| 80 Vol.20,No.4(March 1971) |
Résumé |
| Articles: |
|
| TANAKA, Hidemichi : |
|
|
Une observation sur " l'Adoration des Mages" de Léonard
de Vinci --De son double personnage |
|
| Document: |
|
| YOSHIMIZU, Tsuneo : |
| |
Inventory of the Shôsôin at the moment of its opening in 1872--from
the Diary of NINAGAWA, Noritane |
|
| News and chronicles : |
|
|
Activities of the JAHS |
|
|
| 79 Vol.20,No.3(December 1970) |
Résumé |
| Articles: |
|
| MATSUYAMA, Tetsuo : |
|
|
Affliction of the Grand Buddha of Todaiji Temple in 1567 and Its Repairs |
|
| TSUJI, Shigebumi : |
|
|
The Gospel Scenes in the Illustration to the Homilies of St. Gregory of
Nazianzus, Paris, Bibl, Nat. , cod. gr. 501. Part I. The Icouography (II) |
|
| Plates: |
|
| |
Soga, Shōhaku : Hermits (Sennin) Comment on the plate, by TSUJI, Nobuo |
|
| News and chronicles : |
|
|
Report on the Extraordinary General Assmbly of the JAHS and on other activities |
|
|
| 78 Vol.20,No.2(September 1970) |
Résumé |
| Articles: |
|
| TSUJI, Shigebumi : |
|
|
he Gospel Scenes in the Illustration to the H'omi lies of St. Gregory of
Nazi anzus, Paris, Bibl. Nat., cod. gr. 510. Part I. The Iconography (f) |
|
| NAKAJIMA, Ryôichi : |
|
|
Ryôgiji Temple and Sakurai, Seppo (II) |
|
| Plates: |
|
| |
Albrecht Dürer : Bearing of the Cross from "The Large Passion"
Comment on the plate, by MAEKAWA, Seiro |
|
| News and chronicles : |
|
|
Activities of The Japan Art History Society |
|
|
| 77 Vol.20,No.1(June 1970) |
Résumé |
| Articles: |
|
| NAKAJIMA, Ryôichi : |
|
|
Ryogiji Temple and Sakurai, Seppo (I) |
|
| UMASUGI, Muneo : |
|
|
Saint-Denis ou Chartres ? Problème de la naissance de la sculpture gothique |
|
| Plates: |
|
| |
Sakurai, Seppo : Landscape with Mountain and Water and Heron and Pine Trees |
|
| News and chronicles : |
|
|
Report on the 23rd General Assembly of the JAHS
Summaries of papers read at the 23rd General Assembly
List of committee members for the year 1790
List of subjects on art history adopted for the grant by the Ministry of
Education in 1970 |
|
|
| 76 Vol.19,No.4(March 1970) |
Résumé |
| Plates: |
|
|
I Paul Cézanne : Portrait d'Achille Emperaire (V. 1195) 1869-'70
Musée
du Louvre, Cabinet des Dessins (RF 31778)
II-a Paul Cézanne : Nu couch・1861-'65
Galerie
Bridgestone (Tokyo, Japon)
II-b PaulCézanne : Nu vu de dos et deux études pour "
l'Enlévement" 1863-'67
Musée
Ohara (Kurashiki, Japon) |
|
| Articles: |
|
| NAGATSUKA, Yasushi : |
|
|
La Descente de croix (I) |
|
| IKEGAMI, Chûji : |
|
|
Le Dessin de Paul Cézanne --a première partie-- |
|
|
|
| Contents of BIJUTSUSHI Vol. 19 |
|
|
| 75 Vol.19,No.3(Decemberr 1969) |
Résumé |
| Plates: |
|
|
Descent of Amida Triad. Owned by Hermitage Museum, Leningrad. |
|
| Articles: |
|
| SHIMIZU, Zenzô : |
|
|
On " Sô-Fû" style (sung dynasty style) sculpture
in Kamakura Period. |
|
| TAKASHINA, Shûji : |
|
|
Chronologie et sources de la série du " Ch rist sur le lac
de Généareth" par E. Delacroix |
|
| Explanation of Plates : |
|
|
Descent of Amida Triad, from Khara-khoto collections of Hermitage Museum.(M.L. Pchelina (Rudoya)) |
|
|
| 74 Vol.19,No.2(September 1969) |
Résumé |
| Plates: |
|
|
I Door painting of Zushi. Owned by Shinhase-dera Temple, Gifu.
II Door painting of Zushi (detail). Owned by Shinhase-dera Temple, Gifu.
III Door painting of Zushi. Owned by Shinhase-dera Temple, Gifu. |
|
| Articles: |
|
| MURASHIGE, Yasushi : |
|
|
The landscape screens which are requisites for the Esoteric Buddhist of
Kanjô |
|
| MAYEKAWA, Seirô : |
|
|
The literary Remains of Albrecht Dürer, Miscellanies. -A Japanese
Translation |
|
| Explanation of Plates : |
|
|
Door painting of Zushi, Shinhase-dera.(HIRATA, Hiroshi) |
|
| |
|
|
Report on the 22th General Assembly
Summarized papers on subjects by participants in the 22th General Assembly
List of standing-committees, entrusting-committees and bussiness partakers
in 1969
List of subjects on art history adopted by Grantees Ministry of Education
in 1969. |
|
|
| 73 Vol.19,No.1 (June, 1969) |
Résumé |
| Plates: |
|
| |
I a. Cestosomatic human type, Mont Fada (1) (Ennedi).
b. Cow, Hallagana (3) (Ennedi).
II a. Giraffe, Arl (Adrar des Iforas).
b. Horse, Idjaunhan (Adrar des Iforas) |
|
| Articles: |
|
| SUSOWAKE, Kazuhiro : |
|
| |
Delle due edizioni delle " Vite " di Giorgio Vasari |
|
| KIMURA, Shigenobu : |
|
| |
Development of the rock arts in Great Sahara. |
|
| SUZUKI, Kei : |
|
| |
Problemes in Yüan Dynasty Art History Research. |
|
|
| 72 Vol.18,No.4 (March 1969) |
Résumé |
| Articles: |
|
| KOHARA, Hironobu : |
|
|
Shikyozu and Kōkyōzu |
|
| SAITOU Takashi : |
|
|
The Five Statues of Malta Ākāsågarbha at Tōji's kanchi-in. |
|
| Plates: |
|
| |
a Kōkyōzu, Part 3, Chapter Chu Kun, by Li Kung-lin, Owned by Weng Fong,
U.S.A.
b Kōkyōzu, Part 7, Chapter. San T'sai, Li Kung-lin, Owned by Weng Fong,
U.S.A.
II a Kōkyōzu, Part 8, Chapter Hsiao Chih, Li Kung-lin, Owned by Weng Fong,
U.S.A.
b Kōkyōzu, Part 11, Chapter Wu ching, Li Kung-lin, Owned by Weng Fong,
U.S.A.
III Vimukta Āākāsågarbh at Tōji's kanchi-in. |
|
|
| 71 Vol.18,No.3 (December 1968) |
Résumé |
| Articles: |
|
| SUDZUKI Osamu : |
|
|
Eastern Origin of Scythian Art |
|
| SHIMBO,Toru : |
|
|
On the Picture Scroll of Kitanotenzin Engo (Kôan-bon) |
|
| Plates: |
|
| |
1. Kitanotenzin Engo (Kôan-bon)--scene of meeting in mansion of Koreyoshi.
Omned by Kitano Temmanagû
Shrine, Kyoto.
2. Kitanotenzin Engo (Kôan-bon)--scene of celebration at Kichijô-in Temple.
Omned by Kitano Temmanagû
Shrine, Kyoto. |
|
|
| 70 Vol.18,No.2 (September 1968) |
Résumé |
| Articles: |
|
| TAKEHANA, Rintaro and NARUSE, Fujio : |
|
|
Relationship Between Odano Naotake and Shiba Kôkan |
|
| Plates: |
|
| |
Ia View of Shinobazu Pond. Owned by Mr. Yabumoto Sōshirō Tokyo.
Ib Plum Garden. Owned by Mr. Yabumoto Sôshirô Tokyo.
IIa View of Shinobazu Pond, by Odano Naotake. Owned by The Akita Prefecture.
IIb View of Mt. Fuji, by Odano Naotake. Owned by Private Collection, Tokyo.
III Flowers and Birds in Four Seasons, with Sign of Kan・Motonobu. Owned
by Hakutsuru Art Museum. |
|
|
| 69 Vol.18,No.1 (June 1968) |
Résumé |
| Articles: |
|
| YOSHIMURA, Rei : |
|
|
Ri se of Flying Deities in the N. Wei Caves at Lung-mên |
|
| YAMAMOTO, Koji : |
|
|
On the Composition of Amida Raigō Paintings |
|
| Plates: |
|
| |
I. Amitabha and his host descending from heaven Owned by Anrakuju-in Temple, Kyoto.
II. Amitabha descending from heaven Owned by Matsuo-ji Temple, Nara. |
|
|
| 68 Vol.17,No.4 (December 1967) |
Résumé |
| Articles: |
|
| YOSHIKAWA ItsujiI : |
|
|
La Peinture de la Nef de l'église de Saint-Savin-sur-Gartempe |
|
| MATSUBARA, Saburo : |
|
|
Buddhist Sculpture of the Asuka and Hakuho periods and their Relationship
with the works of the Three Kingdoms in Korea |
|
|
| 66-67 Vol.17,No.2-3 (December 1967) |
Résumé |
| Articles: |
|
| TSUJI, Sahoko : |
|
|
Un essai d'identification des sujets des miniatures fragmentaires de la
Genèse de Cotton. |
|
| YOSHIMIZU, Tsuneo : |
|
|
Teh Coblst-Blue Glass pot with wide rim(Spittoon) in Shōsōin |
|
|
| 65 Vol.17,No.1 (June, 1967) |
Résumé |
| Articles: |
|
| IKEGAMI Chûji : |
|
|
Paul Gauguin et la vogue des japonaiseries en France |
|
| MAEKAWA, Seiro & MoxI, Hiroshi : |
|
|
Theophilus, "De Diversis Artibus", a Japanese transla-tion of
the first volume (3) |
|
| Explanation of Plate I |
|
| |
An Ink Painting of Orchid and Bamboo by Chung Mo (TODA Teisuke) |
|
| Plates: |
|
| |
I. Orchid and Bamboo, an ink painting on paper by Chung Mo, in the collection of Mr. Sôshirô
Yabumoto, Tokyo.
II. Une des trois pages sur l'art japonais etc. manuscrites par Paul Gauguin dans le manuscrit de Noa-Noa, Cabinet des Dessins, Musée du Louvre. |
|
|
| 64 Vol.16,No.4 (March 1967) |
Résumé |
| Articles: |
|
| KOHARA, Hironobu : |
|
|
On Chên Hung-shou, II |
|
| TANAKA, Hlidemichi : |
|
|
L'Etude sur l'evolution stylistique des oeuvres de Georges de La Tour |
|
| Document: |
|
| NAKANO, Genzo : |
|
|
Correction of "Sedentry Sâkyamuni Statue in Yakushi-do at Yakuno-machi
in Tamba" (BIJUTSUSHI 59, vol.15, No.3) |
|
| Explanation of Plates : |
|
| NISHIKAWA, Shinji : |
|
|
On Gozu-tennô owned by the Yasaka-Jinja |
|
| Plates: |
|
| |
I. Gozu-tennô, the Yasaka-Jinja, Fukui
II. Detail of the same |
|
|
| 63 Vol.16,No.3 (December 1966) |
Résumé |
| Articles: |
|
| SUZUKI, Osamu : |
|
|
The String Roller at Shôsôin and the Similar Types |
|
| KAWAI, Masatomo : |
|
|
Shôsô Hakkei (Scenery of Hsiao Hsiang)' by Kaihô Yûshô |
|
| Plates: |
|
| |
I. Scenery of Hsiao Hsiang : Fishing Boats, in the Collection of Fusaichirô
Inoue, Gumma
II. Scenery of Hsiao Hsiang : Mountain Village in clearing Mist......Private
collection, Gumma Pref. |
|
|
| 62 Vol.16,No.2 (September 1966) |
Résumé |
| Articles: |
|
| SHIGEBUMI, Tsuji : |
|
|
An Observation on the Macedonian Nurnismatic Iconography |
|
| KOHARA, Hironobu : |
|
|
On Ch'ên Hung-Shou--I |
|
| Plates: |
|
| |
I. Coins of the Early Period of Macedonia (867A.D.-963A.D.)
II. Mosaic of S. Sophia (Istanbul)
(Above) Lunette of the Emperor's Door, Narthex
(Below) Dome of the Nave |
|
|
| 61 Vol.16,No.1 (Julie 1966) |
Résumé |
| Articles: |
|
| NAKAJIMA, Junji : |
|
|
The Influence of Hanging Pictures On the Formingcfa Screen --On the Shôshô-hakkei'
screen at Mr. Murayama-- |
|
| OKAZAKI, Jôji : |
|
|
Godai Myôô' Imaged on an Esoteric Ritual Bell |
|
| Book Review: |
|
| TANAKA, Ichimatsu : |
|
|
Treatises on the History of Japanese Painting, Tokyo, 1966.(ISHIDA, Hisatoyo
; EBINE, Toshio) |
|
| Plate: |
|
| |
I. Eight Sceneries of The Two Rivevs, Hsiao and Hsiang. Slight color on
paper, pair of six fold screens, in the collection of Mr. Nagatake Murayama,
Hyogo. |
|
|
| 60 Vol.15,No.4 (March 1966) |
Résumé |
| Articles: |
|
| SuzuKl, Kei : |
|
|
On Hua-yüan of Ming Dynasty |
|
| TAKASHINA Shuji : |
|
|
"Madonna della Sedia" de Raphaël |
|
| MACHIDA, Kôichi : |
|
|
Hôryû-ji and Yakushi-ji |
|
| Explanation of Plate I. |
|
| SUZUKI, Kei : |
|
|
Bamboo by Chu Tuan |
|
| Plates: |
|
| |
I. Bamboo by chu Tuan, in the Collection of Mr. Suekich Hashimoto, Osaka.
II. Partrait of Balthaxar Castiglione by Raphael, Louvre, Paris. |
|
|
| 59 Vol.15,No.3 (December 1965) |
Résumé |
| Articles: |
|
| MATSUBARA, Saburo : |
|
|
On the Northern and Southern Styles of Chinese Buddhist Sculpture |
|
| MAEKAWA, Seiro & MORI, Hiroshi : |
|
|
Theophilus, "De Diversis Artibus" a Japanese translation of the
first volume (2) |
|
| Document: |
|
| NAKANO, Genzo : |
|
| |
Sedentry Sakyamuni Statue in Yakushi-do at Yakuno-machi in Tamba |
|
| Explanation of Plate II. |
|
| TSUJI, Nobuo : |
|
| |
A Sketch for Rantei-Kyokusui-zu (A Crooked Blooklet in the Orchid Garden) by Maruyama Okyo |
|
| Plates: |
|
| |
I. Stone Buddhist Heptad, inscribed the year of Ping Ch'en, private collection, Tokyo.
II. A Sketch for Rantei-Kyokusui-zu (A Crooked Brooklet in the Orchid Garden)
by Maruyama Okyo |
|
|
| 58 Vol.15,No.2 (September 1965) |
Résumé |
| Articles: |
|
| MAEKAWA, Seiro & MORI, Hiroshi : |
|
|
Theophilus, "De Diversis Artibus" a Japanese trans-lation of
the first volume (1) |
|
| KUNO, Takeshi : |
|
|
A Wooden Kake-botoke by Kyôen, a Buddhist Sculptor |
|
| SATO, Akio : |
|
|
On the Iron Head of Bodhi-sattva in Ôhara-machi, Chiba Prefecture |
|
| Plates: |
|
| |
I. A Wooden kake-botoke by Kyôen, a Buddhist Sculptor
II. On the Iron Head of Bobhi-sattva in Ôhara-machi |
|
|
| 57 Vol.15,No. 1(June 1965) |
Résumé |
| Articles: |
|
| YANAGI, Munemoto : |
|
|
Quelques problèmes de la peinture murale de Cappadoce |
|
| YOSHIDA, Yûji : |
|
|
ZEN'E SHÔNIN E SCROLLS IN JOKYO-JI TEMPLE |
|
| YAMANAKA, Shoji : |
|
|
Tessan Tôryû, as an Artist of the Kaiho School, and Six paintings
in the Collection of Mr. Tatsujiro Yuri, Kyoto |
|
| Plates: |
|
| |
I. Painted decoration of Vault, Kokar Kilise.
II. a. Zen'e-Shonin E (Section 5 of the 3d Scroll) in Jokyo-ji (detail).
b. Huangshan-ku admiring orchids by Tetsuzan Toryu, in the collection
of Mr. Tatsujiro Yuri (detail)
Fig. 1=Huang Shan-Ku (1045-1105) admiring orchids.
Fig. 2=The T'ang poet Tu-Pu riding a donkey.
Fig. 3=The Han hermit Yen Tzu-Ling fishing alone.
Fig. 4=Geese and Reeds.
Fig. 5=A heron preched on a snowed willow.
Fig. 6=Landscape with houses.
(Note : The paintings were originally mounted on one of a pair of six-fold
screens, are now mounted individually as Kakemono. Size of each painting
: 118.2 x 50.6cm, ink on paper.) |
|
|
| 56 Vol.14,No.4 (MARCH, 1965) |
Résumé |
| Articles: |
|
| NISHIKAWA Kyōtarō : |
|
|
Notes on the Image of Yakushi Buddha (Bhaisájya-guru) in the Hōkai-ji
Temple |
|
| SHIRAHATA Yoshi : |
|
|
On the " Ink-sketch " (Hakubyô) Scroll of the Tale of Genji |
|
| TANIGUCHI Tetsuo : |
|
|
Ku K'ai-chih's Miscellaneous Writings |
|
|
| 55 Vol.14,No. 3(DECEMBER 1964) |
Résumé |
| Articles: |
|
| NAKAMURA, Nihei : |
|
|
Joseph Gantner's Study of Art History |
|
| KANAZAWA, Hiroshi : |
|
|
The Sliding-screen Paintings formerly owned by the Yōtoku-in, and the Position
of Sōkei Oguri |
|
| NAKANO, Genzo : |
|
|
Some Recently Discovered Shintō Images in Maizuru City |
|
| Plates: |
|
| |
I. Four Accomplishments (the koto, go, calligraphy, and painting). Kyoto National Museum.
II. a. Wild Geese among the Reeds (detail). Kyoto National Museum.
b. do. |
|
|
| 54 Vol.14,No. 2(SEPTEMBER 1964 ) |
Résumé |
| Articles: |
|
| ETO, Shun : |
|
|
The Development of Chinsō (Zen Portraiture) in Ensō-zō(Circular Format)
|
|
| KATSU, Kunioki : |
|
|
On the Grünewald's Temptation of St. Anthony |
|
| SHIMIZU, Zenzo : |
|
|
On the Buddhist Images in the Kōdō (Lecture Hall) of the Tō-ji Temple,
and the Doctrines they express |
|
| Plates: |
|
| |
I. St. George and dragon. Tretyakov Gallery, Moscow.
II. St. Matthew. Tretyakov Gallery, Moscow. |
|
|
| 53 Vol.14,No.1 (JUNE 1964) |
Résumé |
| Articles: |
|
| TAKEDA, Tsuneo : |
|
|
The Contents of Early Paintings depicting " Kyoto and its Suburbs "
with Special Reference to the Earliest Development of the Theme |
|
| Explanation of Plates : |
|
| UMEHARA, Sueji : |
|
|
A Pair of Shoes and a Crown, Gilt-bronze Relies of the Three Kingdoms in
Korea |
|
| Plates: |
|
| |
I. a, Gilt-bronze crown, in the collection of Dr. Sueji Umehara.
b. Gilt-bronze shoes with floral design from Kyongju,
in the collection of Mr. Naojiro Oshita.
Edited by the Japan Art History SocietyPublished by the Benrido, Kyoto. |
|
|
| 52 Vol.13,No. 4(MARCH 1964) |
Résumé |
| Articles: |
|
| KONDŌ, Yoshihiro : |
|
|
A Problenz in the " Kitano Tenjin Engi" |
|
| ONIMARU, Yoshihiro : |
|
|
Die Skythische Goldplatte-Relief aus Karagodeuaschch-Kurgan |
|
| TAMAKI, Toyojiro & NAKANO, Genzō : |
|
|
The Paintings in the Sera Hall of the Chion-in Temple |
|
| Plates: |
|
| |
I. Monju on a wooden wall panel of the rear (east) wall, the Sûtra Hall of the Chion-in Temple.
II. a. Inscription in sumi on the upper flying-brace of the center bay
in the rear (east) wall, the same hall. (first half)
b. Inscription in sumi on the upper flying-brace of the center bay in the
rear (east) wall, the same hall. (latter half). |
|
|
| 51 Vol.13,No.3 (DECEMBER 1963) |
Résumé |
| Articles: |
|
| TAKASHINA, Shuji : |
|
|
"Salomé" une étude iconologique |
|
| KUROE, Mitsuhiko : |
|
| |
On the Formation of Medieval Iconography at Saint-Denis |
|
| YAMANE, Yûzô |
|
|
On the Screen Painting ` Ise-monogatari (the Tale-of Ise) '
with accompanying text by Sôken Ogata |
|
| Plates: |
|
| |
I. Screen painting " Ise-monogatari " in Mr. Yoshinao Ôta's
collection.
II. a, b. Details of the same. |
|
|
| 50 Vol.13,No. 2(SEPTEMBER 1963) |
Résumé |
| Articles: |
|
| MINAMOTO Toyomune : |
|
|
The Principle of Geometrical Composition in Paintings of the Second Quarter
of the Seventeenth Century |
|
| ISHIDA Hisatoyo : |
|
|
The Contradiction in Chishō's Identification of the Deities in the Taizō Kyū Zuyō a Garbhadhātu Madala |
|
| Plates: |
|
| |
I. Screen painting " plum-tree " by Kanō Kōi. The Academy of
Arts, Honolulu.
II. Screen painting " pine-tree " by Kanō Kōi. The Academy of
Arts, Honolulu. |
|
|
| 49 Vol.13,No. 1(JUNE 1963) |
Résumé |
| Articles: |
|
| NAGAHIRO, Toshio : |
|
|
On the Stone Figures excavated at Ch`ü yang |
|
| SUGIYAMA, Jiro & TSUTSUI, Kanshu : |
|
|
Notes on the Monk Jitchū |
|
| Plates: |
|
| |
I. Meditating Bodhisattva. Norther Ch`i (with no inscription). Peking Palace
Museum. Photo by Nagahiro Toshio.
II. a. Detail of the front relief carving of the same pedestal shown in Pl. I.
b. The right side view of the above mentioned statue. Photo by Nagahiro. |
|
|
| 48 Vol.12,No.4 (March 1963) |
Résumé |
| Articles: |
|
| YAMANE, Yūzō : |
|
|
Eya ("Painter's Shop") in the Sixteenth and Seventeenth Centuries |
|
| MATSUBARA, Saburō : |
|
|
A Chinese Example of a "Thousand Buddhas" Sculpture Dated 552
A.D. |
|
| Documents : |
|
| NISHIKAWA Shinji : |
|
|
Images of Tarōten and Two Attendants at Chōanji Temple |
|
| AKIYAMA Terukazu : |
|
| |
Sur la restauration du "Pavillon du Phéniix (Hôôdô)"à
l'ère Bunryaku (1234-35), d'après une nouvelle interprétation
de l'inscription découverte en 1906 |
|
| Plates: |
|
| |
I. Tarôten (Detail) ; Chôanji, Ōita Prefecture
II. Attendants of Tarôten ; Chôanji |
|
|
| 47 Vol.12,No. 3(January 1963) |
Résumé |
| Articles: |
|
| SAWAYANAGHI, Daigorô : |
|
|
L'AFRODITE DA SINUESSA |
|
| MIZUNO, Keizaburô : |
|
|
An Examinution of Kaikei's Works |
|
| Plates: |
|
| |
I, II Aphrodite of Sinuessa (detail and four views.) |
|
| Book Review: |
|
| |
Chewon Kim & Moo-Byong Youn : Kam Eun Si, A Temple Site of the Sillz
Dynasty, Special Report of the National Museum of Korea, vol. II., Seoul,
1961, (KUMAGAI, Nobuo) |
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| 46 Vol.12,No.2 (September 1962) |
Résumé |
| Articles: |
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| TSUJI, Sahoko : |
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Personnsges de l'Ancien Testament représentés dans l'Evangéliaire
de Rabula |
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| TODA, Teisuke : |
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Bamboo-in-Ink in the Five Dinasties and Northern Sung |
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| Explanation of Plate I: |
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| TANAKA, Ichimatsu : |
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Snow Landscape by Chôan |
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| Plates: |
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I. Snow Landscape, by Chôan. Private collection, Tokyo.
II. a. Autumn Landscape (Detail of bamboos). Coll. of Konchi-in Temple, Kyoto.
b. Winter Landscape (Detail of bamboos). Id. |
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| Book Review : |
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Coletti & Camesasca : La Camera degli Sposi del Mantegna a Mantova Rizzoli
Editore, Milano, 1959, (TSUJI, Shigeru) |
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| 45 Vol.12,No.1 (June 1962) |
Résumé |
| Articles: |
|
| HASHIMOTO, Ayako |
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A Stylistic Study of the Probem of Hasegawa Nobuharu and Tōhaku |
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| YAMAMOTO, Midori : |
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On' the Date of "Me Life of Si. Matthew" by Caravaggio. (Part 2) |
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| Activities of the Japan Art History Soiety : |
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| |
Fifteenth general meeting in 1962 |
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| Plates: |
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| |
I. Screens of Hot-es in Pasture, Painted by Hasegawa Nobuharu.
II. Detail of the Same. |
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| Book Raeiew : |
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| |
Reallexikon zur deutschen Kunstgeshichte, (MAEIKAWA, Seirô) |
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|
| 44 Vol.11,No.4 (March 1962) |
Résumé |
| Articles: |
|
| TANAKA, Ichimatsu : |
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Some Problems Concerning Buddhist Paintings by Chōga--Mainly on the Images
of Kongara and Seitaka-- |
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| KONDÔ, Yoshihiro : |
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The Fire of the Ōten-mon--The Characteristics of the . Scroll Painting, Ban-dainagon Ekotoba-- |
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| Plates: |
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| |
I. Images of Kongara and Seitaka, Painted by Chōga.
II. Detail and seal of the Same. |
|
|
| 43 Vol.11,No3. February 1962() |
Résumé |
| Articles: |
|
| MÔRI, Hisashi : |
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Yosegi-zukuri, a Technical Innovation in Wooden Sculpture |
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| ISHIDA, Hisatoyo : |
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|
The Contradiction in Chishô's Identification of the Deities in the
Taizō Kyû Zuyô a Garbhadhâtu Mandala |
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| Explanation of Plates: |
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| HAMADA, Takashi : |
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The Main Image of Mondōkō Ceremony |
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| Plates: |
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| |
I. The Main Image of Mondōkō Ceremony.
II. Detail of the Same : a. The Upper Part : Landscape of the Mausoleum
of Priest Kûkai.
b. The Lower Part : View of Amano Shrine. |
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|
| 42 Vol.11,No. 2(Dec. 1961) |
Résumé |
| Articles: |
|
| TSUJI Nobuo : |
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|
Examination of Some Works in the So-called Matabē Style -----First Part
of a Study on Iwasa Matabê |
|
| ISHIDA Hisatoyo : |
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|
Ken-no-gohō-dōji and the Flying Bowl in Scroll Painting, the History of
the
Shigisan Monastery (Shigisan-engi) |
|
| YANAGISAWA Taka : |
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|
A Document Concerning the Artist and the Date of the Painted Image of Zennyo-ryûô |
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| Plates: |
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| |
I. Scroll painting, ,Jōruri (Detail) ; Atami Museum, Atami.
II. Scroll painting, Horie-monogatari (Detail) ; Atami Museum, Atami. |
|
|
| 41 Vol.11,No.1 (October 1961) |
Résumé |
| Articles: |
|
| MIURA Anna : |
|
|
Der erfundene Eine Jünger Jesu im Mosaikenzyklus von S. Apollinare
Nuovo in Ravenna (um 520) |
|
| SUGIYAMA Jirō : |
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On the Main Statue of the Kanimadera |
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| Plates: |
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I. The Main Image of the Kanimadera ; II . Details of the Same (a. right hand; b. left leg) |
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| Book Review : |
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Toumchouq (Planches), the first volume of Documents Archéologiques
de la Mission Paul Pelliot. (AKIYAMA, Terukazu) |
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