI Takeshi. |
Résumé |
|
Kitagawa Sōsetsu and the Formation of His Style, Focusing on Screen of Seasonal Flowers with Inen-seal at the Nezu Museum |
|
| KAWAI, Makiko. |
Résumé |
|
Un’ipotesi per la ricostruzione iconografica del coro del Duomo di Pozzuoli
del XVII secolo |
|
| YOKOO, Takuma. |
Résumé |
|
Yubōen Zukan by Ike no Taiga of Daitoku-ji: The Acceptance and Development of Chinese
Garden Culture |
|
| MATSUSHITA, Tetsuya. |
Résumé |
|
Theodore Meets the Spectre of Guido Cavalcanti by Henry Fuseli: The Loop Structure in Theatrical Space |
|
| ŌSAWA, Shin. |
Résumé |
|
A Consideration of the Hooded Ksitigarbha (Hibō Jizō Bodhisattva) of the Goryeo Dynasty: The Date of the Tsushima Statue in the Kyushu National Museum |
|
| KAGAMIYAMA, Satoko. |
Résumé |
|
The Statue of Yakushi Nyorai and the Statue Traditionally Identified as
Kokūzō Bosatsu in Hōrinji Monastery |
|
| SHIINO, Akifumi. |
Résumé |
|
Study of Devils Preventing Buddhist Practices (Mashō-zu) by Shimomura Kanzan |
|
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2014 |
|
|
Summaries of papers read at meetings held in 2014 |
|
| Notes for Contributors |
|
| 177 Vol.64,No.1 (October 2014) |
|
| Articles: |
|
| NAKANO, Noriyuki. |
Résumé |
|
A Study of the Nue-ha within Kyoto Art Movements |
|
| MATSUDA, Misako. |
Résumé |
|
The Ukiyoe Artist Keisai Eisen: A Study of His Colored Woodblock Prints
of Beautiful Women, Seen in Contrast to Utagawa Kunisada |
|
| HIRAYOSHI, Yukihiro. |
Résumé |
|
On the Reception of Marcel Duchamp in Pre-WW II Japan |
|
| SAKAMOTO, Atsushi. |
Résumé |
|
Jacopo Vignali and S. Maria Novella |
|
| TAKAHASHI, Sakiko. |
Résumé |
|
The Production Background of the Hachiman Triad Sculptures Enshrined in
the Chinju Hachimangū Shrine of the Tōji Temple |
|
| YURIKUSA, Mariko. |
Résumé |
|
Un’interpretazione della Cupola di San Giovanni Evangelista a Parma: la
liturgia e la sua funzione in relazione alle invenzioni del Correggio |
|
| FUKUDA, Kyōko. |
Résumé |
|
Poussin’s Unique Choice of Scenes for His Early Mythological Paintings: His Approach to the Subjects of Midas, Endymion, and Phaëthon |
|
| ŌHIRA, Yukino. |
Résumé |
| |
Kiyohara Yukinobu: A Re-examination of the Biography of Yukinobu from the Koga bikō through a Focus on the Name of Kiyohara |
|
| OHNO, Matsuhiko. |
Résumé |
| |
The Karlštejn Apocalypse: Iconographical Origins of a Fourteenth - Century Bohemian Fresco Cycle |
|
| HAKAMATA, Hiroyo. |
Résumé |
| |
Programme illustré d’Édouard Vuillard pour Solness le Constructeur d’Henrik Ibsen |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2013: Results and Evaluations
of the Selection Committee |
|
|
Report on the 67th General Assembly |
|
|
Summaries of papers read at the 67th General Assembly |
|
|
List of 2014 Committee Members |
|
| Notes for Contributors |
|
|
| 176 Vol.63,No.2 (March 2014) |
|
| Articles: |
|
| NAIKI, Satoshi. |
Résumé |
|
Gandharan sculptures that have inscriptions with information about the sculpture’s date. |
|
| SUGIYAMA, Miyako. |
Résumé |
|
The Symbolism of the Parrot in Jan van Eyck’s Virgin and Child with Canon Joris van der Paele. |
|
| TOKO, Sayaka. |
Résumé |
|
A Study of The Beauty of Lake Shihu, dated 1532 (Jiajing 11), Shanghai Museum, an Example of Topographical Paintings of the Wu School. |
|
| SAKATA, Michio. |
Résumé |
|
IA Reinterpretation of Hadrian’s Tondi Based on the Tradition of Sacrificial and Hunting Iconographies. |
|
| TOMOOKA, Maho. |
Résumé |
|
La Fontana di Giunone di Bartolomeo Ammannati: appunti sul ruolo di Cosimo Bartoli come consigliere iconografico |
|
| TAITŌ, Nao. |
Résumé |
|
Paintings of Tilling Rice (Tokyo National Museum) by Kusumi Morikage: Ａn Examination of Motifs and Subjects |
|
| TSAI, ChiaChiu. |
Résumé |
|
Kosugi Hōan’s Interest in the ‘Oriental,’ His Travels to East Asia, and His Understanding of Chinese Art |
|
| HATA, Akiko. |
Résumé |
|
Apollo e Pan: A New Proposal for Signorelli’s Realm of Pan |
|
| NARIHARA, Yuki. |
Résumé |
|
On the Production of the Illustrated Scrolls of the “Legends of the Taima Mandala” (Taima mandara engi emaki) |
|
| KIM, JeehYun. |
Résumé |
|
The Formation of the Aiaigasa (Under One Umbrella) Icon, Starting With Hishikawa Moronobu’s Yamatoe no konken. |
|
| ANDO, Tomoko. |
Résumé |
|
Alphonse Legros and Auguste Rodin: the Promotion of Rodin’s Works in England
and the Formation of the Constantine Ionides Collection |
|
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2013 |
|
|
Summaries of papers read at meetings held in 2013 |
|
| Notes for Contributors |
|
|
| 175 Vol.63,No.1 (October 2013) |
|
| Articles: |
|
| KIM, Jiyoungi. |
Résumé |
|
Early Art Schools in Korea and the Tokyo School of Fine Art Individual
and Institutional Relationships |
|
| KUBO, Sachie. |
Résumé |
|
Hosokawa Rinkoku’s Travels and Appreciation of Rocks |
|
| TAKASHI, Midori. |
Résumé |
|
A Reconstructive Study of Water-Land Paintings from the Southern Song Dynasty
with Reference to Descending Deities from a Private Collection and The Assembly of Arhats from Chion-in Temple |
|
| SODA, Megumi. |
Résumé |
|
Reconsidering A Journey Around Hell and Paradise by Kawanabe Kyōsai: The Symbol of the End of the Edo Period and the Beginning
of the Meiji Era and the Figure of Commemoration |
|
| UCHIDA, Takeshi. |
Résumé |
|
A Reconsideration of the Western-Style Painter Yasuda Raishu |
|
| AKIMOTO, Yuki. |
Résumé |
|
La signification symbolique de la lampe à l’huile: La Madeleine de Georges de La Tour |
|
| ITŌ, Kumi. |
Résumé |
|
A Consideration of Myōe Meditating in a Tree (Myōe shōnin jujō zazenzō), with Regard to its Form and Subject Matter |
|
| SANO, Katsuya. |
Résumé |
| |
On a Scenographical Work: Tsuguharu Foujita’s 1951 Madama Butterfly at the Scala |
|
| TOMODA, Mari. |
Résumé |
| |
The Transformation of Yu Images in Stone Reliefs of the Huaibei Area |
|
| MIYAKO, Emi. |
Résumé |
| |
A Reconsideration of the Kujaku myōō-zō (Peacock King) Hanging Scroll in the Tokyo National Museum |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2012: Results and Evaluations
of the Selection Committee |
|
|
Report on the 66th General Assembly |
|
|
Summaries of papers read at the 66th General Assembly |
|
|
List of 2013 Committee Members |
|
| Notes for Contributors |
|
|
| 174 Vol.62,No.2 (March 2013) |
|
| Articles: |
|
| ABIKO, Rie. |
Résumé |
|
On Hishikawa Moronobu’s Learning from the Kano School : Featuring his Zatsugakan (Miscellany of Pictures) |
|
| NODA, Yubii. |
Résumé |
|
Die Entstehungsgeschichte von Paul Klees Werken : ≪Chinesisches Bild≫ und
≪Chinesisches Ⅱ≫. |
|
| TANIFUJI, Fumihiko. |
Résumé |
|
Lucio Fontana’s Concept of Niente |
|
| MAEDA, Tomomi. |
Résumé |
|
IEine Studie über das Deckengemälde, dem Fakultätsbild “Medizin” von Gustav Klimt in der Aula der Wiener Universität-zur Rezeption der Serienfotografien von Eadward Muybridge in Bezug auf die figürlichen Zeichnungen in Klimts “Medizin” |
|
| IKEDA Mayumi. |
Résumé |
|
The Fust Master and Heidelberg: Reconsidering the Study of Manuscript Illumination in Fifteenth-Century Mainz and Heidelberg |
|
| YAOI, Ayumi. |
Résumé |
|
Deciphering Fernand Khnopff’s Inscription –Rêve and Réalité Represented in Des caresses |
|
| MIYAZAKI, Takumi. |
Résumé |
|
Les portraits de J.E.Liotard et la cour française du XVIIIe siècle : spécificité
de la representation du corps et estime des courtisans bourboniens |
|
| |
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2012 |
|
|
Summaries of papers read at meetings held in 2012 |
|
| Notes for Contributors |
|
|
| 173 Vol.62,No.1 (October 2012) |
|
| Articles: |
|
| ŌBA, Emi. |
Résumé |
|
A Study of the La-stod in Tibet |
|
| ARAKI, Fumika. |
Résumé |
|
The Bufalini Chapel and the Carafa Chapel : A Rivalry Between the Franciscans
and the Dominicans in 1480`s Rome |
|
| USUDA, Daisuke. |
Résumé |
|
The Edo Kanō School and the Genre Painting of Kanō Tanshin Morimichi |
|
| MURAKADO, Noriko. |
Résumé |
|
William Anderson and Butsuｚō zui : Western-Language Books on Japan and
Their Role in the Formative Period of “Japanese Art history” |
|
| ICHIKAWA, Kōta. |
Résumé |
|
Tracing the Emergence of Ehon : An Examination of the Biography of Tachibana
Murashige |
|
| FUKUSHIMA, Masako. |
Résumé |
|
A Study of the Jinbaori with Trefoil Hollyhock Crests on White and Purple Plain Silk in the Tokyo National Museum |
|
| KAMADA, Yumiko. |
Résumé |
|
Deccani Carpets as Trade Goods : Float Covers for the Kyoto Gion Festivaland
the Nagahama Hikiyama Festival |
|
| WADA, Chiharu. |
Résumé |
| |
Sesshū and the Tea Ceremony : How his Reputation was Established Through
Shogunal Authority |
|
| ŌSUGI, Chihiro |
Résumé |
| |
Auferstehung Christi am Isenheimer Alter : die Funktion der Darstellung
der “Oransgeste” |
|
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2012: Results and Evaluations
of the Selection Committee |
|
|
Report on the 65th General Assembly |
|
|
Summaries of papers read at the 65th General Assembly |
|
|
List of 2012 Committee Members |
|
| Notes for Contributors |
|
|
| 172 Vol.61,No.2 (March 2012) |
|
| Articles: |
|
| NISHIJIMA, Ami. |
|
|
Eugène Delacroix, Hamlet et Horatio dans le cimetière : des riches possibilités du theatre aux effets propres de la peinture |
Résumé |
| TAKAYAMA, Yuri. |
|
|
Okada Saburosuke’s Before Bathing Floral Symbolism in the Ideal Painting (Risō-ga) |
Résumé |
| IKEDA, Atsushi. |
|
|
New Developments in a Painting Workshop in the Hills of Northern India
: The Gita Govinda Paintings of 1730 |
Résumé |
| KINUKAWA, Yoko. |
|
|
Il Giudizio Universale e l’Inferno del Camposanto di Pisa : un giudizio universale che predica alla gente |
Résumé |
| OTA, Tomoko. |
|
|
L’interpretazione iconografica delle quattro sale del Quartiere della duchessa
Eleonora di Toledo in Palazzo Vecchio: rappresentazione delle sue attivita |
Résumé |
| TANAKA, Emiko. |
|
|
Aryballos for the youth : The rise of the “Aryballos Type” of the athlete
stelae |
Résumé |
| MATSUMOTO, Yuko. |
|
|
Jacopo della Quercia, the Modeler : Rethinking Modeling Technique of the
Early Renaissance |
Résumé |
| TANAKA, Maho. |
|
|
David Hockney and the “Temporal” Perspective : From a Connection with Marcel
Proust’s Á la recherche du temps perdu |
Résumé |
| YOSHIDA, Yuri. |
|
|
The Depth of the Canvas : The Transformation of Spatial Awareness in Barnett
Newman’s Paintings |
Résumé |
| PARK, Mihee. |
|
|
Yang Guifei Screens” Presented to the Joseon Dynasty : Consentrating on
the Kiyu Treaty and “Five pairs of Gold Folding Screens” |
Résumé |
| |
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2011 |
|
|
Summaries of papers read at meetings held in 2011 |
|
| Notes for Contributors |
|
|
| 171 Vol.61,No.1 (October 2011) |
|
| Articles: |
|
| TSUJI, Eriko. |
|
|
The Iconography of the Pelican in the Scriptorium of the Stoudios Monastery |
Résumé |
| NAKAJIMA, Megumi. |
|
|
Une étude sur Odilon Redon, Dans le Rêve (1879) : l’interprétation de l’ambigüité des portraits. |
Résumé |
| TERAMOTO, Kenzō. |
|
|
An Investigation into the Unknown Characteristics and Creative Intention
of Kano Naonobu’s Fine Horses and Cattle (Riō busshoku zu 驪黄物色図) |
Résumé |
| MURAKI, Keiko. |
|
|
Popular Media and Artistic Depictions of The Song of Everlasting Sorrow in Early Modern Japan |
Résumé |
| UJIRO, Takafumi. |
|
|
A Study of the Hokuto Mandara (Big Dipper Mandala) from Kumedadera Temple, Osaka: With a Focus on its
Iconographic Function and the Background of its Creation |
Résumé |
| TAKAGI, Kanako. |
|
|
Early Yūzen Dyeing: The Baby Clothes said to have been worn by Date Tsunamura |
Résumé |
| KUJIRAI, Kiyotaka. |
|
|
A Reconsideration of the Butsu Nehan-zu of Jō doji in Hiroshima |
Résumé |
| SUZUKI, Maho. |
|
| |
A View on Jōmon Pottery in Modern Japan: A Focus on the Patterning of Ōno
Ungai |
Résumé |
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2010: Results and Evaluations
of the Selection Committee |
|
|
Report on the 64th General Assembly |
|
|
Summaries of papers read at the 64th General Assembly |
|
|
List of 2011 Committee Members |
|
| Notes for Contributors |
|
|
| 170 Vol.60,No.2 (March 2011) |
|
| Articles: |
|
| SAKAI, Motoki. |
|
|
The Gilt Bronze Openwork Reliquary Preserved by Saidaiji Temple |
Résumé |
| FUKADA, Maria. |
|
|
Giulio Romano's Polyphemus in the Villa Madama: Iconographic Interpretation Based on a Drawing in
the Musée du Louvre |
Résumé |
| ISOTANI, Yusuke. |
|
|
Jacques Lipchitz's Prometheus Strangling the Vulture: Propaganda through Art in Interwar France |
Résumé |
| FUKUMOTO, Kaori. |
|
|
The Eleusis Amphora: A Reinterpretation of Imagery Based on Contemporary
Burial Customs |
Résumé |
| TABAYASHI, Kei. |
|
|
The Buddhist Realm Depicted in Ceiling Paintings of Mogao Cave 285 at Dunhuang |
Résumé |
| HASHIMOTO, Hiroko. |
|
|
A Study of Kitayama Kangan's Portrait of Heister |
Résumé |
| YASUNAGA, Koji. |
|
|
Research on Design Instruction in Preparation for the 1876 Philadelphia
Exhibition |
Résumé |
| NAKAMURA, Hino. |
|
|
The Representation of Taa, Second Patriarch of the Ji Sect, in Illustrated Biography of the Priests Ippen and Taa |
Résumé |
| KANAZAWA, Fumio. |
|
|
A Study of Bernardo Bellotto's Capriccio with a Self-Portrait in the Costume of a Venetian Procurator and its Relationship with Capriccio with Christ Driving the Money Changers from the Temple |
Résumé |
| SEO, Namyoung. |
|
|
On the Northern Qi Dynasty White Marble Altarpiece with Seated Buddhas
Dated by Inscription to 562 (Heqing 1) Excavated from Gaocheng, Hebei Province:
Interpretation of the "Broken Maitreya" Inscription |
Résumé |
| |
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2010 |
|
|
Summaries of papers read at meetings held in 2010 |
|
| Notes for Contributors |
|
|
| 169 Vol.60,No.1 (October 2010) |
|
| Articles: |
|
| MURAMATSU, Kanako. |
|
|
A View of the Transmission through the Three Lands Seen in the Medieval
Pictorial Biograpies of Prince Shōtoku: On the Kakurin-ji Pictorial Biography
of Prince Shōtoku |
Résumé |
| TAKAMIYA, Natsumi. |
|
|
On the Wall Paintings in the Shōmyōji Kondō (Golden Hall) |
Résumé |
| KOBAYASHI, Akiko. |
|
|
Apollon et Clytie, tapisserie d’après François Boucher: étude sur les sources iconographiques
et l’intention du choix thématique |
Résumé |
| SUAMI, Miyuki. |
|
|
Un’interpretazione della pala di Sebastiano Luciani sull’altar maggiore:
dal punto di vista del programma iconografico all’epoca in cui fu ricostruita
la chiesa. |
Résumé |
| SASAKI, Yasuyuki. |
|
|
The Conceprion of the group of Sculprures in the Hōō-Dō (Phoenix Hall)
at Byōdō-in, with a focus on the Unchū Kuyō Bosatsu (Worshipping Bodhisattvas
on Clouds) |
Résumé |
| Kim, Eun-ah. |
|
|
Guangyuan Huangzhesi Cave 28 in Sichuan Province |
Résumé |
| TAKAOKA, Chikako. |
|
|
The Transtormation of “The Judgment of Parix” during the Late 19th and
Early 20th Centuries – with a Consideration of Les Demoiselles d’Avignon |
Résumé |
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2009: Results and Evaluations
of the Selection Committee |
|
|
Report on the 63rd General Assembly |
|
|
Summaries of papers read at the 63rd General Assembly |
|
|
List of 2010 Committee Members |
|
| Notes for Contributors |
|
|
| 168 Vol.59,No.2 (March 2010) |
|
| Articles: |
|
| HIROMI, Nobuhiko. |
|
|
Nostalgia for a Turbulent Past: Interpreting the Hōkoku saireizu from Tokugawa Art Museum |
Résumé |
| ISHII, Motoaki. |
|
|
Le metamorfosi dell’ippocampo: l’antico, Jacopo Alari Bonacolsi e Antonio
Lombardo |
Résumé |
| MITANI, Rika. |
|
|
Considérations sur Raphaël Collin et son atelier à Fontenay -aux-Roses |
Résumé |
| MINAKAWA, Michi. |
|
|
A Study of Wen Cheng-ming’s Landscape in the Manner of Wang Meng: Wen Cheng-ming’s Understanding of Wang Meng |
Résumé |
| HIYAMA, Satomi |
|
|
The Wall Paintings of Kizil Cave 118: The Story of King Māndhātr as a New Identification |
Résumé |
| TANIKAWA, Yuki. |
|
|
A Possible Reconstruction of Kōyagumo koe (Small Scroll of the Clouds of Mt. Kōya) by Tosa Mitsunobu |
Résumé |
| KARINO, Kayoko. |
|
|
A Study of the Composition and Theme in Scenes from the Life of Gensei Shōnin Originally Owned by Kai Manpukuji |
Résumé |
| OTA, Tomoki. |
|
|
The “Export” of Artistic Crafts to Foreigners Visiting Kyoto in the Modern
Period |
Résumé |
| UEHARA, Mai. |
|
|
Ricostruzione del Trittico di Castel di Carlo Crivelli |
Résumé |
| NAKAMURA, Nobuko. |
|
|
The Painting of Fugen jūrasetsunyo from the Former Masuda Family Collection: Its Significance to the Origin
of Japanese-style Versions and Relationship to Genji ippon kyōkuyō |
Résumé |
| IWAYA, Akimi. |
|
|
Die Raumwirkung des Stephansdomes zu Wien: Die Gestaltungsanalyse der spätgotischen
Netzgewölbe |
Résumé |
| ANDO, Tomoko. |
|
|
Alphonse Legros’ Naïveté in Ex-Voto |
Résumé |
| SATO, Naoko. |
|
| |
A Reevaluation of Antoku Tennō Engi Eden (Illustrated Biography of Emperor Antoku): Characteristics of its Composition
and Painting Style |
Résumé |
| TANAKA, Ken’ichi |
|
| |
Considering Image and Text in the Depiction of Preaching the Lotus Sutra on the Hasedera Copper Plaque |
Résumé |
| SUGA, Takaaki. |
|
| |
The Representation of Weaponry in Early Edo Period Sengoku kassen zu byōbu |
Résumé |
| KAMADA, Yumiko. |
|
| |
An Eighteenth-Century South Indian Embroidery Used in the Taishiyama Float of the Kyoto Gion Festival |
Résumé |
| |
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2009 |
|
|
Summaries of papers read at meetings held in 2009 |
|
| Notes for Contributors |
|
|
| 167 Vol.59,No.1 (October 2009) |
|
| Articles: |
|
| YOSHIDA, Masako. |
|
|
The Embroidered Velvet Jinbaori Jacket Purportedly Owned by Toyotomi Hideyoshi: Its Place of Production,
Date, and Background |
Résumé |
| MIKAMI, Miwa. |
|
|
Yumedono by Yasuda Yukihiko: On Increased Interest in Prince Shôtoku in the Meiji
Period |
Résumé |
| INAGAKI, Tomoko. |
|
|
Nakabayashi Chikutô Breaking New Ground: The Transformation of his Late
Landscape Style |
Résumé |
| IKEDA, Fumi. |
|
|
Shedding New Light on the Model for Hanabusa Itchō’s The Dance of Cloth Bleaching: The Kabuki Actor Who Wore a Heavenly Garment |
Résumé |
| FUNAOKA, TADA Mihoko. |
|
|
Les premières œuvres peintes de Chardin: Reconsidération du mythe de l’imitation
de la nature |
Résumé |
| TANIFUJI, Fumihiko. |
|
|
The New Spatial Concept of Lucio Fontana: Reducing Sculptural Volume and the Influence of 1930s Italian Rationalist Architecture |
Résumé |
| HONDA, Mitsuko. |
|
|
The Context Behind the Production of the Bugaku Screens by Tawaraya Sōtatsu |
Résumé |
| KOMATSU, Kenichiro. |
|
|
Il giovane Correggio e il “classicismo precoce” in Emilia: una nuova proposta
per l’arte in “periferia” |
Résumé |
| MOCHIZUKI, Noriko. |
|
|
La réception de l’art antique et de celui de Raphaël par Nicolas Poussin:
Sur les relations avec ses clients français. |
Résumé |
| KOIZUMI, Masaya. |
|
|
Sur le sillon de Pierre Girieud et son Hommage à Gauguin |
Résumé |
| HIRANO, Tomoko. |
|
|
A Study of the Hōkan Amida Nyorai Triptych: A Consideration of the Amida Triptych Altar in Eishōji Temple, Kamakura |
Résumé |
| TSUTSUI, Tadahito. |
|
|
A Reconsideration of The Tale of Horie Scrolls: One Aspect of Handscroll Production in the Iwasa Matabei Studio |
Résumé |
| NODA, Asami. |
|
|
A Reappraisal of Kanō Sanraku’s Battle of the Carriages in the Tokyo National Museum: With a Focus on the Relationship between the Sanraku Screen and the Nenjū Gyōji Emaki |
Résumé |
| ASHIDA, Aki. |
|
|
Mark Rothko’s Dark Painting: Its Form and Source |
Résumé |
| NAGATA, Ken’ichi. |
|
|
Harada Naojirō’s Kannon Riding a Dragon (1890) As an Allegory of Imperial Japan: From Bavaria to Gokokuji Temple |
Résumé |
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2008: Results and Evaluations
of the Selection Committee |
|
|
Report on the 62nd General Assembly |
|
|
Summaries of papers read at the 62nd General Assembly |
|
|
List of 2009 Committee Members |
|
| Notes for Contributors |
|
|
| 166 Vol.58,No.2 (March 2009) |
|
| Articles: |
|
| TOKITA-DARLING, Masuyo. |
|
|
The Capitals of Moutiers-Saint-Jean and the West Portal of Cluny III |
Résumé |
| CHIBA, Kei. |
|
|
On the Iconographic Program of “Ametsuchi no Motohashira” |
Résumé |
| ITO, Takuma. |
|
|
Stained Glass in the Perugino Style: The Gesuati Friars’ Workshop and Painters
in Florence around 1500 |
Résumé |
| MATSUDA, Taeko. |
|
|
The Formation of Gōshōzō Images in China |
Résumé |
| SATO, Yukiko. |
|
|
The Position of the Standing Figure of Bishamonten of Seiryōji: With a Focus on Its Style and the Background of Its Creation |
Résumé |
| SUZUKI, Shinobu. |
|
|
A Study on Representation of Time in Red and White Hibiscuses by Li Ti |
Résumé |
| MAIZAWA, Rei. |
|
|
A Consideration of the Paintings of the Six Kannon in Hosomi Museum |
Résumé |
| WASHIZU, Katsura. |
|
|
The Popularization of Large-scale Genji-e Screens: The Exiled Emperor on Okinoshima and Related Works |
Résumé |
| HARA, Hirofumi. |
|
|
The Vajraśekhara-sūtra and the Function of the Sculptural Program of Tōji’s Lecture Hall |
Résumé |
| TAKAO, Yoh. |
|
|
The Establishment and Studies on Lacquer of Makieshi den by Iijima Hanjurō (Kyoshin) |
Résumé |
| MIYASAKA, Tomo. |
|
|
“Half-Open Door” : le pitture del cubicolo F nelle Catacombe di Via Latina |
Résumé |
| HASHIMURA, Aiko. |
|
|
The Ideological and Decorative Program of Heike Nōkyō: On the Relationship
between the Images of the Four Seasons on the back of the “Jeweled Stupa”
Scroll and the Pictorial Schema for the Twenty-Eight Chapters of the Lotus Sutra |
Résumé |
| |
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2008 |
|
|
Summaries of papers read at meetings held in 2008 |
|
| Notes for Contributors |
|
|
| 165 Vol.58,No.1 (October 2008) |
|
| Articles: |
|
| YAMAUCHI, Maiko. |
|
|
Literary Motifs in Kosode Designs of the Momoyama Period: The Nuihaku with a Split-Body (katamigawari) Design of Flowers of the Four Seasons Embroidered on Glossed Plain-Weave
Silk (nerinuki) at The Art Institute of Chicago |
Résumé |
| SATO, Kayo. |
|
|
Color Conception of Early Buke Costume ―With a Focus on Armor Depicted in Mōko shurai emaki (Picture Scroll of the Mongol Invasion)― |
Résumé |
| SATO, Jin. |
|
|
Bernini's Baldacchino: Considering the Apiarium of the Accademia dei Lincei and the Barberini Bees |
Résumé |
| MOROHOSHI, Tae. |
|
|
El Aguador de Sevilla de Veláquez: su tema y los conversos en la Sevilla del primer tercio del
siglo XVII |
Résumé |
| OKAMOTO, Mami. |
|
|
The Shutendōji Story and the Memory of Place: A Study of the Oeyama Picture Scroll Owned by the Itsuō Museum |
Résumé |
| KANEKO, Takeshi. |
|
|
Haneuma and Court Attendants |
Résumé |
| MITA, Takaaki. |
|
|
A Discussion of the Golden Fudō Myō-ō Painting at Onjōji Temple in Shiga
Prefecture |
Résumé |
| OHASHI, Miori. |
|
|
A Consideration the Handscroll Kumano Landscape by Kuwayama Gyokushū: The Theory and Practice of Shinkei |
Résumé |
| ISHII, Yuko. |
|
|
Max Ernst in New York in the Early 40s: Vox Angelica and Related Works |
Résumé |
| KEZUKA, Mieko. |
|
|
Reading the Evangelist Symbols on the Canon Tables of the Leon Bible of 960 |
Résumé |
| RAWANCHAIKUL Toshiko. |
|
|
A Taiwanese Woman Artist of Japanese-Style Painting: Chen Chin's The Women of the Shantimen Area |
Résumé |
| |
|
|
| News and Activities of the Society ： |
|
|
Award of the Japan Art History Society for 2007: Results and Evaluations of the Selection Committee |
|
|
Report on the 61st General Assembly |
|
|
Summaries of papers read at the 61st General Assembly |
|
|
List of 2008 Committee Members |
|
| Notes for Contributors |
|
|
| 164 Vol.57,No.2 (March 2008) |
|
| Articles: |
|
| MITA, Kakuyuki. |
|
|
A Consideration of the Original Form and Theme of Tenjukoku-shūchō |
Résumé |
| YAMAMOTO, Midori. |
|
|
The European Influence on Mughal Painting―With Special Reference to the
Reigns of Shah Jahan and Muhammad Shah― |
Résumé |
| MATSUMOTO, Tomoka. |
|
|
Tanomura Chikuden’s Ryūkaku gyōshō zu (Woman Gazing in the Mirror amidst Willows) |
Résumé |
| IDE, Kanako. |
|
|
Il tabernacolo in Orsanmichele come monumento alla memoria della cessata
pestilenza: un’interpretazione del ciclo figurativo in riferimento all’insorgere
e alla scomparsa della peste del 1348 |
Résumé |
| FURUKAWA, Shōichi. |
|
|
A Study of the Iconography and Production Context of Amoghapāśa with Two Guardian Deities in the British Museum |
Résumé |
| TATARA, Takiko. |
|
|
Kōsaku zu (Agriculture Paintings) by the Kyō Kanō Family During the Early Edo Period |
Résumé |
| NODA, Yubii. |
|
|
Paul Klees Schriftbild《Einst dem Grau der Nacht enttaucht farbige Buchstaben》von 1918: Die Schaffenssituation |
Résumé |
| NAKANO, Shiho. |
|
|
Circumstances behind Adoption of Hokusai’s Style by the Kamigata Printmaker
Hokushū―Changing the Focus from Actors’ Faces to their Bodies― |
Résumé |
| YAMASHITA, Mayumi. |
|
|
Oki Ichiga: A Diversity of Style through Relationship with Other Painters |
Résumé |
| HASHIMOTO, Hiroko. |
|
|
A Study of the Background to Shiba Kōkan’s Celestial Map: The Roles of Ba Doryō and Ba Mōki (Kitayama Kangan) |
Résumé |
| |
|
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2007 |
|
|
Summaries of papers read at meetings held in 2007 |
|
| Notes for Contributors |
|
|
| 163 Vol.57,No.1 (October 2007) |
|
| Articles: |
|
| UEDA, Sayoko : |
|
|
The Title of Wisdom, Impression, Sentiment by Kuroda Seiki and the Relationship of Kuroda’s Art to the Aesthetics
of Herbert Spencer |
Résumé |
| KUME, Junko : |
|
|
Las Etimologías de doña Sancha de León (año 1047) |
Résumé |
| OHNO, Yoko : |
|
|
La Cappella della Salita al Calvario al Sacro Monte di Varallo ― la visualizzazione dell’Imitatio Christi |
Résumé |
| YAMADA, Yukako : |
|
|
La partie de cartes de Fernand Léger : la représentation de soldats blessés. |
Résumé |
| KOBAYASHI, Akiko : |
|
|
Les dessus-de-portes de l’Hôtel de Soubise par François Boucher : Le Pasteur complaisant et Le Pasteur galant |
Résumé |
| TSUCHIYA, Maki : |
|
|
A Consideration of Shakadō engi emaki ―With a Focus on the Life Story of Buddha in the First and Second Scrolls |
Résumé |
| UNNO, Hiroyuki. : |
|
|
An Iconographic Interpretation of the Seated Figure of the Bodhisattva
Maitreya at Daigoji Sanbō-in |
Résumé |
| SHIMANO,Tomomi. : |
|
|
A Study of the Design of the Shionoyama Maki-e Writing Box in the Kyoto National Museum |
Résumé |
| SAKURAI, Yuriko : |
|
|
A Feast Résumé for Encaenia: Iconography of Constantine and Helena in the
Middle Byzantine Period. |
Résumé |
| NISHIO, Ayumu : |
|
|
A Study of Zhao Bosu’s Pines and Golden Palaces : considering its inclusion of real scenery |
Résumé |
| FUJIMOTO, Maho : |
|
|
Blick in das Fruchtland und "Polyphonie" |
Résumé |
| NARAYAMA, Mitsuteru : |
|
|
Images of Exemplars in Eastern Han Sichuan
―The Iconography of Triple-tiered Shen-xian神仙 Mirrors (San-duan-shi-shen-xian-jing 三段式神仙鏡) ― |
Résumé |
| NINAGAWA, Junko : |
|
|
On the Formation of The Merode Triptych |
Résumé |
| |
|
|
| News and Activities of the Society： |
|
|
Award of the Japan Art History Society for 2006: Results and Evaluations
of the Selection Committee |
|
|
Report on the 60thGeneral Assembly |
|
|
Summaries of papers read at the 60th General Assembly |
|
|
List of 2007 Committee Members |
|
| Notes for Contributors |
|
|
| 162 Vol.56,No.2 (March 2007) |
|
| Articles: |
|
| ÔTA, Miki: |
|
|
Le cycle de l’Amour et Psyché du Salon ovale de la Princesse à l’Hôtel de Soubise :À propos du choix
des scènes et de la représentation |
Résumé |
| IKEGAMI, Hiroko: |
|
|
An American Spectacle: Reconsidering the 1964 Venice Biennale |
Résumé |
| HINOHARA, Kenji: |
|
|
On Hishikawa Moronobu’s Studies of Yamato-e: Yamato-e tsukushi (Collection of Japanese Paintings) |
Résumé |
| HOSONO, Kiyo: |
|
|
VERITAS FILIA TEMPORIS: il ritorno dell’Inghilterra al cattolicesimo e
il Perseo e Andromeda di Tiziano |
Résumé |
| HASHIMOTO, Keiko |
|
|
An Examination of Kuramata Shirô's Interior Design of the 1960s From the Perspective of Its Relationship to Art of the Same Period |
Résumé |
| SUGAWARA, Hirofumi: |
|
|
The Reception of the Virgin of Tenderness in Cappadocia |
Résumé |
| KATÔ, Hiroko: |
|
|
Sketches of Various Birds after Kano Tan’yû by Noda Tômin, and its Relation to Ogata Kôrin’s Sketches of Birds and Animals |
Résumé |
| WATANABE, Satoshi: |
|
|
A Study of the Theme of the Painting behind the Main Statue in the Phoenix Hall of Byôdô-in Temple as the Eight Stages of Śākyamuni’s Life |
Résumé |
| HIRAYOSHI,Yukihiro: |
|
|
Painter / Dadaist: The Critical Discourse on Marcel Duchamp and Jasper Johns in 1950s – 60s |
Résumé |
| MURASE, Hiroharu: |
|
|
Museum as Space of Knowledge Production: Towards a Solution to the Current Situation |
Résumé |
| ABE, Shigeki: |
|
|
Une symphonie des formes: Henri Focillon et les courants intellectuels de son temps |
Résumé |
| MORITO, Atsuko: |
|
|
A Reinterpretation of the designs on the Hatsune no chôdo Makie Lacquer Furnishings (Tokugawa Art Museum Coll.) |
Résumé |
| |
|
|
| News and Activities of the Society： |
|
|
Report on Activities of the Japan Art History Society in 2006 |
|
|
Summaries of papers read at meetings held in 2006 |
|
| Notes for Contributors |
|
|
| 161 Vol.56,No.1 (October 2006) |
|
| Articles: |
|
| ISHITANI, Haruhiro： |
|
|
"Primitive" and "Modern" in the Age of Eiffel Tower: A Study of the Two Versions of Camille Pissarro’s La Cuillette de pommes |
Résumé |
| KAKINUMA, Marie : |
|
|
Paul Klees beidseitig bearbeitete Bilder |
Résumé |
| SAITO, Mahito : |
|
|
Ryukuan Plants in Watanabe Shiko's “Flowering Plants” Paintings and Their
Relationship to the Satsuma Painter Kimura Tangen |
Résumé |
| LI, Su-Chu : |
|
|
Concerning the Mobilization of “Local Color” in World War II Taiwan |
Résumé |
| KAMATA, Junko : |
|
|
Examining Characteristics of Kyoto Screen Painting in the First Half of
the Eighteenth Century: Watanabe Shikô and Yamamoto Sôsen's Works on the
Themes of Farming Scenes and Flowers and Grasses |
Résumé |
| ARAE, Kyoko : |
|
|
Jakuchu and the Picture Books of Ooka Shunboku: A Study of Shunboku’s Illustrated Books and Paintings “Based on Things” (Mono ni soku suru e) |
Résumé |
| IMAI, Sumiko : |
|
|
À propos de la Virgo in Sole de Robert Campin : ses sources iconographiques et théologiques |
Résumé |
| SASAKI,Asuka : |
|
|
Changes and Influences of the Buddhist Sculpture Created by the Nara-Busshi
School from Late Heian Period to Early Kamakura Period : from the Viewpoint
of the Forms of Garments in the Seated Bosatsu and Myôô Figures |
Résumé |
| SUZUKI, Masako : |
|
|
The Depiction of “Amida (Amitābha) and Attendants Descent” Belonging to
the Hase-dera Temple; Reinterpretation on Its Inscription |
Résumé |
| YOSHIMURA, Toshiko : |
|
|
The Welcoming Descent of Amida and his Attendants in Sanzen-in: An Analysis on the Formation of the Welcoming Descent Composition |
Résumé |
| FURUYA, Yuko : |
|
|
A Study of the Nehan-zu in the Ishiyama-dera Temple |
Résumé |
| OZAKI, Yoshiyuki : |
|
|
Kano Eigaku during his time in the Kageyama Family |
|
| ETO, Takumi : |
|
|
On the first English Version of Panofsky's Perspective as Symbolic Form, Translated by Christopher Wood |
|
| |
|
|
| News and Activities of the Society： |
|
|
Award of the Japan Art History Society for 2005: Results and Evaluations
of the Selection Committee |
|
|
Report on the 59th General Assembly |
|
|
Summaries of papers read at the 59th General Assembly |
|
|
List of 2006 Committee Members |
|
| Notes for Contributors |
|
|
|
