| 160 Vol.55,No.2 (March 2006) |
|
| Articles: |
|
| HAYAMI，Yutaka ： |
|
|
Propellers and Paintings: A Study of an
Avant-garde Art Site |
Résumé |
| ÔGUCHI，Hiroko： |
|
|
The Depiction of Chapter 119 of Ise
Monogatari and its Relation to the Noh Play
Matsukaze：Focusing on the Waka Poem
Katamikoso (Keepsakes) |
Résumé |
| SHIMBO, Kiyono ： |
|
|
La Madonna nella politica della crisi: la processione in memoria della preservazione di Roma dalla peste nel 1632 e lo Stendardo
di Pietro da Cortona |
Résumé |
| INOUE，Taiki ： |
|
|
Taiki：On the Statues of the Period of the Foundation of the Rokuharamitsuji
(Saikōji) |
Résumé |
| MOCHIZUKI，Noriko : |
|
|
Le Triomphe de Bacchuset et Le Triomphe de Pan de Nicolas Poussin : leur signification dans le contexte de la decoration
du cabinet du Roi au château de Richelieu |
Résumé |
| KANEKO, Norimasa : |
|
|
A Study on the Actual Conditions of Buddha ImageReception in Early Chinese
Buddhism: in View of Yaoqianshu adorned with Buddha Image |
Résumé |
| TAGUCHI, Fumiya： |
|
|
The Iconography of Anthropomorphized Animals and thePossibility of Narrative
Expression：A Study of the Otogi-zôshi Tale Yahyôu Nezumi |
Résumé |
| MANO，Hiroko : |
|
|
Kandinsky in Paris：On his Relation to Picasso |
Résumé |
| ISHIMATSU, Hinako ： |
|
|
Donor Figure Images in Chinese Buddhist Sculptures: A NewViewpoint for
Research on Buddhist Art History |
Résumé |
| SATO，Yasuhiro ： |
|
|
A Reconsideration of Several Works in the Matabei Style |
Résumé |
| WAKAYAMA , Eiko： |
|
|
Studi di storia della arte e immagini fotografiche |
Résumé |
| News and Activities of the Society： |
|
|
Report on Activities of the Japan Art History Society in 2005
Summaries of papers read at meetings held in 2005 |
|
| Notes for Contributors |
|
|
| 159 Vol.55,No.1 (October 2005) |
|
| Articles: |
|
| KUZE, Kanako : |
|
| |
Okakura Kakuzo (1862-1913) and the Museum of Fine Arts, Boston |
Résumé |
| TANAKA,Maya : |
|
|
《L'Orphée de Gustave Moreau : une tentative de renouvelle-ment de la peinture mythologique》 |
Résumé |
| SUAMI,Miyuki : |
|
|
Reinterpretazione della pala marmorea d'altare di Tullio Lombardo per la
Cappella dei Bernabò. |
Résumé |
| TSUCHIYA,Takahiro : |
|
|
Inquiry into the Reconstruction Process of the Tengu sôshi |
Résumé |
| MIYAZAKI, Momo : |
|
|
The Influence of Kokugaku on SAKAI Houitsu. |
Résumé |
| NISHIGAKI, Kaori : |
|
|
A Study of Tsukioka Settei: An examination of his Painting and its Acceptance. |
Résumé |
| TAMITSU, Mikako: |
|
|
A Study of Miraculous Origins of Kotobiki Shine: A Consideration of Text and Landscape Representations. |
Résumé |
| EMURA, Tomoko : |
|
|
Korin's Productions of Maki-e and his Paintings |
Résumé |
| ABE, Tomoe : |
|
|
The Image-World of Shoulao with Blossoming Ume Tree in the Muromachi period: Peaceful Spring and Shoulao . |
Résumé |
| ICHIKAWA, Kota : |
|
|
The Meaning of Yogi-ga of the Zen priest from Portrait of Bodhidharma in the Umezawa Memorial Gallery. |
Résumé |
| KIM, Jungsun : |
|
|
The Representation of Joseon by Fujishima Takeji-- With a Focus on his
Soshokuga (Decorative Paintings) |
Résumé |
| MIKAMI, Miwa : |
|
|
A New Interpretation of Gokarei by Imamura Shiko: The Process of Production and Cultural Background |
Résumé |
| News and Activities of the Society: |
|
|
Award of the Japan Art History Society for 2004 : Results and Evaluations
of the Selection Committee
Report on the 58th General Assembly
Summaries of the papers read at the 58th General Assembly
List of 2005 Committee Members |
|
| Notes for Contributors |
|
|
| 158 Vol.54, No.2(March 2005) |
|
| Articles ： |
|
| KUNIYOSHI, Atena : |
|
|
The Thundercloud Image and the Theme of Natural Phenomena in Max Ernst's Castor et Pollution |
Résumé |
| HAMADA,Tamami : |
|
|
A Study of the Preaching Buddha Scene on the North Wall of Mogao Cave 254 at Dunhuang |
Résumé |
| SUGINO,Ai : |
|
|
The Pictorial Composition of the Taimadera Version of Miraculous Origins of the Taima Mandala:Concerning the Cult of Taimadera and its Main Icon,the Taima Mandala Tapestry |
Résumé |
| HAGA,Rie : |
|
|
The Prevalence of "Tobias and the Angel" in the Latter Half of the Fifteenth Century and the Miracle of the Manifestation of Archangel Raphael in the Monastery of Santa Felicita |
Résumé |
| MATSUMOTO, Naoko : |
|
|
Kano Eigaku and the Renovation of Rinka-in Temple: The Significance of his Sanraku Revival |
Résumé |
| OKUDA,Atsuko : |
|
|
Agricultural Scenes Depicted in Rakuchu Rakugai Screens |
Résumé |
| UCHIDA,Tokugo : |
|
|
The History and Development of Korin-Style Lacquer |
Résumé |
| IKEGAMI,Hiroko : |
|
|
Robert Rauschenberg's Gold Standard : An Essay on Globalization in Modern
Art |
Résumé |
| TAKAMATSU, Yoshiyuki : |
|
|
A Study of the Genre Paintings of Nagoya Castle's Main Compound and their
Political Significance |
Résumé |
| News and Activities of the Society : |
|
|
Report on Activities of the Japan Art History Society in 2004
Snmmaries of papers read at meetings held in 2004 |
|
| Notes for Contributors |
|
|
| 157 Vol.54,No.1 (October 2004) |
|
| Articles ： |
|
| IZUMI,Takeo : |
|
|
Iconography and Ritual Use of Kannon who Escorted Kukai's Boat to China |
Résumé |
| OKAZAKI, Mami : |
|
|
Kôno Bairei's ideas on painting in Jukkaku [Ten Qualities] , and Bijutsu Shinsetsu Fenollosa : Bairei's works and Education |
Résumé |
| FUKUYAMA, Yasuko : |
|
|
Narrative Representation of Viśvantara Jātaka at Ajaņţā Cave XVII |
Résumé |
| MOROHOSHI,Tae : |
|
|
“Cristo en casa de Marta y María de Velázquez : a propósito de algunos
problemas de las obras en su época sevillana |
Résumé |
| WADA, Sakiko : |
|
|
Necessità e ruoli delle illustrazioni scientifiche nel Cinquecento a Firenze
: Le illustrazioni scientifiche e la “serie dei Turchi e animali di Jacopo
Ligozzi |
Résumé |
| OSHIMA, Tetsuya : |
|
|
Jackson Pollock's Reception of Matisse |
Résumé |
| SAKURAI, Yuriko : |
|
|
The illustrations of the Life of Christ in the Parma Gospel Book |
Résumé |
| SHIMONO, Akiko : |
|
|
A New Interpretation of the South Wall-painting of Cave 217 in Mogao Grottoes
of Dunhuang |
Résumé |
| MATSUBARA, Tomoo : |
|
|
“Imperio e libertà”: elogio imperiale e culto mariano nella decorazione
pittorica del Sodoma per la Cappella degli Spagnoli |
Résumé |
| MIYAUCHI, Fujino : |
|
|
The Program of Illustrations of the New Testament in the Girona Beatus manuscript |
Résumé |
| HIRAIZUMI, Chie : |
|
|
Saint Joseph-Christ with Saint Joseph in the Carpenter's Shop by Georges de La Tour |
Résumé |
| News and Activities of the Society ： |
|
| Notes for Contributors |
|
|
| 156 Vol.53,No.2 (March 2004) |
|
| Articles ： |
|
| INOUE,Satomi : |
|
| |
The Afterlife of the Shojuraigoji's Six Realms of Existence |
Résumé |
| HANAFUSA,Miki : |
|
|
Striped Kosode Patterns as in Seen in Texts Related ro the Kosode Merchant
Kariganeya |
Résumé |
| ITO,Shiori : |
|
|
Ransai Mori - Focused on the Connection with his Supporters |
Résumé |
| ONO,Kayo : |
|
|
The Sitting Postures of the Images of Hossō Rokusō (Six High Priests of the Hosso Sect) at Kōhuku-ji Nan'en-dō: the Meaning of Sitting Postures and the Relation to the Primitive Images of Six Bonzes |
Résumé |
| ONO,Ayako : |
|
|
James McNeill Whistler and Japan |
Résumé |
| MATSUO,Ayako : |
|
|
Support Materials for the Japanese Style Painting during the 1920's~1930's:
Focusing on the Japanese Papermakers, Nakata Shikaji and Iwano Heizaburo |
Résumé |
| HAMASUMI,Mayu : |
|
|
One Aspect of the Reception of Chinese Landscape Painting in Japan: Focusing
on Ike Taiga's White Clouds and Scarlet Trees |
Résumé |
| IMAI FUJISAWA,Sakurako : |
|
|
Ensemble tematico nella pittura pompeiana Quadri dell'ambiente g nella
Casa di Giasone |
Résumé |
| HATA,Yasunori : |
|
|
Regarding Awareness of Southern Song Dynasty Imperial Academy Painting
in Muromachi Period Japan: Focusing on the Xia Gui and Liang Kai handscrolls
in the collecions of the Ashikaga shogunal family |
Résumé |
| KATO,Hiromi : |
|
|
Typological Construction of the Illustrations in the San Paolo Bible |
Résumé |
| MORITA,Yuko : |
|
|
Studi sul ciclo della Scuola di San Giorgio degli Schiavoni di Carpaccio |
Résumé |
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2003
Summaries of papers read at meetings held in 2003 |
|
| Notes for Contributors |
|
|
| 155 Vol.53,No.1 (October 2003) |
|
| Articles ： |
|
| ARIKAWA,Haruo： |
|
|
Epic and Lyric -Two Sides of Kandinsky's Paintings |
Résumé |
| TAKAGISHI Akira ： |
|
|
The Ashikaga Collection of Painted Handscrolls |
Résumé |
| AKIYAMA Shingo： |
|
|
The Silver Platter with Gilt Repousséhoused in the Shōsōin and the Gilt
Foliate Large Silver Platters of the Tang Period in China. |
Résumé |
| YASUNAGA, Takuyo: |
|
|
Tosa Buson's "Kite and Crow" : Shōfū Fukkō Undō and the Nanpin Style |
Résumé |
| NAGASHIMA, Keiya : |
|
|
Nihonga War Paintings and Discussion of the Classic Works : On the War Are Exhibition(1938) |
Résumé |
| ETO, Takumi : |
|
|
Die Problematik von Verrocchios und Credis Pistoia-Altarbild: Einflusse
der flämischen Malerei auf die bildnerische-und funktionsbedingte Gestaltung |
Résumé |
| KAWAKAMI, Mari : |
|
|
Una ricerca sulla fondazione della Kōbu Bijitsu Gakkō, la Prima Scuola Statale di Belle Arti a Tokyo |
Résumé |
| HIRAOKA, Yoko : |
|
|
The Triptych with the Miracles of Christ in the National Gallery of Victoria in Melbourne: A New Interpretation
of the Images and the Dating of the Picture |
Résumé |
| KURITA, Miyuki : |
|
|
The Patterns of the Hōsōge Karyobingo Makie Book Box |
Résumé |
| JINGAOKA, Megumi : |
|
|
Un musée sur papier relié au marché de l'art: Léon Gauchez et Etchings
of pictures in teh Metropolitan Museum(1871) |
Résumé |
| YAMAMOTO, Yukari : |
|
|
Tsukioka Settei: A Reconsideration of the Production of Paintings Related
to the Classics |
Résumé |
| YOSHIDA,Noriko : |
|
|
L'affiche française du début du XXème siècle à l'entredeux-guerres : la
professionnalisation des publicitaires et leur collaboration avec l'Union
des artistes modernes. |
Résumé |
| YOSHIDA, Eri : |
|
|
Ike Taiga's Dotei sekiheki zukan : A Site of Appreciation of Contemporary
Chinese Sensibilities |
Résumé |
| YOSHIDA, Tomoko : |
|
|
Réexamen du Verrou de Jean-Honoré Fragonard : un tableau à la frontière de deux genres picturaux |
Résumé |
| MAEKI, Yuki : |
|
|
Testo e immagini del 'Hypnerotomachia': ekphrasis sul tempio del obelisk |
Résumé |
| News and Activities of the Society ： |
|
|
Report on the 56th General Assembly
Summaries of papers read at the 56th General Assembly
List of 2003 Committee Members |
|
| Notes for Contributors |
|
|
| 154 Vol.52,No.2 (March 2003) |
|
| Articles ： |
|
| LIN,Sheng-chih ： |
|
|
The Icons and the Function of the Sarcophagus in the Northern Dynasty：A
Study of the Portraits of Tomb Occupants and the Images of Filial Paragons
in Stone-Screen Beds |
Résumé |
| YOSHIDA,Masako ： |
|
|
Reinterpreting the Origins of the Damask Found in the Jacket Allegedly
Owned by Kanetsugu Naoe |
Résumé |
| KO,Seong-Jun ： |
|
|
The Iconographic Program of Ağaç Alti Kilisesi in Ihlara Valley, Cappadocia |
Résumé |
| HATTAN,Yutaro ： |
|
|
The Historical Significance of the Kyoto National Museum's Gion Festival Screens |
Résumé |
| SENGOKU-HAGA,Kyoko ： |
|
|
La reputazione contemporanea dei quattro scultori del Mausoleo di Alikarnasso
： Leochares, Skopas, Timotheos e Bryaxis |
Résumé |
| YAMAJO,Nokilo ： |
|
|
L'État et l'artiste ：une étude sur les cartons d'Odilon Redon
pour la Manufacture nationale des Gobelin |
Résumé |
| MOCHIZUKI,Yumiko ： |
|
|
Saggio sulla “camera delle Aquile” del Palazzo del Te di Giulio Romano
： “camera da letto del Principe” di Federico II Gonzaga come mezzo politico |
Résumé |
| MIYAMOTO,Hirohito ： |
|
|
The Stratifying Process of the Notion of “MANGA”： From the Early Modern
Age to the Modern Age in Japan |
Résumé |
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2002
Summaries of papers read at the meetings held in 2002 |
|
| Notes for Contributors |
|
|
| 153 Vol.52,No.1 (October 2002) |
|
| Articls ： |
|
| ADACHI,Kaoru ： |
|
|
Circe innamorata,o il soggetto dei due disegni di Parmigianino |
Résumé |
| NAGATA,Kaoru ： |
|
|
A Study of Dvarāpāla Images in Ajaņţā Caves, Focusing Primarily on the
Dvārapāla Yakşa Images in the Façade of Cave 19 |
Résumé |
| TSUZUMI,Midori ： |
|
|
The Program of the Frontispieces of the Bible of San Paolo fuori le Mura
in Rome |
Résumé |
| KAWANOBE,Yasunao ： |
|
|
The Hanitsu Shrine Portraits of Hoshina Masayuki, the Founder Lord of the
Aizu Clan |
Résumé |
| SUZUKI,Sadahiro ： |
|
|
An Attempt at Interpretation of the Life and Art of Bernard Leach ： The
‘Leaping Salmon’Vase |
Résumé |
| HINOHARA,Kenji ： |
|
|
Haikai nano shiori by Kitao Shigemasa ：The influence of Kyoto and Osaka bird-and-flower books
on Shigemasa |
Résumé |
| IDEMITSU,Sachiko ： |
|
|
Ike Taiga's Yokō Yūshō-zu Screens ：Meanings of the Scene and Sources of Visual Elements |
Résumé |
| MURAYAMA,Nodoka ： |
|
|
Changes in the Forms of Ryo-o Masks ： The Moulding of New Forms in the
Kamakura Era |
Résumé |
| KIRA,Tomoko ： |
|
|
IRA,Tomoko ： The Women Artists Service Corps and Paintings of the Imperial
Women's Efforts for the Great East Asian War |
Résumé |
| MURAKADO,Noriko ： |
|
|
Photographs of Antiquities in the Meiji Period ：Focusing of the Fine Arts
Expedition to the Kinai,1888-1889 |
Résumé |
| News and Activities of the Society ： |
|
|
Symposium on “Art historical problems of junior high school History textbook” |
|
| Notes for Contributors |
|
|
| 152 Vol.51,No.2 (March 2002) |
|
| Articls ： |
|
| IGUCHI,Toshino ： |
|
|
On Lajos Kassák's Manifesto "Picture Architecture" and
His Construct Painting |
Résumé |
| SARAI,Mai ： |
|
|
The Change of Motif on Halos in the Middle of the Heian Period ：The Formation
of the Cloud Motif on the Halo of Amida Nyorai(Amitābha) by Jōchō at Byōdō-in
Temple |
Résumé |
| UENO,Kaori ： |
|
|
A Study of Kaji-emaki in the Edo Period ：New Style and Techniques in Hand-Scroll Paintings |
Résumé |
| AZUCHI,Kanako ： |
|
|
Les sources littéraires de 《Psyché et l'Amour》(Louvre,1798)
de François Gérard. |
Résumé |
| MIZUNO,Ryoko ： |
|
|
A Consideration of the Background of Production of Ippen Hijiri-e. |
Résumé |
| MUKOGAWA,Soici ： |
|
|
On the Meaning of Leonardo da Vinci's ‘divina proportione’ in His ‘paragone’ |
Résumé |
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2001 |
|
|
Summaries of papers read at the meetings held in 2001 |
|
| Notes for Contributors |
|
|
| 151 Vol.51,No. 1(October 2001) |
|
| Articls ： |
|
| YANO, Akiko : |
|
|
"Reconsideration on the theme of the right screen of Laudscape oit!, the Sun and the Moon (Tokyo National Museum)" |
Résumé |
| YASUI, Masae : |
|
|
The depiction of female character by Utamaro and Kyakusyukimo-kagami by Kyoden |
Résumé |
| UEDA, Aya |
|
|
TSUCHIDA Bakusen (His early works) |
Résumé |
| MIZUNO, Saya : |
|
|
A Images of Eight Davas (八部衆) of the Three-tiered stone Stūpa at the Site of Changrim-sa Temple (昌林寺) in Kyongju |
Résumé |
| NAKANISHI, Masumi : |
|
|
Sculpture du Grand portail central au narthex de la Madeleine de Vézelay,
son programme icon-graphique et les Actes des Apôtres |
Résumé |
| YAKOU, Hisashi : |
|
|
Picture in Architecture, or Religious Visions in Santa Maria Donnaregina
in Naples |
Résumé |
| KIGAWA, Hiromi : |
|
|
The Interpretation of two holes in the ground in Rogier van der Weyden's
Madelin Alta,piece |
Résumé |
| HOSONO, Kiyo : |
|
|
II ratto di Europa di Tiziano : il significato politico e la fonte di ispirazione |
Résumé |
| OGAWA, Hirofumi : |
|
|
Essay über das "Synthetische Portrait" Giuseppe Arcimboldos-Symbol
für Körper und für Königliche Authorität, anhand
der Vier Jahrcszeiten, der Vier Elemente und des Kaiser Rudolf II als Vertumnus |
Résumé |
| MOCHIZUKI, Noriko : |
|
| |
À propos du "Paysage avec deux nymphes et un serpent"
de Nicolas Poussin --le nymphée et la source d'inspiration -- |
Résumé |
| TAKAGI, Yoko : |
|
| |
Fernand Khnopff and Japonisme |
Résumé |
| News and Activities of the Society ： |
|
|
Report on the 54th General Assembly
Summaries of papers read at the 54th General Assembly
List of 2001 Committee Members |
|
| Notes for Contributors |
|
|
| 150 Vol.50,No.2 (March 2001) |
|
| Articls ： |
|
| IZUMI, Mari ： |
|
|
Screen Paintings of a Samurai Residence " by Kano Sadanobu |
Résumé |
| UCHIDA, Kinzou : |
|
|
The Origins of a Copy of Hishigawa Moronobu's Occupations Painting-Regarding the British Museum's Shokunin zukushi zukan by Moronobu and the Shokunin zukushi waga copy |
Résumé |
| KAWANISHI, Yuri : |
|
|
A study on the brushwork of KITANO Tsunetomi : Investigation of the works
in later Meiji era |
Résumé |
| FUKAYA, Michiko : |
|
|
Laughing Democritus and Weeping Heraclitus by Ter Brugghen-Representations of Sphaera Mundi, Terrestrial, and Celestial
Globes- |
Résumé |
| KANAZAWA, Momoe : |
|
|
The Tapestry of Creation in Girona as " Majestas Creatoris " |
Résumé |
| Symposium Summaries : |
|
| OKADA, Atsushi : |
Résumé |
|
L'esperienze visive dei bambini e delle bambine nel Rinacsimento italiano |
|
| ASANO, Shugo : |
Résumé |
| |
The Pictorial Environment of Edo Inhabitants and Ukiyo-e |
|
| MIZUSAWA, Tsutomu |
Résumé |
| |
Adolescent Audience-Examples of Modern Japanese Art |
|
| WATANABE, Toshio : |
Résumé |
| |
The reception of Japanese art at the 1862 London International Exhibition |
|
| OKABE, Aomi : |
Résumé |
| |
Le public du Centre Georges Pompidou et les expositions thématiques consacrées aux villes : de Paris-New York à Vienne |
|
| OMUKA, Toshiharu and KINOSHITA, Naoyuki : |
Résumé |
| |
Symposium on " Art Exhibitions and Their Audiences " |
|
| Exhibition Review : |
|
| TANABE, Saburosuke : |
|
| |
The World of Enno-Gyoja and Shugendoh |
|
| Book Review : |
|
| |
TANAKA, Atsushi : Exhib. cat. TANAKA KYOKICHI a Retrospective
NEDACHI, Kensuke : ITO, Shiro : A Study of the Sculpture in Heian Period |
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 2000 |
|
|
Summaries of papers read at the meetings held in 2000 |
|
| Notes for Contributors |
|
|
| 149 Vol.50,No. 1(October 2000) |
|
| Articls ： |
|
| INAMOTO, Mariko : |
|
|
A Study of the Choice of Scenes in the Genji Monogatari Emaki -- On the Chapters "Sawarabi," "Yadorigi," and
"Azumaya"-- |
Résumé |
| MASUKI, Ryūsuke : |
|
|
Concerning the Iconography and Representation of the Tokyo National Museum
Fugen Bosatsu Painting |
Résumé |
| SENKAI, Yoshiyuki : |
|
|
The Handscroll Painting Ippen Hijiri E : A Comparative Study of the Kankikoji-bon Version and the Mieido-bon Version |
Résumé |
| IDE, Kanako : |
|
|
La Maestà di Simone Martini come `pittura comunale' per la decorazione
del Palazzo Pubblico : Cristo come `la Maestà' nella Sala del Consiglio,
il suo significato politico e la sua funzione |
Résumé |
| MIYASHITA, Kikuro : |
|
|
Ii sangue del sacrificio : lettura iconologica della Decollazione del Battista del Caravaggio |
Résumé |
| SHIMBO, Kiyono : |
|
|
Apparato della Quarantore -- una festa cattolica della Controriforma celebrata
dalla confraternita gesuita a Roma |
Résumé |
| SUGIYAMA, Naoko : |
|
|
Une réflexion sur l'expression de "la sculpture dans les tableaux"
chez Antoine Watteau |
Résumé |
| HIROTA, Haruko : |
|
|
Gauguin et les sculpteurs du XIXe siècle -- problématiques
de la sculpture à la fin du XIXe siècle- |
Résumé |
| News and Activities of the Society ： |
|
|
Report on the 53rd General Assembly
Summaries of papers read at the 53rd General Assembly
List of 2000 Committee Members |
|
| Notes for Contributors |
|
|
| 148 Vol.49,No. 2(March 2000) |
|
| Articls ： |
|
| MABUCHI, Miho : |
|
|
On Kanô Hideyori's Takao kanpū zu : The Process of its Creation and Pictorial Construction Employing Motifs
and Compositions from Earlier Paintings |
Résumé |
| MORI, Rie : |
|
|
A study on the age and the user of " Dobuku decorated with a design
of snow covered willows and paulownia ", Uesugi jinja shrine |
Résumé |
| FUKUOKA, Sachiko : |
|
|
An Essay on Wang Meng's " The Forest Grotto at Chü-ch'ü
" |
Résumé |
| KUKUMINATO, Naoko : |
|
|
BIOGRAFÍA DE VELÁZQUEZ POR PALOMINO -- Ante la descripcion
sobre la coleccion de las esculturas antiguas -- |
Résumé |
| KAGAWA, Kyoko : |
|
|
Remarque sur l'exposition particulière de Renoir en 1883 |
Résumé |
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 1999
Summaries of papers read at the meetings held in 1999 |
|
| Notes for Contributors |
|
|
| 147 Vol.49,No. 1(October 1999) |
|
| Articls ： |
|
| SASAKI, Moritoshi : |
|
|
On the Iconography of the Seated Statues of the Five Great Akāsagarbha Bodhisattvas (Godai kokūzō bosatsu) at Jingo-ji |
Résumé |
| SEYA, Takayuki : |
|
|
Reexamining the Images of Shitennō(Four Divine Guardian Kings) at Kōfuku-ji
… Tracing the Color of the Figures |
Résumé |
| SAWADA, Kazuto : |
|
|
The Hitorical Changes of Jittoku Mainly in the Medieval Period |
Résumé |
| KOGA, Michio : |
|
|
Learning and Development in Takahashi Sōhei's Landscape Paintings |
Résumé |
| SAKAI, Atsuko : |
|
|
On the flora-unki-form in the Nan-pei Ch'ao era of China |
Résumé |
| KOJIMA, Yoshie : |
|
|
Antelami a Fidenza -- Nuove prospettive sul rapporto con l'arte provenzale
-- |
Résumé |
| KANEYAMA, Hiromasa : |
|
|
Paolo Falconieri e il suo progetto della trasformazione di Palazzo Pitti
nel 1681 |
Résumé |
| FUKUSHI, Osamu : |
|
|
On the change in the pictorial structure of Mondrian's abstract painting
: focusing on the relationship between bis theory and work |
Résumé |
| YASUMATSU, Miyuki : |
|
|
Die Ausstellung altjapanischer Kunst Berlin 1939 |
Résumé |
| News and Activities of the Society ： |
|
|
Report on the 52nd General Assembly
Summaries of papers read at the 52nd General Assembly
On Establishment of Independent Administrative Corporations
List of 1999 Committee Members |
|
| Notes for Contributors |
|
|
| 146 Vol.48,No. 2(March 1999) |
|
| Articls ： |
|
| FUJIWARA, Shigeo : |
|
|
The Shōji Screen Paintings of Saishōkō-in Imperial Chamber as Gyōji-e and Meisho-e: Its Relations with Hōkongō-in |
Résumé |
| SUGA, Miho : |
|
|
A Reexamination of the Kōan version of the Tenjin Engi Emaki ; applying a comparative analysis to its reproductions |
Résumé |
| OKANO, Tomoko : |
|
|
The Birth of Edo Meisho Painting : On Famous Amusement Spots of Edo (Hosomi Version) |
Résumé |
| SHIMOHARA, Miho : |
|
|
Paintings on the Basis of the Poems of Flowers and Birds of the Twelve
Months by Teika : Comparison of Mitsuoki-bon, Tanyu-bon and Gukei-bon |
Résumé |
| ISHII, Motoaki : |
|
|
L' arte giapponese : arte pura o arte applicata? |
Résumé |
| UEMATSU, Yûsuke : |
|
|
Hakugadankin-kyô : classification by form and pattern interpretation |
Résumé |
| MATSUBARA, Tomoo : |
|
|
La bottega di Simone Martini e dintorni |
Résumé |
| HIRAKAWA, Kayo : |
|
|
Die Bagnacavallo-Madonna von Albrecht Dürer |
Résumé |
| KAI, Noriyuki : |
|
|
La Madonna del Popolo di Federico Barocci-Lettura iconologica secondo il pensiero di Mattia da
Salò, predicatore cappuccino |
Résumé |
| OZEKI, Miyuki : |
|
|
" Erfindung der Zeichenkunst " --Rolle der Perspektive in der
Berliner Malere-- |
Résumé |
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 1998
Summaries of papers read at the meetings held in 1998 |
|
| Notes for Contributors |
|
|
| 145 Vol.48,No. 1(October 1998) |
|
| Articls ： |
|
| KADOWAKI, Mutsumi : |
|
|
Portraits of Sakuma Shōgen : the individualistic pictorial representations
created within the cultural circle of Shōgen and his friends |
Résumé |
| OKUBO, Jun'ichi : |
|
|
Form of Famous Views in Edo by Hiroshige |
Résumé |
| MASHINO, Keiko : |
|
|
Studies on Coin Imagery of the Early Meiji Era |
Résumé |
| KOBAYASHI, Shunsuke : |
|
|
Oil Painting Technique of Tatsuoki Nambata, Shunsuke Matsumoto and AIMITSU |
Résumé |
| MORI, Masahide : |
|
|
Four Mandalas of the Vajrāvalī Series in Zimmerman Family Collection : A Case Study of the Transmission of Mandalas in Tibet |
Résumé |
| HAGA, Mitsuru : |
|
|
Überlegungen zur Rekonstruktion durch schriftliche Quellen und zur
Bedeutung des Bouleuterions von Antiocheia |
Résumé |
| KATO, Masue : |
|
|
Gli affreschi altomedievali di San Crisogono in Roma |
Résumé |
| DARLING TOKITA, Masuyo : |
|
|
On the Portal Sculpture of Perrecy-les-Forges and the Dating of the Ambulatory
Capitals of Cluny III |
Résumé |
| MIZUNO, Ciyori : |
|
|
Narrazione della pittura, narrazione della sacra rappresentazione : sugli
affreschi dell'Oratorio Suardi di Lorenzo Lotto |
Résumé |
| AOYAMA, Aika : |
|
|
Dürer und die Niederlande |
Résumé |
| KIMURA, Saburo : |
|
|
A propos du Portrait de saint François Xavier an Musée municipal
de Kobe ; quelques aspects emblematiques |
Résumé |
| TAN'O, Yasunori : |
|
| |
Symposium Summary : Thinking Manga from Art Historical Perspectives |
|
| News and Activities of the Society ： |
|
|
Report on the 51th General Assembly
Summaries of papers read at the 51th General Assembly
List of 1998 committee members |
|
| Notes for Contributors |
|
|
| 144 Vol.47,No. 2(March 1998) |
|
| Articls ： |
|
| WATANABE, Yuji : |
|
|
An Investigation of the Completion of the Fusuma Paintings in the Main
Hall at Jukoin Temple |
Résumé |
| TAKASHINA, Erika : |
|
| |
Voyage de Hosui Yamamoto à Okinawa |
Résumé |
| KANEHARA, Yukiko : |
|
|
Studio sul progetto artistico della cappella maggiore del Duomo di Prato |
Résumé |
| TSUKAMOTO, Hiroshi : |
|
|
La formazione della Pietà di Michelangelo in San Pietro |
Résumé |
| OKADA, Atsushi : |
|
|
«ma che l'applicate voi al nostro senso ?») : I dipinti mitologici
di Palazzo Vecchio e I Ragionamenti di Vasari |
Résumé |
| TAKAKU, Kaoru : |
|
|
A Study of Paul Gauguin's Vairumati |
Résumé |
| HIRAYOSHI, Yukihiro : |
|
|
Given (1) work of Art (2) Marcel Duchamp |
Résumé |
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 1997
Summaries of papers read at the meetings held in 1997 |
|
| Notes for Contributors |
|
|
| 143 Vol.47,No. 1(October 1997) |
|
| Articls ： |
|
| HOSOI Masako : |
|
|
On the Love Romance of Lord TAKAFUSA: achieving a new dimension |
Résumé |
| WATADA Minoru : |
|
|
FLOWERS AND BIRDS OF LAKE HIXU : On Flowers and Birds of the Four Seasons attributed to Sesshu in the Kyoto National Museum |
Résumé |
| NOGUCHI Takeshi : |
|
|
Reconsideration on the style of the Screens of Flowers and Birds of the
Four Seasons with the Sun and the Moon in the Idemitsu Art Museum |
Résumé |
| SANEKATA Yoko : |
|
|
"Color" and "Ink" in Tosa Mitsuoki's Painting : Mainly
on Scenery of Surna and Akashi |
Résumé |
| MABUCHI Miho : |
|
|
A Study of the Nanpuku Zukan painted by Maruyama Ohkyo : The Pictures of Disasters and Fortunes |
Résumé |
| HIROTA Takashi : |
|
|
Study on the Examples for the Brushwork Practice (Unpitsu Tehon)--Analysis of the Materials in Kyoto Municipal University of Arts |
Résumé |
| SAKAKIBARA, Yoshiro and IWAMA, Kaori |
|
|
Report of the Symposium on "the Relation between Nara and Kyoto, Kyoto
and Tokyo(Edo) in the Art History" |
|
| News and Activities of the Society ： |
|
|
Report on the 50th General Assembly
Summaries of papers read at the 50th General Assembly
List of 1997 committee members |
|
| Notes for Contributors |
|
|
| 142 Vol.46,No. 2(March 1997) |
|
| Articls ： |
|
| SASAKI, Ritsuko : |
|
|
Interpretation of the West Wall of Tunghuan Ma-kao Cave No. 285 |
Résumé |
| YAMAKAWA, Aki : |
|
|
The Reception and Development of Song-dynasty Buddhist Painting in Japan
: The Example of Jūrokkan-hensōzu, Chōkōji |
Résumé |
| ARIKI, Yoshitaka : |
|
|
The Sculptural Activities of Kangan Gi'in |
Résumé |
| KAWAHARA, Yukiko : |
|
|
Interpreting the clothes in a portrait of ODA Nobunaga by Motohide |
Résumé |
| HASEGAWA, Yuko : |
|
|
The Lacquer Art of Zeshin Shibata |
Résumé |
| KANBAYASHI, Junko : |
|
|
Kobayashi Kokei's " Heresy " -A Consideration in Regard to Classical
Studies and a Fuller Understanding of the Painted Subject- |
Résumé |
| News and Activities of the Society ： |
|
|
Report on the 49th General Assembly
Report on Activities of the Japan Art History Society in 1996
Summaries of papers read at the 49th General Assembly and other meetings
List of 1996 committee members |
|
| Notes for Contributors |
|
|
| 141 Vol.46,No. 1(October 1996) |
|
| Articls ： |
|
| YOSHIMURA, Toshiko : |
|
|
Iconography as Tradition and Aesthetic Transformation : A Study of the
Kujyaku-myōō Painting in the Tokyo National Museum Collection |
Résumé |
| WATANABE, Satoshi: |
|
|
Re-examination of the Nirvāna Painting in the Jodo-ji temple in Hiroshima
Prefecture --mainly about the interpretation of the narrative scenes around
the central nirvāna scene |
Résumé |
| TREDE, Melanie: |
|
|
The "Taishokan" paintings in the Cologne Museum of East Asian
Art : A Study in the Theory of Reception Aesthetics |
Résumé |
| SUGAWARA, Mayumi : |
|
|
A study of Tsukioka Yoshitoshi's History Painting |
Résumé |
| SENGOKU, Kyoko : |
|
|
"PASQUINO" --la datazione e l'interpretazione |
Résumé |
| ISHII, Motoaki : |
|
|
Antonio Lombardo e l'antichità |
Résumé |
|
| 140 Vol.45,No. 2(March 1996) |
|
| Articls ： |
|
| ASANO, Hitomi : |
|
|
Los capiteles del claustro de San Pedro el Viejo de Huesca |
Résumé |
| NAKAMURA, Toshiharu : |
|
|
An Investigation of Rubens's The Hero (Tugendheld) Crownd by Victory and Drunken Hercules |
Résumé |
| NAGAYA, Mitsue : |
|
|
The Compositional Features of Kandinsky's Painting with White Border (Moscow) |
Résumé |
| ITOH, Daisuke : |
|
|
A Study of the Kōzanji Portait of Myōe Shônin Meditating in a Tree
: Its Motivai and Compositional Freatures and the Influence of Sung Painting |
Résumé |
| YAMAMOTO, Yoko: |
|
|
" Hiding the Faces of the Divine " : A Pictorial Technigue Found
in the Narrative Handscroll Kasuga Gongen Kenki E |
Résumé |
| UENO, Kenzō : |
|
|
The White Horse Society (Hakubakai) and Historical Painting : Fujishima
Takeji's Tempyō no omokage |
Résumé |
| News and Activities of the Society ： |
|
|
Report on the 48th General Assembly
Report on Activities of the Japan Art History Society in 1995
Summaries and papers read at the 48th General Assembry and other meetings
List of the board of Committee for 1995 |
|
| Manuscripts for Articles |
|
|
| 139 Vol.45,No. 1(February 1996) |
|
| Articls ： |
|
| KAGEYAMA, Sumio : |
|
|
The criticism of the artist of " Crows in Plum Trees " |
Résumé |
| KIM, Jeong ah : |
|
|
An Examination of the Sotatsu-school Shikishi Paintings of the Ise Monogatari |
Résumé |
| TAKASHINA, Erika : |
|
|
Kuroda Seiki's " Portrait " of Okakura Tenshin : New light on
the Inspiration and Theme of Chi Kan Jo |
Résumé |
| PARK, Hyounggook : |
|
|
A study of stone seated Vairocana Buddhas of the Late Unified Silla Period
from the Upper and Middle reaches of Rakdong River in Korea |
Résumé |
| KATSUKI, Genichirō : |
|
|
A study on Three Triad Buddha Images and Nine Grades of Rebirth Image Relief
in the Middle Grotto in Xiaonanhai |
Résumé |
| KYOTANI, Yoshinori : |
|
| |
" Il trionfo di Vesta " corne " Il trionfo di castità"--L'analisi
iconografica di " Dicembre " della Sala die Mesi nel Palazzo
Schifanoia a Ferrara |
Résumé |
| AKIYAMA, Akira : |
|
| |
Die gemalte Fliege auf dem " Rosen-kranzfest "--Eine Demonstration
während seines zweiten Italienaufenthaltes |
Résumé |
| Manuscripts for Articles |
|
|
| 138 Vol.44,No. 2(March 1995) |
|
| Articls ： |
|
| ARAKAWA, Masaaki : |
|
|
Design Revolution in Modern Pottery -- On the Works of Itaya Hazan ・ |
Résumé |
| IKEGAMI, Hidehiro : |
|
|
A Study on Andrea Pozzo's "Distance-Point Method" |
Résumé |
| KURITA, Hidenori : |
|
|
Etude sur Les Israélites recueillant la manne dans le désert de Nicolas Poussin au Louvre |
Résumé |
| MIURA, Atsushi : |
|
|
Reconsideration on Hommage à Delacroix by Fantin-Latour |
Résumé |
| KAWATA, Akihisa : |
|
|
The Fifteen-years' War and the Establishment of the `Grand Composition' |
Résumé |
| KINOSHITA, Naoyuki : |
|
| |
The Japanese Triumphal Arch : The Mobilization of Sino-Japanese War Imagery |
Résumé |
| IKEDA, Shinobu : |
|
| |
The Image of the Ideal Warrior as Seen in the Tales of Heiji Handscroll Paintings |
Résumé |
| WAKAKUWA, Midori : |
|
| |
The Fifteen-years' War and Images of Women |
Résumé |
| TAN-O, Yasunori and CHINO, Kaori : |
|
| |
Symposium on "War and Art" |
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in
1994 |
|
|
| 137 Vol.44,No. 1(March 1995) |
|
| Articls ： |
|
| HADA, Koichi : |
|
|
Io -- Ritual, Myth, and Art |
Résumé |
| SUZUKI, Michitaka : |
|
|
Icon and Narrative in Byzantine Art : Yamashita Rin's Resurrection of 1891 and the Descent into Hades of 1313/14 at the Studenica Monastery |
Résumé |
| OGURA, Yasushi : |
|
|
Ideal Proportions in South Indian Hindu Sculpture : A Statistical Examination |
Résumé |
| KOJIMA, Aya : |
|
|
The Iconography of Fugen Riding on an Elephant and Monju Riding on a Lion and its Development in China |
Résumé |
| SHIRAHARA, Yukiko : |
|
|
A Painting of Dainichi nyorai in the Collection of the Nezu Institute of Fine Arts : A Legacy of 12th
Century Taimitsu Buddhism |
Résumé |
| NAMIKI, Seishi : |
|
| |
The Shuhanron emaki and Kanō Motonobu |
Résumé |
| KIHARA, Toshie : |
|
| |
Two Different Visions within Kanô Tan'yû's Ink Painting |
Résumé |
| HAYAMI, Yutaka : |
|
| |
The Surrealist Painting of Koga Harue and " Contemporary Imagery " |
Résumé |
| FUKUI, Shoju : |
|
| |
The Landscape Expression of Tani Bunchō during the Bunka and Bunsei Eras |
Résumé |
| TAKAHASHI, Hiroko : |
|
| |
Report of the Symposium on " the Religious Narrative and its Art " |
|
| Plates : |
|
|
1. Painting of Dainichi nyorai, the Nezu Institute of Fine Arts.
2. Sliding door panels of a landscape painting by Tani Bunchô the
Saga Prefectural Museum. |
|
| News and Activities of the Society ： |
|
|
Report on the 47th General Assembly of JAHS
Summaries of papers read at the 46th General Assembly
List of the board of Committee for 1994 |
|
| Manuscripts for Articles |
|
|
| 136 Vol.43,No. 2(March 1994) |
|
| Articls ： |
|
| OGATA, Tomomi : |
|
|
Yasui--Field and Stream Painting |
Résumé |
| YAMASHITA, Yoshiya : |
|
|
Tradition and Invention in "The View of Mount Fuji" by Tan'yū
KANŌ |
Résumé |
| YOKOYAMA, Kumiko |
|
|
A Study of Suzuki Kiitsu's Biography and Characteristics of His Painting |
Résumé |
| NAKAE, Akira : |
|
|
The subject of Michelangelo's "Last Judgment" and its Hell |
Résumé |
| CHINO, Kaori : |
|
|
Gender in Japanese Art |
Résumé |
| SUZUKI, Tokiko : |
|
| |
David' Attitude Toward Women : His Life and His Works |
Résumé |
| WAKAKUWA, Midori |
|
| |
Report of the Second Conference on Feminism and History of Art -- Note
on the New Stage of the Feminist Art History |
Résumé |
| OMUKA, Toshiharu : |
|
| |
Japanese Futurists in Berlin |
Résumé |
| Explanation of Plate: |
|
| YAMASHITA, Yoshiya : |
|
| |
"The View of Mount Fuji" by Tan'yû KANO |
|
| Plates : |
|
|
The View of Mount Fuji, Shizuoka Prefectural Museum of Art. |
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 1993 |
|
|
| 135 Vol.43,No. 1(February 1994) |
|
| Articls ： |
|
| NINAGAWA, Junko : |
|
|
The Prototype for Jan van Eyck's Arnolfini Portrait |
Résumé |
| ITO, Shinji : |
|
|
The Formation of Raigô Paintings of Amida and the Twenty-five Bodhisattvas |
Résumé |
| SUGA, Miho : |
|
|
A study of the Underdrawings Found in the Ninth Scroll of the Jôkyû
Version of the Kitano Tenjin Engi Emaki |
Résumé |
| HIRUMA, Noriko : |
|
|
The Production of the Gishô-e Hand Scrolls at Kôzanji and their Producer Enichibô Jônin
: A Consideration of Pictorial Quotations from Chinese Lohan Paitings |
Résumé |
| YASUDA, Atsuo : |
|
|
Concerning Tosa School Dog Chase Screens |
Résumé |
| TSUKAHARA, Akira : |
|
| |
Shiba Kôkan's Artistic Intention as Reflected in his Dedications
of Western-style Landscape Paintings at Shrines and Temples |
Résumé |
| HIBINO, Hideo : |
|
| |
The Struggles of Small Insects : Concerning Watanabe Kazan's Album of Insects and Fish (Chûgyo chô) |
Résumé |
| OKA, Yasumasa : |
|
| |
Concernig Late Edo Period Nagasaki Export Lacquerware |
Résumé |
| Plates : |
|
|
I. Plaque with design of landscape in St. Petersburg in maki-e
II. Plaque with design of naval battle in maki-e
III. Kantô Bakki zu, Watanabe Kazan, from the artist's Chûgyo chô |
|
| News and Activities of the Society ： |
|
|
Report on the 46th General Assembly of the JAHS
Summaries of papers read at the 46th General Assembly
List of Committee for the 1993 |
|
| Notes for Contributors |
|
|
| 134 Vol.42,No. 2(March 1993) |
|
| Articls ： |
|
| ITAKURA, Masaaki : |
|
|
The Representation of Evening and Nighttime Scenery in Tang and Song Dynasty
Painting --Concerning its Relation to Media |
Résumé |
| NARUSE, Fujio : |
|
|
Paintings of Mt. Fuji in the Heian Period149 |
Résumé |
| OKU, Takeo : |
|
| |
Concerning the Shôsô Statue in Tōji Traditionally Identified
as Monju |
Résumé |
| KOBAYASHI, Yuko : |
|
|
Ike Taiga's Asamayarna Shinkei-zu |
Résumé |
| MARUQUET, Christophe : |
|
|
Asai Chû et l'art du laque : les oeuvres réalisées
en collaboration avec Sugibayashi Kokô |
Résumé |
| MIYASAKA, Tomo : |
|
|
L'ipogeo degli Aureli : a proposito del ciclo degli affreschi del cubicolo
2 |
Résumé |
| YASUI, Ayumi : |
|
| |
Bemerkungen zu dem Narren im Figurenalphabet des Meisters E.S |
Résumé |
| KOSHIKAWA, Michiaki |
|
| |
Pictorial Program in the Chapter Hall of the Scuola Grande di San Marco
in Venice |
Résumé |
| Explanation of Plate: |
|
| MIYASAKA, Tomo : |
|
| |
Diana as Huntress, Hypogeum of Via Livenza in Rome |
|
| Plates : |
|
|
Shôtoku Taishi eden, Jôgû-ji temple
Diana as Huntress, Hypogeum of Via Livenza in Rome |
|
| News and Activities of the Society ： |
|
|
Report on Activities of the Japan Art History Society in 1992 |
|
|
| 133 Vol.42,No. 1(February 1993) |
|
| Articls ： |
|
| SATO, Naoki : |
|
|
Eine ikonologische Interpretation des "Mysteriums der Ägyptischen
Buchstaben" in der Ehrenforte des Kaisers Maximilian I |
Résumé |
| KITAZAKI, Chikashi : |
|
|
L'Apparition de Gustave Moreau |
Résumé |
| MUTOBE, Akinori : |
|
|
Light in Monet's Series Paintings of the 1890s--A study of the Composition
and Motifs |
Résumé |
| TANAKA, Kimiaki : |
|
|
The Establishment and Development in India of the Variegated Forms of Avalokitesvara,
Focusing on the So-called Four-armed Avalokitesvara |
Résumé |
| ISHIDA, Atsushi : |
|
|
A Study of the Shijukukebutsu Amida Shōju Raigō of Kōnyōji |
Résumé |
| FUKUSHIMA, Tsunenori : |
|
| |
Unkei Eii : Regarding the Sesshū School in Suō during the Tenbun Era (1532-1555) |
Résumé |
| KANEKO, Nobuhisa : |
|
| |
The Formative Process of Aōdō Denzen's Folding-Screen Painting of Mount
Asama |
Résumé |
| Plates : |
|
|
I. Shaka Sanzon (Sãyamuni Triad). Unkei Eii. Three hanging scrolls. Tôkôji,
Yamaguchi Prefecture.
II. Preparatory Drawing for Folding-Screen Painting of Mount Asama. Third
stage. Aôdô Denzen.
III. Preparatory Drawing for Folding-Screen Painting of Mount Asama. Fourth
stage. Aôdô Denzen. |
|
| News and Activities of the Society ： |
|
|
Report on the 45th General Assembly of the JAHS Sum-
maries of papers read at the._45th General Assembly List of
Committees for 1992 |
|
| Notes for Contributors |
|
|
| 132 Vol.41,No. 2(April 1992) |
|
| Articls ： |
|
| SUZUKI, Michitaka : |
|
|
Parables in Medieval Serbian Painting, Focussing on the Pharisee and the
Publican at Manasija |
Résumé |
| KUROIWA, Mie : |
|
|
The Artists of Charles V's Grandes Chroniques de France : Their Collaboration and the Dating of the Five Cartons |
Résumé |
| OSAKI, Shin'ichirô : |
|
|
Frank Stella and the Modem Tradition : On Shards V |
Résumé |
| TSUDA, Tetsuei : |
|
|
On the Daigoji Nyoirin Kannon |
Résumé |
| UENO, Kenji : |
|
|
The Ashikaga Nagao Family and the Emergence of the Kanō School of Painters |
Résumé |
| KISHI, Fumikazu : |
|
| |
The Perspective System in 1745 : Okumura Masanobu's Series of Ō-uki-e |
Résumé |
| MATSUMOTO, Seiichi : |
|
| |
Modem Japanese Landscape Painting : The Case of Okada Saburōsuke |
Résumé |
| Introduction of New Materials : |
|
| TAJIMA, Tatsuya : |
|
| |
Panel Paintings formerly in the Imperial Palace, in the Collection of Kômyôji,
Kyoto |
|
| Plates : |
|
|
I. Shards V. Frank Stella, dated 1983. Collection Fukutake Shoten, Ltd.
II. Scenes of Itsukushima, fusuma panel. Collection Kômyôji
III. The Pharisee and the Publican, dated 1418/19. Manasija, Yugoslavia. |
|
|
| 131 Vol.41,No. 1(February 1992) |
|
| Articls ： |
|
| MURATA, Seiko : |
|
|
A Study of the Dress Iconography of Tori School Images of Buddha -- Knotted
Sashes and Hanging Cloth over the Pedestal |
Résumé |
| KOJIMA, Tomoko : |
|
|
Hills in the Northern Chou and Sui Wall Paintings at Tunhuang--Their Relation
to the Narrative Representation |
Résumé |
| KINOSHITA, Naoyuki : |
|
|
Yuichi Takahashi's "Armor Picture" |
Résumé |
| HAYASHI, Yoko : |
|
|
The Change and the Significance of SŌSHOKUGA (Decorative Painting) in the Career of Takeji Fujishima |
Résumé |
| HADA, Koichi : |
|
|
Interprétation du groupe dans un paysage portuaire sur le sarcophage
à Vatican, Belvédère |
Résumé |
| KOMADA, Akiko : |
|
| |
Les divers aspects de la Vierge et l'Enfant dans le livre d'heures |
Résumé |
| MASATOMI, Rika : |
|
| |
Osservazioni sulla Tebaide-particolarmente sull'affresco della Tebaide nel chiostro dell' Eremo di
Lecceto |
Résumé |
| Plates : |
|
|
Yuichi Takahashi, Armor, Yasukuni shrine
Sarcophage de Vatican, Belvédère |
|
| News and Activities of the Society ： |
|
|
Report on the 44th General Assembly of the JAHS
Summaries of papers read at the 44th General Assembly
List of Committee for the year 1991 |
|
| Notes for Contributors |
|
|
| 130 Vol.40,No. 2( March 1991) |
|
| Articls ： |
|
| SHIOE, Kozo : |
|
|
"Private" Portraits for Public Purpose--An Aspect of Nicholas
Hilliard's Comments on the Miniature Portrait-- |
Résumé |
| ITOH, Mirei : |
|
|
Le système de narration dans "La jeune fille qui pleure son
oiseau mort" de Greuze |
Résumé |
| KOBAYASHI, Kazue : |
|
|
Some Problems on the Origin of the Illustrations of Kalîla wa Dimna (Paris B. N. Ms. arabe 3465) |
Résumé |
| FUKUMOTO, Masakazu : |
|
|
The Miscanthus Reed Brush Poem Scrolls of Chen Bai Sha |
Résumé |
| SOEJIMA, Hiromichi : |
|
|
On the Production of the Thousand-Armed Kannon at Daigo-ji |
Résumé |
| KATO, Etsuko : |
|
| |
A Study of the Kasuga Gongen Kenki Emaki |
Résumé |
| SASAKI, Jōhei : |
|
| |
Possibilities in New Methods of the Investigation of Signature Seal Impressions |
Résumé |
| Note : |
|
| SEKINE, Shun-ichi : |
|
| |
Various Characteristics of Vajra Bells used in the Worship of Images : Bells depicting the Four Celestial
Kings and Bonten and Taishakuten |
Résumé |
| Plates : |
|
|
I a " Kalila wa Dimna " Ms. arabe 3465, fol. 48,
La Bibliotheque Nationale, Paris
I b "The Wolves eat Figs" Ms. 397, fol. 5 ,
Pierpont Morgan Library, New York
II Gilt Bronze depiciting the Four Celestial Kings,
Iyadani-ji, Kagawa
III Thousand-Armed Kannon, Daigo-ji, Kyoto |
|
| News and Activities of the Society ： |
|
|
Report for 1990 |
|
|
| 129 Vol.40,No. 1(February 1991) |
|
| Articls ： |
|
| SUZUKI, Kiyoshi: |
|
|
On the Plant-patterns of the Shaka triad and Yakusi-Nyorai in the Golden
hall of Hôryû-ji |
Résumé |
| KOMATSU, Taishu: |
|
|
Characteristics and Development of Expression in Makie of the Heian Period |
Résumé |
| YOSHIDA, Noriyo: |
|
|
The Maitrēya Image in the Hōzan-ji |
Résumé |
| KAMEI, Wakana: |
|
| |
The Landscape Fusuma in the Shitchû of the Hôjô in the Daisen-in
temple |
Résumé |
| HIBINO, Hideo: |
|
|
Kazan's Ideas Expressed Through Painting -- A Study of "A Thousand
Mountains, Myriad Waters" |
Résumé |
| KITAZAWA, Yoko: |
|
|
L'apport de La Lamentation(conservée à Uffizi) par Rogier van Weyden á la peinture
florentine de la seconde moitié du XVe siècle |
Résumé |
| MUKAIGAWA, Sôichi: |
|
| |
A Study of Leonardo's Scheme of Human Proportion --its "square"
and "circle" |
Résumé |
| NIIZEKI, Kimiko: |
|
| |
Analyse des symboles de l'initiation du franc-maçon dans Les paysages fantastiques -- l'aube, le midi héroïque, le soir de Salvador Dali |
Résumé |
| Plates : |
|
|
Small kara-bitsu(chest with legs) decorated in makie lacquer and mother-of-peari inlay
with design of plovers by a marsh, part of cover, Kongôbu-ji, Wakayama
Les paysages fantastiques -- l'aube, le midi héroïque, le soir de Salvador Dali, Musée
de Yokohama |
|
| News and Activities of the Society ： |
|
|
Report on the 43nd General Assembly of the JAHS
Summaries of papers read at the 43nd General Assembly
List of Committee for the year 1990 |
|
|
| 128 Vol.39,No.2 (March 1990) |
|
| Articls ： |
|
| YAMAGISHI, Koki: |
|
|
The significance of the execution of the Fudō-Myōō statue at Dōshu-in,
Kyoto |
Résumé |
| KOBAYASHI, Hiromitsu: |
|
|
Significances of Pictorial Printing in the History of Chinese Painting--a
study of the 1603 Gushi huapu painting manual-- |
Résumé |
| OZAKI, Yoshiyuki: |
|
|
On the Painting Style of Kanō Takanobu |
Résumé |
| UCHIYAMA, Kaoru: |
|
|
On Kanō Sansetsu's Settei-Suikin-Zu-Byōbu (Waterfowls at Snowy Shore) |
Résumé |
| IMAHASHI, Riko: |
|
|
La re-découverte des recueils de plan-ches coloriées d'ODANO
Naotake--un aspect du réalis-me pictural de l'ère Edo-- |
Résumé |
| IKEGAMI, Kohei: |
|
|
Osservazioni sulla Leggenda della Croce di Piero della Francesca |
Résumé |
| KATSU, Kunioki: |
|
| |
Die Zusammenarbeit in der Kunst--Ein Beispiel aus der Werkstatt von Rubens-- |
Résumé |
| Plate: |
|
| |
"Chinese Figures", Kôryûji Temple, Kyoto |
|
| News and Activities of the Society ： |
|
|
Report for 1989 |
|
|
| 127 Vol.39,No.1 (February 1990) |
|
| Articls ： |
|
| YOSHINO, Akira : |
|
|
A further study of the Setting of Seven Bronze Figures from Donatello's
High Altar in the Santo at Padua |
Résumé |
| TŌYAMA, Kōichi : |
|
|
La Cantoria di Luca della Robbia--una prova di interpretazione |
Résumé |
| KOBAYASHI, Tatsurō : |
|
|
The Formation of the Tōdaiji Zenzai Dôji Picture Scroll |
Résumé |
| KASUYA, Makoto : |
|
|
An Examination of Nika Byakudô Paint-ings : Problems regarding their
Pictorial Content and Doctrinal Background |
Résumé |
| TANABE, Masako : |
|
|
Plagiarism in the works of Suzuki Harunobu-- a Reassessment of the Concept
of Mitate-- |
Résumé |
| KAWANOBE, Yasunao : |
|
|
The "Shiga Jiku" Landscape Scroll, with Poems by Five Priests
including Setsurei Eikin, in the Collection of the Okayama Prefectural
Museum--an introduction |
Résumé |
| Plate : |
|
| |
The "Shiga Jiku" Landscape Scroll, with Poems by Five Priests
including Setsurei Eikin, in the Collection of the Okayama Prefectural
Museum |
|
| News and Activities of the Society ： |
|
|
Report on the 42nd General Assembly of the JAHS
Summaries of papers read at the 42nd General Assembly
List of committee for the year 1989 |
|
|
| 126 Vol.38,No.2 (March 1989) |
|
| Articls ： |
|
| YOSHIMURA, Toshiko: |
|
|
Gōshō Mandala (Descent of Amida) of Seiryō-ji Temple and Jōbon-jōsho Ōjo-gan (Vow for the Highest Rebirth of the Nine Grades of Rebirth in the Pure Land Paradise) |
Résumé |
| ÔNO, Tomoko: |
|
|
Special Features in the Development of Sakai Hôitsu's Painting Style--New
Evidence and a Reevaluation of Edo Rimpa -- |
Résumé |
| KANKI, Keizo: |
|
|
Regional styles of Painting which can be seen in Sacred Images with Iberian
Influence in Japan |
Résumé |
| ISHIHARA, Hiroshi: |
|
|
Gli affreschi dell'antica cappella del Castello del Conti Guidi a Poppi--una
prova di attribuzione a Taddeo Gaddi |
Résumé |
| TOMITA, Chisako: |
|
|
A Study of "Pokrov" Icons |
Résumé |
| WAKAKUWA, Midori: |
|
|
The Meaning of the <Cubic Stone> in the Works of Michelangelo |
Résumé |
| Plates: |
|
| |
"Gôshô Mandala" (Descent of Amida), Seiryô-ji
Temple, Kyoto
Taddeo Gaddi, "Assumption of Saint John the Evangelist", Poppi,
chapel of the Guidi |
|
|
| 125 Vol.38,No.1 (March 1989) |
|
| Articls ： |
|
| KIMATA, Motokazu : |
|
|
Les colonnettes ornées du Portail Royal de la cathédrale
de Chartres |
Résumé |
| HAYAMI, Yutaka : |
|
|
Max Ernst and the "Invention" of the Collage |
Résumé |
| YAMAMOTO, Yôko : |
|
|
The Formation of the "Moon and Water" Guan yin Image |
Résumé |
| ANDŌ, Yoshika : |
|
|
The Statue of Senju Kannon (Sahasrabhuja) at Shōtsū-ji Temple |
Résumé |
| NAITŌ, Masato : |
|
|
Katsukawa Shunshō's Paintings of Beautiful Women |
Résumé |
| OZAKI, Naoto : |
|
|
Chronological Transformation in Style of Takatori Ware Tea Pots |
Résumé |
| Plate : |
|
| |
Beauty in the Snow with Umbrella. By Katsukawa Shunshô. Owned by
the Idemitsu Museum of Art |
|
| News and Activities of the Society ： |
|
|
Report on the 41st General Assembly of the JAHS
Summaries of papers read at the 41st General Assembly
List of committee for the year 1988 |
|
|
| 124 Vol.37,No. 2(April 1988) |
|
| Articls ： |
|
| ASANO, Kazuo ： |
|
|
The Program of the Three Byzantine Triptychs |
Résumé |
| NAKAMURA, Toshiharu : |
|
| |
P.P. Rubens <Die Geißelung Christi der Paulskirche zu Antwerpen> |
Résumé |
| FUJITA, Haruhiko : |
|
|
Synimetry, Balance, and the Picturesque --From A. J. Downing to Kinji Komagine-- |
Résumé |
| ŌTA, Takahiko : |
|
|
A Landscape Painting Bearing Prefactory Poem by Three Monks --Mugai Ryōgei,
and others--in the Collection of the Masaki Art Museum |
Résumé |
| YAMAMOTO, Hideo : |
|
|
Stylistic Development in the Art of Unkoku Tôgan |
Résumé |
| KURODA, Taizō : |
|
|
Plaques of the Thirty Six Poets at the Grand Shrine of Munakata Bearing
the Seal "Shūshin" |
Résumé |
| Plates : |
|
|
"Portrait of Fujiwara Okikaze", the Grand Shrine of Munakata,
Fukuoka |
|
| News and Activities of the Society ： |
|
|
Report for 1987 |
|
|
| 123 Vol.37,No.1 (January 1988) |
|
| Articls ： |
|
| HISAMATSU, Yumiko: |
|
|
On Kaihō Yūshō's Aboshizu on the Folding Screen, in the Imperial Household Collection--a New Interpretation-- |
Résumé |
| MARUYAMA, Nobuhiko: |
|
|
A Study on the Transition of Kosode Form |
Résumé |
| ARAKAWA, Masaaki: |
|
|
The Origin and Characteristics of Medieval Ceramics |
Résumé |
| TSUKAMOTO, Hiroshi: |
|
|
La diffusione del `Cristo morto' nel Veneto--Donatello e Schiavone-- |
Résumé |
| TANITA, Hiroyuki: |
|
|
Dante Gabriel Rossetti's "BEATA BEATRIX" |
Résumé |
| SOEJIMA, Hiromichi: |
|
|
Introduction to Recently Discovered Works: A Wooden Statue of Daiitoku
Myoo, Daigo-ji |
Résumé |
| Plate: |
|
| |
Wooden Statue of Daiitoku Myoo, Daigo-ji |
|
| News and Activities of the Society ： |
|
|
Report on the 40th General Assembly of the JAHS
Summaries of papers read at the 40th General Assembly
List of committe for the year 1987 |
|
| Notes for Contributors |
|
|
| 122 Vol.36,No.2 (March 1987) |
|
| Articls ： |
|
| TAKAHASHI Hiroko : |
|
|
Rubens as a Borrower, Rubens as a Creator |
Résumé |
| ISHIZAKI Katsumoto : |
|
|
De Chassériau à Gustave Moreau |
Résumé |
| CHUNG Woo-thak : |
|
|
A figure of Ksitigarbha in Zendōji Temple, Chikuzen |
Résumé |
| IWAMA Kaori : |
|
|
Portrait Paintings by the Tosa School : Several Problems Concerning the
Work of Genji and Kyūyoku |
Résumé |
| HAYASHI Susumu : |
|
|
Mount Gabi by Buson |
Résumé |
| Plate : |
|
|
Portrait of Masatsugu Ishida (detail), Jushôin, Kyoto |
|
| News and Activities of the Society ： |
|
|
Report for 1986 |
|
|
Summaries of papers read at the meetings held in 2001 |
|
| Notes for Contributors |
|
|
| 121 Vol.36,No.1 (January 1987) |
|
| Articls ： |
|
| NISHINO, Yoshiaki: |
|
|
The Avignon Pietà reoonsidered -- its painter and its donor-- |
Résumé |
| KOBAYASHI, Yoriko: |
|
|
Ter Brugghen and Caravaggism |
Résumé |
| IKEDA, Shinobu: |
|
|
A Reconsideration of the Hakubyô Ise Monogatari Emaki |
Résumé |
| NAGAOKA, Ryusaku: |
|
|
The statue of Eleven-headed Kannon Bosatsu in Hoshaku-in in Yamagata |
Résumé |
| KAWAI,Masatomo: |
|
|
Landscape Screens by Kaihō Yūshō |
Résumé |
| Plate: |
|
|
KAIHÔ Yûshô Landsape, St. Louis Art Museum, U.S.A. |
|
| News and Activities of the Society ： |
|
|
Report on the 39th General Assembly of the JAHS
Summaries of papers read at the 39th General Assembly
List of committe for the year 1986 |
|
|
|
